The Sun and The Rainbow


- Foreword
- Spiritual India and Sri Aurobindo
- What Sri Aurobindo Means to Me
- India and the Fate of Nations
- The Integral Yoga, Work and Life-Activity
- Sri Aurobindo and the Reshaping of Man
- Two Letters from the Ashram
- A Dream and an Attempt at its Reading
- Money and the Spiritual Aspirant
- The First Americans in the Sri Aurobindo Ashram
- The Twenty-fifth Anniversary of Mother India
- Sex and Spirituality
- The Past Religions, the Old Yogas
- Sri Aurobindo, Other Teachings,
- Punctuating Our World-View
- A Birthday Letter
- Each of Us on Earth
- When Nehru Met Shaw
- Jawaharlal Nehru and Modem India
- The Two Smiles
- To a Peace Corps Worker in Nepal
- Some Misunderstandings about the Ashram
- The Mother's Gayatri
- Aids to an Inquiring Seeker
- The Fount of Poetry
- A Poet's Sincerity
- Some Comments on Savitri
- Mind of Light (Poem)
- This Too is Her Love (Poem)
- No Return (Poem)
- Pranam to the Divine Mother (Poem)
- The Mother Two Phases (Poem)
- Tennis with the Mother (Poem)
- Her Changing Eyes (Poem)
- A Poet in the Making
- The Hero
- A Mere Manuscript
- The Heart and Art of these Stories
- Sri Aurobindo's Comments
- Supplement The Mother and Sehra
- Preface
- A Letter to the Mother and Her Answer
- A Dream-Vision on 14 June, 1956
- The Mother's Programme for a Devotee
- December 5 Two statements by sehra in 1956
- The Mother's Work in a Dreadful Place
- A Dream-Vision - January 3,1962
- Three Little Conversations with the Mother
- An Experience Recollected
- Sri Aurobindo's Home in the Subtle-Physical
- Communication with Objects around Us
- A Crucial Dream and the Mother's Interpretation
- A Message Heard on November 17, 1974
- A Dream-Vision of the Mother
- Two Independent Remembrances

A Poet in the Making
A LYRIC WITH SRI AUROBINDO'S CORRECTIONS
AND COMMENTS
In the early days of my stay in the Ashram, I wrote as follows to Sri Aurobindo about a poem by my sister Minnie, now Mrs. NF. Canteenwalla, who was eighteen years old at the time and had come with my mother and brother on a visit:
"My sister has off and on been writing poetry. Here is her most recent effort, the first poem she has written in Pondicherry. In a few places I have made some corrections. Substantially the poem stands as she wrote it. Perhaps my most important change was to substitute 'phantom' for 'seductive' in stanza 5. Will you kindly give your opinion on the lyric as well as advice, if possible, as to her potentialities and the method of developing them?"
AMAL KIRAN
(The corrective touches by Sri Aurobindo are shown in italics above the original lines.)
AT EVENTIDE
On many an eve at the gloaming hour,
I at my cabin window sit;
The shore is barren and lonesome am I:
My mate is the light-house with beacons lit.
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An amber twilight floods the beach;
It dances on the wayward sea,
It light?
(Lights) the cliff with a purple hue
And stops at my cabin to peep at me.
The ocean croons a lullaby
To the wild sea-birds wending home.
But always it is a sad, sad song
That comes from the heart of the gleaming foam.
I hear a call, a sigh, a strain,
It minglesthe
(Mingled) with (that) song each day,
so
Oh! unlike any earthly music —
A yearning chant from far-away.
it's
The fishers say ('tis) the dreaded call
a
Of (the) phantom vampire of the deep;
Or they say it's the winds that laugh and frolic
(Or maybe 'tis the winds at frolic)
As in and out of the caves they leap.
But to me it sounds a sweeter thing;
As I shut my eyes at that peaceful hour,
I can hear the voices of angels sing
Out of the clouds as from a bower.
And thus I sit with eyes locked fast,
Till the night comes creeping from afar.
Beside me stands my faithful light-house
a
Returning the blinks of (the) distant star.
10.11.1931
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SRI AUROBINDO'S GENERAL COMMENT
Your sister is surely a born poet. There are just a few slight mistakes in the rhythm and turns of language; but the only serious blunder is the "seductive vampire". There are of course echoes — a mixture of Christina Rossetti and Heine (I don't know if she has read translations of Heine, it may be an indirect influence); but that was inevitable. I have suggested a few changes (in addition to yours) for the sake of perfection; but, even as it is, the poem is remarkable for a beginner. Advice? I don't know; let her remain true to the spontaneity of her gift and allow it to develop from within.
24.11.1931
SRI AUROBINDO'S COMMENT IN THE MARGIN
AGAINST LINES 5-10
These six lines are the best; they could have been the work of a mature poet already master of his instrument. The same can be said of the marked two lines \2 & 4] in the last verse.
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