DEDICATION
To
Indira, maid of Krishna,
Who even in this dark age through dust and din Has won to the certitude no storm shall quell:
"That the Light of the heart, pledged to His Love evergreen No demon power of Night shall countervail."
July, 1977
PREFACE
It all happens in Navadwip, the hallowed town of Bengal, where Sri Chaitanya was born in 1486. At an early age, he felt an irresistible call to give up his hearth and home, his mother and young wife — in short, everything that man holds dear — for the love of Sri Krishna, his one love and dream on earth.
A Vaishnava friend of mine wrote to me pointing out certain, what he calls historical, errors in the play. In one point, however, he was mistaken: he wrote that Sri Chaitanya had never had his mother's permission before he decided to take to the path of renunciation. In Amiya Nimai Charita — the most authentic life of Sri Chaitanya — it is written that he had persuaded both his mother and his wife to let him follow the call of Krishna. But even if it had been written otherwise, I would have put it like that in order to bring out the great character of his mother. In a work like this I do not feel obliged to being a bond slave to history as such, since what I set out to write is not history embellished but to express dramatically my heart's vision of one whom I have regarded as an Avatar of Krishna since my childhood, whose songs I have passionately loved and sung and whose Presence I have felt while singing of his divine humanity. That is why, historically, I have been less loyal to the letter so that I might be more faithful to the spirit that moved Sri Chaitanya, the spirit which has, alas, been often misunderstood even by many of his followers. To give but one instance. It is written in Chaitanya Charitamrita that he damned furiously a Brahmin, saying: "You made Sribash worship Goddess Bhavani; so I curse you, that you shall writhe in hell for ten million years". I confess I cannot see Sri Chaitanya, an Avatar of Love and Forgiveness, whose mere contact reformed ruffians like Jagai and Madhai into saints, cursing anyone, no matter for what transgression.
One last word of explanation about his names that occur in my play. He became known as Sri Krishna-Chaitanya or, more popularly, Chaitanya, meaning Divine Consciousness — after his great renunciation before which he used to be called by three names:
NIMAI PUNDIT, because of his deep scholarship;
GOURANGA (nicknamed Gora — which means fair) because of his peerless beauty and rose-white complexion;
BISHWAMBHAR which means one who bears the burden of the world.
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This last name reminds me of a noble utterance of Sri Aurobindo in Savitri with which I close my brief Preface. How well do these lines apply to the Avatarhood of Sri Chaitanya:
"The great who came to save this suffering world And rescue out of Time's shadow and the Law, Must pass beneath the yoke of grief and pain:
They are caught by the Wheel that they had hoped to break,
On their shoulders they must bear man's load of fate.
Heaven's riches they bring, their sufferings count the price
Or they pay the gift of knowledge with their lives.
The Son of God born as the Son of man
Has drunk the bitter cup, owned Godhead's debt,
The debt the Eternal owes to the fallen kind
His will has bound to death and struggling life
That yearns in vain for rest and endless peace."1
February 21,1950 DILIP KUMAR ROY
Postscript. I gratefully acknowledge my debt to my friends, Miss Joyce Chadwic, K. D. Sethna and Professor Sisir Kumar Ghosh of Santiniketan for the help I received from them.
1 Cent. Vol. 29, Bk. VI, C. 2
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Act One — Aspiration
1510 A. D. Evening. Sachi Devi is seen performing her daily devotions before her cherished Ishtadeva—a marble image of Lord Vishnu who was incarnated as Sri Krishna and later, as she believed, as Sri Chaitanya. Her worship over, she offers flowers at His feet when Sri Chaitanya enters hesitantly and waits in silence. His mother turns and gives an involuntary start.
SRI CHAITANYA Mother, I...
SACHI
Yes, my son?
SRI CHAITANYA
I have been thinking.........
SACHI (anxiously)
You are not unwell, I hope?
Oh, nothing: be not alarmed.
