Sri Aurobindo's definitive interpretation of the Upanishad including translations of and commentaries on the Isha Upanishad.
On Upanishad
Translations of and commentaries on the Isha Upanishad. The volume is divided into two parts: (1) Sri Aurobindo's final translation and analysis of the Isha Upanishad. This small work contains his definitive interpretation of the Upanishad. It is the only writing in this volume published during his lifetime; (2) ten incomplete commentaries on the Isha. Ranging from a few pages to more than a hundred, these commentaries show the development of his interpretation of this Upanishad from around 1900 to the middle of 1914.
THEME/S
The Upanishads, being vehicles of illumination and not of instruction, composed for seekers who had already a general familiarity with the ideas of the Vedic and Vedantic seers and even some personal experience of the truths on which they were founded, dispense in their style with expressed transitions of thought and the development of implied or subordinate notions.
Every verse in the Isha Upanishad reposes on a number of ideas implicit in the text but nowhere set forth explicitly; the reasoning also that supports its conclusions is suggested by the words, not expressly conveyed to the intelligence. The reader, or rather the hearer, was supposed to proceed from light to light, confirming his intuitions and verifying by his experience, not submitting the ideas to the judgment of the logical reason.
To the modern mind this method is invalid and inapplicable; it is necessary to present the ideas of the Upanishad in their completeness, underline the suggestions, supply the necessary transitions and bring out the suppressed but always implicit reasoning.
The central idea of the Upanishad, which is a reconciliation and harmony of fundamental opposites, is worked out symmetrically in four successive movements of thought.
In the first, a basis is laid down by the idea of the one and stable Spirit inhabiting and governing a universe of movement and of the forms of movement.
(Verse 1, line 1)
On this conception the rule of a divine life for man is founded,—enjoyment of all by renunciation of all through the exclusion of desire.
(Verse 1, line 2)
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There is then declared the justification of works and of the physical life on the basis of an inalienable freedom of the soul, one with the Lord, amidst all the activity of the multiple movement.
(Verse 2)
Finally, the result of an ignorant interference with the right manifestation of the One in the multiplicity is declared to be an involution in states of blind obscurity after death.
(Verse 3)
In the second movement the ideas of the first verse are resumed and amplified.
The one stable Lord and the multiple movement are identified as one Brahman of whom, however, the unity and stability are the higher truth and who contains all as well as inhabits all.
(Verses 4, 5)
The basis and fulfilment of the rule of life are found in the experience of unity by which man identifies himself with the cosmic and transcendental Self and is identified in the Self, but with an entire freedom from grief and illusion, with all its becomings.
(Verses 6, 7)
In the third movement there is a return to the justification of life and works (the subject of verse 2) and an indication of their divine fulfilment.
The degrees of the Lord's self-manifestation in the universe of motion and in the becomings of the one Being are set forth and the inner law of all existences declared to be by His conception and determination.
(Verse 8)
Vidya and Avidya, Becoming and Non-becoming are reconciled by their mutual utility to the progressive self-realisation which proceeds from the state of mortality to the state of Immortality.
(Verses 9-14)
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The fourth movement returns to the idea of the worlds and under the figures of Surya and Agni the relations of the Supreme Truth and Immortality (Verses 15, 16), the activities of this life (Verse 17), and the state after death (Verse 18) are symbolically indicated.
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