Collected Works of Nolini Kanta Gupta - Vol. 1

The other aspect of European Culture

Two cultures, one of Europe and the other of Asia, are now contending with each other to have sway over humanity; and it has been for some time past a moot problem with the best representatives of either, whether a synthesis, at least a reconciliation of the two is possible or not. Europe's distinctive trait, it has also been pointed out, is her hold upon life and the actualities of material existence; whereas the thing that characterises Asia as a separate organism is her grasp of the Spirit, the realities of a subtle world. Thus considered, the two need not, it is urged, be necessarily contradictory, they may as well be complementary to each other; and if mankind has the will to it, a union, even a fusion of them to form a richer and more complete whole, should not be altogether impracticable.

But there is a point of doubt. Two different and distinct entities, in order to be complementary, must first of all be commensurable; that is to say, both must belong to the same order of reality, there must lie between them something fundamentally common which would give them a similar mode of being, a parallel rhythm of movement. Otherwise, two entities that are not only different but disparate can never be brought together to complement each other.

So it is contended by some dissident voices that Europe and Asia are, as a matter of fact, different and disparate and incommensurable bodies – they belong to categories that are as poles asunder; and therefore the twain can and shall never merge nor meet. For Europe, on the one hand, with her materialistic and mechanistic culture, forms one indivisible unity, her entire life in its manifold expression is moulded according to a definite pattern, forming a closed circle; on the other hand, Asia basing herself upon the spiritual and the

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other world has in quite a different way fashioned an altogether different culture-complex. One cannot take some spiritual element out of Asiatic culture and mix it with some profane element extracted from European culture, serving the product to humanity as its universal Ideal. The details – the multitudinous forms and forces – that make up an integral whole are irrevocably determined by 'a basic intuition which is the soul of that integrality; the entire edifice is a compact unity-each piece of brick, every bit of space is. in its own place and has its own function by virtue of a dominant, a compelling Idea. Like an object of art, even like a living organism, a "body cultural" is inviolable in its self-sufficient and jealous com­pleteness.

In other words, the difference between Europe and Asia is the difference between two species; and there can be no fruitful union between them. So, the meeting and fusion of Europe and Asia is nothing but a barren ideal, a chimera. It is a hope and a desire cherished, no doubt, by sentimental visionaries, but it is bound to come to grief in the end, when brought to face the realities of life and the stern forces that shape the forms of the concrete world.

But is it after all an incontrovertible fact that Europe is Europe and Asia Asia? It is now too late in the day to maintain that Asia was always dreamy and metaphysical and that she always lacked the hold upon concrete reality. On the contrary, every new additional information regarding her past is continually bringing to light the fact that Asia was no less efficient than Europe in matters worldly and material; she had as great, if not greater control over the brute reality than the latter can claim even today. Only her conquest of the spiritual realms was also as efficient and sovereign.

Nor is it a fact that Europe is and has been merely profane and materialistic in her outlook and attainment. The godless and mechanistic civilisatioI1. which is rampant today in Europe is a distemper of comparatively recent growth. Its farthest limit .does not go beyond the sixteenth or the fifteenth century when the first seeds were sown by the Humanists of the Renaissance. It sprouted with the rationalists of the eighteenth century and the French Revolution cleared the ground for its free and untrammelled growth. But only in the nineteenth

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and the twentieth centuries has it reached such vast and disconcerting proportions as to swallow all Europe's other motives and velleities and to appear as the only form of her life-expression. But in the earlier centuries, those that preceded the New Enlightenment, Europe had a different conception of culture and civilisation, she possessed almost another soul. The long period that is known as the mediaeval age was not after all so dark and unregenerate as it has been the familiar custom to represent it. Christian Europe – the Europe of cathedrals and monasteries, of saints and sages, of St. Francis and St. Teresa, of Boehme and Bernard, of Thomas Aquinas and Augustine, had an enlightenment all her own, which was real and living and dynamic, possessing a far-extending and deeply penetrating influence; in as much as it was this that called into being and fashioned the more abiding forces, which underlie Europe's cultural life and social institutions, although latterly "fallen on evil days and on evil tongues".

Even the still more ancient Græco-Latin Europe which was not, to a general and apparent view, quite spiritual or other-worldly, was yet not so exclusively materialistic and profane as modern Europe. Classical culture was rationalistic, without doubt; but that rationalism was the function of a sublimated intelligence and a refined sensibility and served as a vehicle for a Higher Perception – a ratiocinative and ultra-logical mind, like that of Socrates, could yet be so passive and upgazing as to receive and obey the commandments of a Dremon; whereas the rationalism, which is in vogue today and to which orthodox Scientism has affixed its royal sign manual, is the product of mere brain-power, vigorous but crude, of an intellect shut up in its self-complacent cunningness, obfuscated by its infinite but shallow inquisitiveness.