I only meant: I wished I were in that mood
Which lights on you when you are gripped by an ailment
In which your inmost soul flowers out in feeling,
Although the worldly-wise shake their great heads.
At such bloom-bursts and call them sentimental.
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SACHI (heaving a sigh of relief) I am glad you are well. How you did frighten me!
SRI CHAITANYA (forcing a smile) Ah, that is why I said ... but never mind.
SACHI (drawing near and scanning his face) What is it ails you?
(She pauses/or a few seconds expectantly)
And why this hesitation?
Because ... one dreads to hurt those one adores ... And I adore you. Mother!
SACHI (alarmed)
But what's all this? And how could such a strange thought cross your mind? Do I not know you too well to believe Or even imagine you to be capable Of hurting me — you, who never could hurt a fly?
SRI CHAITANYA (giving a quizzical look) But are you sure?
I know not what you mean. You are so ... far away I... I almost feel As though I never knew you truly, Gora, You — whom I have known these four and twenty years!
SRI CHAITANYA (smiling ironically)
Ah, there you are! And yet do we not claim A mother knows the inmost thoughts of one She has borne and nursed even as the honey-bee Must know the shiest murmur of the bud Which opes at morn to greet her humming lover?
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SACHI (gathering herself together)
I implore you, Gora, not to alarm me so. I am only a common woman who understands The simplest things — the things all women know. I have only claimed I knew you as a mother Who bore a child and reared him day by day Could not help knowing, seeing him slowly grow Under her eyes toward the skies of Gods From whom she got him — a boon and sacred trust;
And there my claim ends ...
(Her voice quavers)
For... do I not know Who you are, son, and who's the thing that calls Herself your mother? Could I help but know That I am a mere lamp whose flame you are, A dim frail stem whose one mission is to help The hundred-petalled lotus to bloom in light? I never claimed a lamp could understand The flame ... no more than a stem could understand The bud it bears till it has blossomed out.
SRI CHAITANYA (bowing his head)
Mother ... forgive me, pray... I stand rebuked. But will you not believe — I never intended To hint I was superior as the flame Is superior to the lamp? Nor am I sure That any flame that ever shed its dimmest Spark-glint upon the dark would dare disclaim Its native kinship with its source and haven, Sundered from which it never could realise Its self of gleam — no more than could the lotus Grow to its full-blown beauty baulked of the stem.
(His voice becomes thick with emotion) To you I owe not only this my body Which naught but a mother's angel tenderness And mysterious overawing solicitude For a thing unmet — for a refugee from worlds
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She had not even glimpsed — could ever dream Of offering her hospitality,
An enduring shelter in her blood, her heart-beat, To fashion, out from an amorphous speck, A being of sentient beauty and answering Its helpless, half-inconscient cry to be born With a vow born of an equal mystic hunger To sustain, augment it, throb by throb, with all Her fabulous patience — nourish, vindicate With every spasm of her nerves and flesh And the holiest sap of her being's virgin core...
(His eyes glisten as he meets her eyes .......m Yes, I owe you mother, not such a body alone, But even how much of what I call my will, My moods, my mind ... and what else — do I know? Can ever one know a thing down to its roots, The Ultimate Purpose — working as a leaven, Transforming momently, relentlessly This multitudinous hurtling play of life?
(He shakes his head ruefully) And yet we claim we know and act from knowledge Not even knowing what knowledge signifies! And who knows ... maybe it was so intended That this our mysteried play of sparks of peace At war with oceans of eddying, roaring passion, Of love-sprouts lashed by blasts of demon hail And yet surviving ... (a grim spectacle Of inconceivable grandeur — a miracle Wrought by Krishna, the Wizard!) ... this mighty drama Of the Timeless unrolling on Time's wheeling stage Of the fathomless Sphinx who pilots us through this Our inescapable maze of paradoxes That face us, dog us even as our own shadows.
