The Mother's Organ Music

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SRI AUROBINDO ON THE MOTHER'S MUSIC






It is not by knowledge of music that the understanding [of the Mother's music] comes; nor is it by effort of the mind—it is by becoming inwardly silent, opening within and getting the spontaneous feeling of what is in the music.



I feel within me a tendency for music, but I understand nothing of harmony, tune and rhythm. Yet sometimes when I hear the Mother's music, I am spellbound and lose all sense of time.

It is not necessary to have technical knowledge in order to feel what is behind the music. Mother of course does not play for the sake of a technical musical effect, but to bring down something from the higher planes and that anyone can receive who is open.



Why does my mind become so full of joy listening to the Mother's music? Today while listening to her play, my mind, my heart, my whole consciousness became full of peace and joy and then went high up somewhere.

What else is the Mother's music except the bringing down of these things? She does not play or sing merely for the music's sake, but to call down the Divine Consciousness and its Powers.



When the Mother plays the organ, something new enters into my consciousness. Does she really bring down something while playing?

If she did not bring something, why should she play at all?



Yesterday when the Mother was playing her music, I was much struck by the descent of forces in me. I clearly experienced these three elements: aspiration, surrender and the receiving of blessings. First, her soul as the immanent Divine aspired to the transcendent Divine; it was a call for her transcendent Self to come down and take possession of the downtrodden natures of her children. Then the surrender: in her zeal for union with her highest Divine Self, she almost loses herself. Then from the highest, her Voice comes down for the benefit of her children. She receives the blessings from above and showers them upon all her children. I do not know how far I am right.

I think it is fairly correct. At any rate the first and second parts are quite correct. I do not remember the third in this form but it was a firm assurance of the realisation.



Is it true that when the Mother plays on the organ she calls down the Gods of the higher planes to help us?

Not consciously.

You wrote in reply to my letter of yesterday: "Not consciously." Does it mean that the Gods are attracted to the Mother's music and so come down to hear it?

They may be.

Yesterday I heard the Mother playing Indian music and a few days ago she was corresponding with X about Indian music.

The Mother's music has often been recognised by Y as Indian music of this or that raga. The Mother plays whatever comes through her—she does not usually play any previously composed music whether European or Indian—the latter in fact she has never learned.

Some people think that in the Overmind and Supermind there will be no need of prayer or aspiration. They must have forgotten that even our Mother has aspired constantly, day and night, or that when she plays her music we feel that she is praying.

Yes. All that is very true. It is a prayer or an invocation that Mother makes in the music.

CWSA > The Mother with Letters on the Mother





THE MOTHER ON HER MUSIC


It is true that my music calms the body. From it emerges a sort of compassion which envelops the one who is listening. It is like a harmony that neutralises the disharmony in the chaos and pacifies the resistances, a melody that purifies the aspiration…. My music brings down the original vibration from the Source; it engulfs you, and lifts you up to the unknown regions. So with this music everything would calm down.

My music comes from the absolute Silence where Sound is created by the original vibration with its waves and pulsations which sustain the worlds and the universe in a perpetual blossoming in order to rediscover the Self. It is for this endless pursuit of its immutable cadences which are at the origin of all, it is to discover the delight of pure intensity of Universal Beauty hidden in the creation, that the Divine casts forth from His ocean of manifested consciousness a stream of His movement, which, passing through the invisible worlds, become Symphonies. A flood of this harmony cascading down upon the earth could lift the whole of humanity towards the Supreme. This is the power of my music. My music evokes a soul-state by the revelation of the Eternal Truth. When you are calm and silent it lifts you up in an adoration of an endless ecstasy towards the delights of this unknown Beauty and Felicity.

My music liberates you from human pettiness and the narrowness of the ignorance, and it thrusts you up towards a communion with Eternity where leaps forth the flash of Light and an outburst of Ananda. My music purifies you with its waves of harmony surging up from the depths of the being like an aspiration, trying to bring forth an echo of the hidden harmonies in us which are the secret rhythms of Infinity… the fusion of all our spiritual substances into a single whole through a large and wide movement, gathering up all that is sublime and spiritual in us towards a divine exaltation and transcendence.

To better appreciate my music, you must be as calm as possible — calm and silent, the head empty; then the vibrations and rhythms of the harmony which is expressing itself will make an imprint of an expanding compassion and will establish peace, sweetness, the calm of perfect purity and the revelations of the Eternal Truth.

My music gives a power of certitude which seizes the soul.

My music brings down the unseizable secret of the divine harmonies, the miracle of eternal beauty, the irresistible magic of a universal charm that unifies and binds the worlds with rhythms that surpass our comprehension…. In fact, my music enters through the sensations into the depths of the being and drives away discomforts and sufferings.

It is this that I was trying out on my body… Peace… Peace (pause). My music is like a wave of harmony which seizes you by its intensity — a sensation as if the Divine were entering into you… very calm and very pure, descending into you very discreetly, very quietly.

My music expresses the harmony of the spheres, and gently, very gently, the felicity of its sovereign peace descends. My music dispels darkness and unconsciousness as the wind in a tempest chases away the clouds; and in that you put a bit of light here and there and you observe the formations that unfold. It is visibly perceptible.

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What is the significance of the tune that goes on repeating itself in your music so often?

You must have noticed that this tune generally comes after some trouble or chaos has been expressed. It comes as a solution to a problem. It means an advancement, a progress, a step forward in consciousness. It comes as a enlightenment. My music resembles the inner movements of the Sadhana. Sometimes a trouble, a chaos, a problem, a wrong movement which seemed conquered returns with a greater force. But then, as an answer or as an aid, the growth, the unveiling of the consciousness—and then the final enlightenment.

This music is very difficult to understand—especially for the Western mind. To people from the West it often means nothing; nor do they easily feel in them the corresponding movements. Mostly those who can appreciate the Indian Ragas can like that music; for there is some resemblance with the Ragas. But here too from the point of view of form, all conventions of musical laws and notations are broken.

CWM > On Education > Arts




The Mother's Organ music

  53 tracks