And the secret soul of this Classical culture was not inherited by those who professed to be its champions and adorers – the torch-bearers of the New Enlightenment; no, its direct descendants were to be found among the builders of the Christian civilization. Plato and Pythagoras and Heraclitus and the initiates to the Orphic and the Eleusinian mysteries continued to live in and through Plotinus and Anselm and Paracelsus and the long line 'Of Christian savants and sages. The Middle Age had its own spiritual discoveries and achievements founded

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on the Cult of the Christ; to these it added what it could draw and assimilate from the mystic and spiritual traditions of the Græco-Latin world. The esoteric discipline of the Jewish Kabala also was not without influence in shaping the more secret undercurrents of Europe's creative and formative genius. The composite culture which they grew and developed had undisputed empire over Europe for some ten or twelve centuries; and it was nothing, if not at heart a spiritual and religious and other-worldly culture.

Herein lay Europe's soul; and to it turned often and anon the gaze of those who, among a profane humanity, are still the guardians of the Spirit – poets and artists – who, even in the very midst of the maelstrom of Modernism, sought to hark back, back to the rock of the ages. The mediaevalism and archaicism of which a Rossetti or a Morris, for example, is often accused embodies only a defensive reaction on the part of Europe's soul; it is an attempt to return to her more fundamental life-intuition.

In this connection the history of Ireland's destiny affords an instructive study, since it is symbolic also of Europe's life-course. It was the natural idealism, the inborn spiritual out­look which Ireland possessed of yore – the Druidic Mysteries were more ancient than the Greek culture and formed perhaps the basis of the Orphic and Eleusinian Mysteries-which impelled her foremost to embrace the new revelation brought on by Christianity. As she was among the pioneers to champion the cause of the Christ, she became also the fortress where the new cult found a safe refuge when the old world was being overwhelmed and battered to pieces by the onrush of peoples of a dense and rough-hewn nature. When continental Europe lay a: desert waste under the heels of the barbarians that almost wiped away the last vestiges of the Classical Culture, it was Ireland who nursed and reared the New Child in her bosom and when the time came sent Him out again to reconquer and revivify Europe. Once more when the tide of Modernism began to rise and swell and carry everything before it, Ireland stood firm and threw up an impregnable barrier. The story of Ireland's struggle against Anglo-Saxon domination is at bottom the story of the struggle between Europe's soul power and body power. Ireland was almost slain in the

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combat, physically, but would not lose her soul. And now she rises victorious at long last, her ancient spirit shines resplendent, the voice of the Irish Renaissance that speaks through Yeats and Russell * heralds a new dawn for her and who knows if not for Europe and the whole West?

Is it meant that "Mediaeval obscurantism" was Europe's supreme ideal and that the cry should be: "Back to the Dark Age, into the gloom of Mystic superstitions and Churchian dogmas?" Now, one cannot deny that there was much of obscurantism and darkness in that period of Europe's evolution. And the revolt launched against it by the heralds of the Modern Age was inevitable and justified to some extent; but to say that unadulterated superstition was what constituted the very substance of Middle Age Culture an& that the whole thing was more or less a nightmare, is only to land into another sort of superstition and obscurantism. The best when corrupt does become the worst. The truth of the matter is that in its decline the Middle Age clung to and elaborated only the formal aspect of its culture, leaving aside its inner realisation, its living inspiration. The Renaissance was a movement of reaction and correction against the lifeless formalism, the dry scholasticism of a decadent Middle Age; it sought to infuse a new vitality, by giving a new outlook and intuition to Europe's moribund soul. But, in fact, it has gone a little too far in its career of correction. In its violent enthusiasm to pull down the worn-out edifice of the past and to build anew for the future, it has almost gone to the length of digging up the solid foundation and erasing the fundamental ground-plan upon which Europe's real life and culture reposed and can still safely repose.

If then Europe can cut across the snares that Modernism has spread all about her and get behind the surface turmoils and ebullitions and seek that which she herself once knew and esteemed as the one thing needful, then will she really see what the East means, then only will she find the bond of indissoluble unity with Asia. For the Truth that Europe carried in her bosom is much bigger than anything she ever suspected even in her best days. And she carried it not with the full illumination and power of a Master, but rather in the twilight consciousness of a servant or a devotee.

* "A. E."

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The Truth in its purity flowed there for the most part much under the main current of life, and its formulations in life were not its direct expressions and embodiments but echoes and images. It is Asia who grasps the Truth with the hand of the Master, the Truth in its full and absolute truth and it is Asia who can show in fact and life how to embody it integrally.

Europe's spiritual soul itself in the last analysis will be found to be only a derivative of Asia's own self. For all the Mysteries and Occult Disciplines – the Christian, the Platonic, the Eleusinian and Orphic, the Kabalistic, the Druidic – which lay imbedded in Europe's spiritual and religious genius, when traced further up to the very source, will carry us straight into Asia's lap, perhaps India's.

And Europe in accepting or embracing Asia comes back to the fountain-head pf her own inner being and nature.

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