(He lifts his eyes to hers) Or ... may be ... we do know something after all Even when we strive in vain to voice it, mother! Why else do we go on participating
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In this lila of bubbles, this cosmic dance of hues, This kaleidoscopic may a we hug as Life!
(He goes on abstractedly as though in a muse) Why else do we uphold it, new-create Symbols and sounds and words... why else, when baffled At every turn, do we still probe, explore! Or can it be: we give to the deepest things Some names or labels that through these we may clutch At a momentary respite from despair! Or that through their perfidious picturesqueness We may escape from the abysmal pain And shame of our ignorance!
(He suddenly comes to and meets his mother's anxious eyes')
Forgive me, mother! I ought to have known — only I know no better.
(He gives an ironical smile of self-pity) But it's an ill wind blows none any good. So you do see at long last, do you not, How ignorant I am — your idol, whom You exalted now?
(He heaves a deep breath; his irony changes into bitterness) And yet they will proclaim:
I am a great pundit drunk with the ruby wine
Of knowledge!— Knowledge indeed! Do I not know
How little is the difference, in the end,
Between my knowledge and the multitude's
In the eye of God in Heaven? Is not the tallest
Peak and the lowliest cottage equidistant
From the sun on high?
(He gives her a look of deep reproach)
But do you know, good mother, Who came to spoil me most?— Your doting heart. You turned my head, even more than did the others. Insisting I was a deep initiate In the primal lore of light and wisdom born Of the summit vision given but to the giants. But I tell you it's all futile, futile, futile:
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My scholarship, my learning and my knowledge Even as a painted flame which apes the fire But sheds nor warmth nor light. And that is why I come to you tonight to ask you — something.
SACHI (beads of perspiration breaking out on her forehead) I am waiting, Gora! (A slight pause)
Why do you not speak?
SRI CHAITANYA Because ... I quail to ask you ...
SACHI (tilting his face up with trembling hands)
Look up, my son! You quail to ask me — me, for anything? Or am I dreaming?
(She hugs him, drowning his face in her heaving bosom)
Know you not, my child, Who — what you are to me — my life and heart And the hub of my universe? ... How could you, Gora? Can I deny you anything on earth?
SRI CHAITANYA You can ... and that is why I said: I quailed.
SACHI (with an involuntary shudder)
Oh, keep me no more in this agony of suspense. Better the storm released than this pent hush. Come, speak your mind ... Or do you take me for A sentimental woman whose only strength Lies in exhibiting her tears and sighs?
SRI CHAITANYA (desperately)
Then, mother, listen: I want to leave my home To sing the name of Krishna, my Beloved, From door to door — a wandering mendicant.
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SACHI (stammering) You ... you will... what? ... I... I... what did you say?
SRI CHAITANYA (avoiding her eyes)
Mother ... I long to leave my all for Krishna Whose call I have heard. And He enjoins on me To beg henceforth for food from day to day And to become a beggar in His name.
You mean ... you will... leave ... me ... (Tears choke her voice as she stares at him)
SRI CHAITANYA (nodding ruefully)
You see why now I said I quailed... knowing how this must come To you as a dagger-thrust from a loved one To whom you opened your dear arms to hug.
SACHI (gazing at him like one stunned) I... understand ... but oh, what shall I say? (She steps back and rivets her eyes on the image)
SRI CHAITANYA (placing his hand appealingly on her shoulder)
Mother ... forgive me ... listen, I implore! For what can I say either — if you look So lost and broken-hearted? You know I cannot go without your sanction and blessing. But... mother mine! Oh, take it not so hard. Listen: I know — you are one in a million, By nature brave ... but now you must be braver. I know you are love itself... I know you love me As the breeze loves blooms ... adore me even as skies Adore the sun ... cherish me as the old Cherish the thrill of youth that is no more, Depend on me like the acolyte on faith,
Or the initiate on his Guru ... 2
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(He pauses and heaves a sigh)
Have I not felt, Since the day I uttered my first infant cry, Your eyes of steadfast tenderness around me Even as the budding blossom feels the tender Circumambient greeting of spring with all Its native welcome — generous, unbargaining —
(halting again and shaking his head) But no — how could one limn with similes What a child owes to its mother? Can such debts Be ever repaid?
