CWM Set of 17 volumes
Questions and Answers (1957-1958) Vol. 9 of CWM 433 pages 2004 Edition
English Translation
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Entretiens - 1957-1958 98 tracks  

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The Mother's answers to questions on books by Sri Aurobindo: 'Thoughts and Glimpses', 'The Supramental Manifestation upon Earth' and 'The Life Divine'.

Questions and Answers (1957-1958)

The Mother symbol
The Mother

Ce volume comporte les réponses de la Mère aux questions des enfants de l’Ashram et des disciples, et ses commentaires sur deux œuvres de Sri Aurobindo, Aperçus et Pensées et La Manifestation supramentale sur la Terre, et sur les six derniers chapitres de La Vie Divine.

Collection des œuvres de La Mère Entretiens - 1957-1958 Vol. 9 500 pages 2009 Edition
French
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The Mother symbol
The Mother

This volume contains the conversations of the Mother in 1957 and 1958 with the members of her Wednesday evening French class, held at the Ashram Playground. The class was composed of sadhaks of the Ashram and students of the Ashram’s school. The Mother usually began by reading out a passage from a French translation of one of Sri Aurobindo’s writings; she then commented on it or invited questions. For most of 1957 the Mother discussed the second part of 'Thoughts and Glimpses' and the essays in 'The Supramental Manifestation upon Earth'. From October 1957 to November 1958 she took up two of the final chapters of 'The Life Divine'. These conversations comprise the last of the Mother’s 'Wednesday classes', which began in 1950.

Collected Works of The Mother (CWM) Questions and Answers (1957-1958) Vol. 9 433 pages 2004 Edition
English Translation
 PDF   

Entretiens - 1957-1958

  French|  98 tracks
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6 February 1957

"Death is the question Nature puts continually to Life and her reminder to it that it has not yet found itself. If there were no siege of death, the creature would be bound forever in the form of an imperfect living. Pursued by death he awakes to the idea of perfect life and seeks out its means and its possibility."

There seems to be matter enough here for us not to need to go any further. This is a question which every person whose consciousness is awakened a little has asked himself at least once in his life. There is in the depths of the being such a need to perpetuate, to prolong, to develop life, that the moment one has a first contact with death, which, although it may be quite an accidental contact, is yet inevitable, there is a sort of recoil in the being.

In persons who are sensitive, it produces horror; in others, indignation. There is a tendency to ask oneself: "What is this monstrous farce in which one takes part without wanting to, without understanding it? Why are we born, if it is only to die? Why all this effort for development, progress, the flowering of the faculties, if it is to come to a diminution ending in decline and disintegration?..." Some feel a revolt in them, others less strong feel despair and always this question arises: "If there is a conscious Will behind all that, this Will seems to be monstrous."

But here Sri Aurobindo tells us that this was an indispensable means of awakening in the consciousness of matter the need for perfection, the necessity of progress, that without this catastrophe, all beings would have been satisfied with the condition they were in—perhaps.... This is not certain.

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But then, we have to take things as they are and tell ourselves that we must find the way out of it all.

The fact is that everything is in a state of perpetual progressive development, that is, the whole creation, the whole universe is advancing towards a perfection which seems to recede as one goes forward towards it, for what seemed a perfection at a certain moment is no longer perfect after a time. The most subtle states of being in the consciousness follow this progression even as it is going on, and the higher up the scale one goes, the more closely does the rhythm of the advance resemble the rhythm of the universal development, and approach the rhythm of the divine development; but the material world is rigid by nature, transformation is slow, very slow, there, almost imperceptible for the measurement of time as human consciousness perceives it... and so there is a constant disequilibrium between the inner and outer movement, and this lack of balance, this incapacity of the outer forms to follow the movement of the inner progress brings about the necessity of decomposition and the change of forms. But if, into this matter, one could infuse enough consciousness to obtain the same rhythm, if matter could become plastic enough to follow the inner progression, this rupture of balance would not occur, and death would no longer be necessary.

So, according to what Sri Aurobindo tells us, Nature has found this rather radical means to awaken in the material consciousness the necessary aspiration and plasticity.

It is obvious that the most dominant characteristic of matter is inertia, and that, if there were not this violence, perhaps the individual consciousness would be so inert that rather than change it would accept to live in a perpetual imperfection.... That is possible. Anyway, this is how things are made, and for us who know a little more, there is only one thing that remains to be done it is to change all this, as far as we have the means, by calling the Force, the Consciousness, the new Power which is capable of infusing into material substance the vibration which

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can transform it, make it plastic, supple, progressive.

Obviously the greatest obstacle is the attachment to things as they are; but even Nature as a whole finds that those who have the deeper knowledge want to go too fast: she likes her meanderings, she likes her successive attempts, her failures, her fresh beginnings, her new inventions; she likes the fantasy of the path, the unexpectedness of the experience; one could almost say that for her the longer it takes, the more enjoyable it is.

But even of the best games one tires. There comes a time when one needs to change them and one could dream of a game in which it would no longer be necessary to destroy in order to progress, where the zeal for progress would be enough to find new means, new expressions, where the élan would be ardent enough to overcome inertia, lassitude, lack of understanding, fatigue, indifference.

Why does this body, as soon as some progress has been made, feel the need to sit down? It is tired. It says, "Oh! you must wait. I must be given time to rest." This is what leads it to death. If it felt within itself that ardour to do always better, become more transparent, more beautiful, more luminous, eternally young, one could escape from this macabre joke of Nature.

For her this is of no importance. She sees the whole, she sees the totality; she sees that nothing is lost, that it is only recombining quantities, numberless minute elements, without any importance, which are put back into a pot and mixed well—and something new comes out of it. But that game is not amusing for everybody. And if in one's consciousness one could be as vast as she, more powerful than she, why shouldn't one do the same thing in a better way?

This is the problem which confronts us now. With the addition, the new help of this Force which has descended, which is manifesting, working, why shouldn't one take in hand this tremendous game and make it more beautiful, more harmonious, more true?

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It only needs brains powerful enough to receive this Force and formulate the possible course of action. There must be conscious beings powerful enough to convince Nature that there are other methods than hers.... This looks like madness, but all new things have always seemed like madness before they became realities.

The hour has come for this madness to be realised. And since we are all here for reasons that are perhaps unknown to most of you, but are still very conscious reasons, we may set ourselves to fulfil that madness—at least it will be worthwhile living it.

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