CWSA Set of 37 volumes
Early Cultural Writings Vol. 1 of CWSA 784 pages 2003 Edition
English
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Early essays and other prose writings on literature, education, art and other cultural subjects including 'The Harmony of Virtue', 'The National Value of Art'...

Early Cultural Writings

Sri Aurobindo symbol
Sri Aurobindo

Early essays and other prose writings on literature, education, art and other cultural subjects. The volume includes 'The Harmony of Virtue', Bankim Chandra Chatterji, essays on Kalidasa and the Mahabharata, 'The National Value of Art', 'Conversations of the Dead', the 'Chandernagore Manuscript', book reviews, 'Epistles from Abroad', Bankim – Tilak – Dayananda, and Baroda speeches and reports. Most of these pieces were written between 1890 and 1910, a few between 1910 and 1920. (Much of this material was formerly published under the title 'The Harmony of Virtue'.)

The Complete Works of Sri Aurobindo (CWSA) Early Cultural Writings Vol. 1 784 pages 2003 Edition
English
 PDF   

Poetry

Poetry I take to be the measured expression of emotion. Of prose one asks, does the matter please, stimulate or instruct the intellect; does the style satisfy a cultured taste & observant literary sense; if it does so, it is good prose, whether it moves the heart or not. Of poetry we ask, does the matter move, stimulate, enlarge, heighten, or deepen the feelings; does it excite emotions of delight, sorrow, awe, sublimity, passionate interest, or if the nature of the subject matter is not such as to excite actual emotions, does it excite certain vague & nameless sensations, the quiet stirring of the heart which attends the perception of beauty, or the august tumult which goes with the sense of largeness & space or the quick delight of increased horizons & heart-searching perceptions, does it give us the sense of power & passion? If it does, we have the material of poetry, but not yet poetry. Prose can and often does create similar effects. Great thoughts, beautiful description, noble narrative will always have this power on the soul. We have also to ask, does the language & verse harmonise with the emotion, become part of it & expressive of it, swell with its fullness and yet bound & restrain it? If it does, then we have poetry, a thing mighty & unanalysable, to usurp whose place prose vainly aspires. Matter by itself does not make poetry; skill in verse & diction is not poetry; striking & brilliant phrases, melodious weavings of sound are not poetry; it is the natural & predestined blending or rather inseparable existence of great matter with great verse producing high emotions or beautiful matter with beautiful verse producing soft emotions that gives us genuine poetry. An identity of word & sound, of thought & word, of sound & emotion which seems to have been preordained from the beginning of the world and only awaited its destined hour to leap into existence, or rather was

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there from the beginning of the world & only dawned into sight at the right time, this rare identity is what we call poetry.

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