(He looks at her and drops his voice)
But then who'd dare repay One's breath with breath-born thanks? I only pray:
You may not deem me an ingrate, a pitiful
Renegade who would shun his faith for lucre,
Or a lover who loves for the thrill of drama it brings?
(He lowers his voice) I voiced my inmost feeling now because ... But how shall one explain the inexplicable? Can one ever know how sound breaks into song, Or anguish at its peak dissolves in bliss? I only ask you, mother, to plumb my pain With the pain I know I must occasion you now, When I desire release from what I have grown To count as precious day by day ... I know You are a noble mother, and so, today, You are called to be nobler still, and understand What I find hard to explain — being impelled Now by an urge I fail to fathom myself. For although I hear my Beloved calling me, I know not whither, through what devious paths, He is leading me — to which last gleaming Goal. I only know: my yearning to my heart's One Lord is authentic even as the mother's For her child she worships and adores, and so I adjure you, mother mine, to ... let me go
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(A silence intervenes during which Sachi stands staring at him unseeingly ... Suddenly her eyes are drowned in tears and she turns round again to face the image and covers her face in her hands.)
SRI CHAITANYA (moving up to her and drawing her to him) O mother! ... Listen, it's this I dread most:
Your tears ... You do not know how weak I am. I cannot bear to see you cry in pain. O mother!
(She disengages herself/row his embrace and wipes her eyes)
Can you not understand why I Feel thus constrained to eschew all I have cherished, You who have known what is the call of God?
SACHI (passionately)
And child! Can you not understand why I Feel even as a stalk whose flower is gone And how I have long forgot my Gods in Heaven For the one and only God who is — my Gora?
(She turns round once more upon the image of Vishnu) Forgive me. Lord! And be not hard on me:
For you must know, 0 Resident of my heart, How a God-believer you yourself made Godless By giving her one who has usurped your place Till she thought you were a projection of himself And yet feel nor a qualm of shame — compunction! Strange are your ways, my Lord, that you, a God, Should suffer a human form to overshadow Your Divinity itself and make it grow Till the deputy seems taller than the King!
(She gives an involuntary shudder) But what am I saying? Forgive me, give me strength:
I must not make a scene nor beat my breast, For I am not a common woman — I Who have given the Ethereal to earth and borne A human rival of yourself who, strangely,
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Means more to earthlings than your Unborn Self!
(She turns to her son) You said, son, I must understand. Believe me:
I am not blind but — frail and weak. For listen:
I'll tell you what I have kept, as a fearful secret, Even from you. 'Tis not imagination That fails me now: 'tis only the irony That cuts so deep into my derelict soul. For I knew always: I would be a naught And stay a naught without you all my life, And my one mission was to bring to birth
(indicating the image of Vishnu)
His God-stuff that's your soul and breath and self.
In my dream I saw Him when I was a virgin.
He said: "You shall give a birth to a son who's one
With Light and Bliss derived from my quintessence,
Descended from a world but few have glimpsed .
Rear him until he comes into his own.
His kingdom of Love Divine — when he will come To implore you, his one guardian, to let him cut The chains that will have bound him to his mother And wife and friends and what men call the world, To redeem the world. On that great fateful day You shall unyoke him from his obligations That he may fulfil the mission of his life:
To bring to men the message of my Love They grope for, blind, in their egos' primal dark. This, by his selfless life, he'll show to all And prove the Eye of Light to humankind. Your sight you'll then be called to sacrifice For others, 0 blessed virgin, who are chosen To accept a pain to deliver the world from pain." And then, as hushed the deep-toned Organ Voice, I woke to find my pillow wet with tears. A fear then seized me — I cried out in pain:
"Why must you. Lord, ask those to carry your banner Who cannot bear its weight for a moment? How
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Can you expect a heart to behave like stone? The mother in me will never, never be able To rear a son and then bid him farewell."
