Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.
On Poetry
Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.
THEME/S
The metre is the little Asclepiad used by Horace in his Ode addressed to Maecenas, two choriambs between an initial spondee and a final iamb. Here modulations are admitted, trochee or iamb for the spondee, occasionally a spondee for the concluding iamb; an epitrite or ionic a minore can replace the choriamb.
Who art thou in the heart comrade of man who sitst August, watching his works, watching his joys and griefs, Unmoved, careless of pain, careless of death and fate? Witness, what hast thou seen watching this great blind world Moving helpless in Time, whirled on the Wheel in Space, That yet thou with thy vast Will biddest toil our hearts, Mystic,—for without thee nothing can last in Time? We too, when from the urge ceaseless of Nature turn Our souls, far from the breast casting her tool, desire, Grow like thee. In the front Nature still drives in vain The blind trail of our acts, passions and thoughts and hopes; Unmoved, calm, we look on, careless of death and fate, Of grief careless and joy,—signs of a surface script Without value or sense, steps of an aimless world. Something watches behind, Spirit or Self or Soul, Viewing Space and its toil, waiting the end of Time. Witness, who then art thou, one with thee who am I, Nameless, watching the Wheel whirl across Time and Space?
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