(She half closes her eyes)
Just then, I visioned a strange Face: 'twas human, And yet 'twas made of something that was in essence Pure light. Its eyes, dark with reproach, met mine, I felt overawed and, as the Face drew near And nestled in me, time stood bewitched. I hugged It close till it broke out in a cry of pain. Startled, I looked when lo, I saw you Gora:
Just as you looked on the day you saw the light:
That exquisite, unforgettable face and the self-same
Timbre of voice that was a mystic thrill!
And then, as you, my child, clutched at my breast,
Milk spouted — 'twas no fancy I tell you, son!
Since, when I woke, I found my bed was drenched
With the milk that had outflowed for my dream child.
But no, it was no dream, for nothing I ever
Have seen in my waking moments has seemed more
Vivid, nor sounded any human voice
More real than yours I heard on that dread day,
That fateful day, when you, my child divine,
Appealed to me, a mortal mother, in pain:
"I would be born from out your holy womb:
Will you not have me, mother?" I kissed your Face
And cried: "I will, my darling! I'll defy
Aeons of torture if I may but hold
And nurse you at my breast for a single hour.
I will hail you and promise, in return,
I will not falter now in self-love nor
Claim to possess you and will let you go
When you, to companion those who have need of you,
Will consign me to my utter loneliness."
(She looks longingly at her son's face) And abide I will now by my word — if I Be blinded by the tears, I know, I'll shed,
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Abandoned by you. For know I not that light Cannot consort with gloom, nor truth with falsehood? Who hails from the world of beauty and bliss must fare To his kin and counterparts. For only they Can claim you truly and not I, a woman Who, strangely, bore to earth a starlike soul!
SRI CHAITANYA Oh, speak not in this strain. You do not know ...
SACHI (giving a melancholy smile)
But it is true, son, as I told you now:
You were given to me as fire is given to flint. ... A myth incredible which yet came to pass:
An Emperor as guest in a beggar's hut!
But a guest is not a resident: he comes
Only to go. ... When the brief blessed hour
Shall pass as must all interludes divine
In this our world which cannot house such bliss
For long ... then what? I know not... for, alas,
I am but an ignorant... a common woman;
I cannot see, child, what will happen when
You, my one world, will leave me, wandering back
To your great worlds — leaving no world for me.
Mother, how can you wail you are a common And ignorant woman? Could unconsciousness Give birth to a soul of dauntless aspiration? A timid heart beget celestial courage, A dead sun flash out from the mirror of moon? Could a common woman feel as you have felt? And then, how could I ever abandon you Who nursed me with your milk of tenderness? Release I seek not to fare far from you But to come nearer — through your own deep pain And the pain of all who need Sri Krishna's Grace.
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No love that joins a soul to soul on earth
Can ever be mocked. And is not bliss our birthright?
We were not tossed into this our world of pain
To deepen its gloom with our unending sight
But to transfigure it with the touch of One
Who writes love-letters with the alphabet of stars,
Whose Lustre redeems frozen ash with fire,
Whose Flute ever echoes in the heart of rocks
And laughter makes our tears outgleam in rainbows
As the mystic Force in the seed transforms the mire's
Dark anarchy into a kingdom of radiant blooms.
(He smiles beatifically and embraces her) You bore me not to have but a brief reprieve From an arid living. Krishna visits earth, From age to age in guises few can guess, Nor as a chance guest nor for a passing whim:
Everytime He comes to set the stage To produce a new play deep with His own Purpose. I know not what is that last denouement:
For which the Lord puts on a human mask:
But this I know that His great Cosmic Lila Has not for its end an epilogue of sighs Preluded by a phantom harmony. I know, for His Flute sings in my heart of hearts:
"No pain is fortuitous, nor a revel mood
Of a ruthless Devil — still less of a lunatic
Omnipotence toying with sentient puppets,
Who cannot help but act like marionettes
Or sinners who will cringe to Him for pity
And even thank Him for His lunacy."
This too I know: no sigh that once has waked
In an aspiring soul for Krishna's Grace
Can fall asleep again: He never comes
To plough the soil of human destiny
But He leaves behind a Trail when He withdraws
Which survives in the sunken world of memory
Until He visits with a new downsurge
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To create a deeper furrow in our lone Vale of despond. And that is why His Flute-call, Stronger than destiny, now wrenches me Away from you and all I cherish still. I have heard the Call: I know not yet the Goal. But this I know that you (who have given me To earth that I may bring to her His Love) Losing your claim on me, would hold me closer Than ever you could by clinging fast to me For the little world of worldliness and clamour To which I have been an alien since my birth. So weep no more, I give you my solemn pledge. You shall see me whenever you'll call to me.
(He falls prostrate at her feet... She stoops and hugs his head to her bosom)
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Act Two — Conflict
Next morning. A bathing ghat in the river Ganga of Navadwip. Two pundits, Keshav and Murari, are seen bathing close together, and a young woman, Romasundari, a few feet from them. Keshav who owns a 'tol' (Sanskrit school) is reputed for his scholarship. A man in the early sixties, with a flowing white beard and of an imposing appearance, he has a high opinion of himself. Murari, in the late forties, owns a similar 'tol' and is gifted with a sense of humour. Roma is a young widow of about twenty-five who, though poor and ekes out a bare living by spinning, comes of a good Brahmin family and was brought up in an atmosphere of culture and learning for which Navadwip has always been famous. But although intelligent and gifted with spiritual insight, she fears equally the Divine and the Devil.
KESHAV (with the Ganges water in his hands formally intoning a hymn)
O thou, red like the hibiscus, born of the Sage Kashyapa, O vast Glory, who tirelessly Dost with dark Night thy mystic battle wage Redeeming all our sins! — I bow to thee.
MURARI But have you not, sir, mispronounced a word?
KESHAV (nettled) What?
MURARI
I only mean sir ...
KESHAV
You need not, I say.
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For nothing that you mean has any meaning.
MURARI (ironically)
But you behave like a judge who has gone deaf And hangs the witness taking him for the robber!
KESHAV (furiously) You dare —
But sir, in daring who can beat you?
For if I have affronted a sombre human, You insulted the hoariest God in Heaven, Although the wicked sceptic may indeed Ask if the Gods live not too far to notice Your grievous accent you now flaunt so boldly!
ROMA (scared)
O Lord, my Lord Gouranga! Were you here Ganga would ripple again with happiness.
Stop mumbling, woman! nor invoke a human When nothing less than the Lord of thunder and lightning Can blast the irreverent, as the Gita says And when He'll come to relieve the earth of sinners,
(turning to Murari)
You shall be hauled to hell with your foul tongue Reduced to silent ash. So shudder, fool!
MURARI (unperturbed)
There I'll obey you willingly, for once, If only to swell the choir of Gods aghast And shuddering, sir, at your pronunciation. For it's for priests like you the Chandi wrote:
(He starts reciting in mock solemnity)
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Smile thou on me, O Goddess of Gods,
If my breath, unwittingly, Has missed a vowel while I sang
Of thy Divinity.
Or if my tongue has mispronounced
A consonant in between, In thy deep Grace, O merciful
Mother, absolve my sin.
KESHAV (contemptuously)
Yes, such implorings suit the philistines Like you and those you teach, the lisping infants, Who will stay lisping infants all their lives Even as there are some others ...
(smiling proudly)
it's not boasting, But truth is truth — although the blind, alas, Never can see and so shall never know That a few there are who stand out like to peaks Whose greatness is thus hymned by the greatest Poet:
He who is master of himself Will laugh to scorn his chains: The thunder's boom and lightning's flare His high-born soul disdains.
He who is master of himself
Will laugh to scorn his chains:
The thunder's boom and lightning's flare
His high-born soul disdains.
MURARI (bowing in mock humility)
Your high humility does, sir, overwhelm. But even the high peak is laid low by earthquakes, And that is why you stumbled over a word, Let Nimai Pundit, the great, adjudicate.
KESHAV (sneering)
A mighty authority, indeed, this green Infant of yesterday! And pundit! Tut! Who knows not even the rudiments of grammar!
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ROMA (shocked)
But what are you saying, sir? Our Lord Gouranga Was reputed as a prodigy of learning At the age of twelve — when he had read through all There was to read on earth. They say once came A fearful scholar whose voice was like a gong And this blood-curdling giant interpreted A holy couplet faultily which he, Our Lord Bishwambhar, pointed out and proved In a great consistory of priests and poets:
And he was only seventeen at the time!
Oh, hold your wagging tongue, wench! How I loathe This purblind hero-worship, bred by gossip! At seventeen to be reckoned a great scholar! Pooh! Have I not been poring over the great Panini from the day I learned to lisp, As everyone knows, and still — behold me, woman! I have but just won through to the initial status Of a fool!
MURARI (clapping his hands)
And how I applaud your judgment, pundit! For the first time in my life — with all my heart.
KESHAV (frowning) What do you insinuate, sir, may I ask?
ROMA
O sirs! I pray to you with folded hands:
Let not the little light of peace there is, The little friendliness that still survives Be blurred for nothing, as says Lord Bishwambhar —
KESHAV You say it's nothing — when this idiot
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Impugns my reputation as a pundit Saying I mispronounce — I, who, a diver In the oceaned wisdom of Panini —
But sir, I am a simple woman: yet I wonder ...
You may — and gape, too — since your starless soul Will genuflect to dismal humans knowing Naught of Panini's godhood.
ROMA (diffident)
But I, sir,
Was given to understand that your Panini Was the author of a grammar, was he not? How then could you, a mighty scholar, worship A mere grammarian as a Sage of wisdom?
KESHAV (scandalized)
A grammarian? Woman! utter a blasphemy At your own peril, I warn you! For the great Panini was a Sage of sages who delved Into the mysteries of the three worlds. Only the morons fail to appraise his greatness. His masterpiece is, even as the Vedas, A compendium of all our human knowledge, An apocalypse of life and destiny. So prattler, beware! — I warn you once again.
ROMA (nervously)
I meant no harm, sir ... I... I... only wanted To plead that our great Lord Gouranga is Not a common man, but a holy Avatar, A God incarnate in the human mould. And may I humbly add: he too can lecture
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On the three worlds and the mysteries divine.
KESHAV (infuriated)
O hush, I tell you! I have come to worship The Sungod in this holy river, Ganga, And not to hark to dire obscenities. What! Shall a human walking on two legs Assume the status of Godhood? Oh, fie!
Oh be not angry, good sir, I implore you. But what do we know of God's ways after all? We may indeed be versed in human things:
But the things divine, because they are divine, Can hardly be ... I mean ... within our reach. So how can you presume, sir, to assert That the high Almighty could not for His own Lila accept a human mould on earth? The other day, while singing in ecstasy, Our Lord Gouranga danced as though on air And as he cried: "O Krishna, art thou come?" His body did become self-luminous As countless witnesses will testify.
(Her voice trembles)
And then. ... Oh, how can I with human words Portray the superhuman miracle? For as he went on singing, we saw a halo Girdle his shining brow and all fell down Prostrate at his twin feet acclaiming him As an incarnation, in one human frame, Of Radha and Krishna in mystic union!
KESHAV (touching his sacred thread in rage) O horrible blasphemer! You are doomed For ever: you shall be roasted in black hell On a frying pan in the stinking oil of sharks And the dread demons shall belabour you
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With red-hot tridents burning all your hair Till you'll be bald as — as this fool Murari Who will insult me and yet bend his knees To a callow youth and call him my superior. Yes, he too shall be haled to Hades with you.
I crave your pardon, sir. I will not say One word more, nor ever dare to pitch My poor opinions against the learned wisdom Of a great pundit who has touched the bottom With the plummet of reason lent him by the mighty Grammarian Oracle.
KESHAV (propitiated)
I may forgive If you will eat your words.
MURARI (interjecting)
But that's unfair.
If you would have her abjure what she still Believes as true, then sir, you must not thus Intimidate her with God's own fear of hell Thrust into her feeble head. And what a terror! For shame! A blusterer might sometimes behave Like a gentleman for a change.
KESHAV (stammering in rage)
You ... you infamous
MURARI (smiling blandly)
Sir, tremble not in wrath. For say, how could you Have the heart to freeze her timid, feminine soul By the pathetic prospect of dire baldness? Fancy, a woman whose long flowing hair Rippling even as a sable waterfall, Is envied of the Apsaras in Heaven —
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ROMA (blushing)
Pray laugh not at a girl. For it's, I tell you, No laughing matter — but a dread nightmare For a woman to be bald in hell or heaven.
KESHAV (chuckling)
I like that, Roma, and so will forgive you This once: nor baldness nor hell need you fear.
(He looks upward and recites a Sanskrit couplet invoking absolution)
O Goddess, whose unfailing Grace
Redeems all sinners who cry in pain ! We bow to thee, we bow to thee,
We bow to thee — again and again.
ROMA (with folded hands)
And I too bow, in deep relief. But then, sir, May I just tell you one thing — but... I mean ...
KESHAV (encouragingly) Oh come, speak out — now that I have forgiven you.
ROMA (undecided) I'd rather not, sir. For I dread offending The pitiless agents you just conjured up. I hope and pray they may not visit me In my dreams tonight — a poor and helpless wench With not a friend in the world save mother Sachi, The one and only neighbour who enquires With her kind smile if I'm alive or dead.
MURARI (in mock solemnity again)
But I can tell you what she wished to say But dared not, scared by your prognostications:
She wanted to return the compliment
To you, my pundit, when you recommended
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Her soul to hell and pate to perfect baldness.
You dare again crack such foul frivolous jokes With me, your elder both in years and wisdom! To hell you shall be consigned for this grave sin.
God bless your tongue, for there I'll meet the youthful Like Roma and not the senile erudite. For 'tis not age gives wisdom. Look at Nimai Who can defeat you in an argument On anything — from Panini to Vishnu, And he has lived but four and twenty years While you are ancient as the barren hills.
(He chuckles mischievously) Ah, that reminds me, sir, of something priceless. The other day he gave a merry twinkle, And said: "Age is a visitant strange like pain Whose contact makes the wise into oracles But the fools it matures into imbeciles."
KESHAV (foaming at the mouth)
I — I — curse you ... be doomed to deep perdition And, solemnly, I challenge you and him To a public debate where I'll expose you both:
And show you up as a witless ass and him For a circus clown, a mountebank, impostor.
ROMA (stopping her ears) Oh, utter such words no more, sir, I implore you:
For hell or not — I will not bear such base Slander against my heart's one Lord and Guru.
MURARI AND KESHAV (almost simultaneously) Your Guru!
3
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ROMA (defiant)
Yes — and my life's one peak and plinth And none shall ever supplant him till I'm dead. Yes, that was what I wanted now to tell you:
That my heart and soul had bowed to him, first and last, As a being divine to whom the revealing light Is native as is warbling to the cuckoo, Depth to the ocean and wideness to the spaces, Rustling to leaves and irised hues to rainbows, Bloom to wild flowers and innocence to children.
(She warms up) No wonder he's hailed by those to whom he comes:
Lone men and women robbed of joy by Fate, For 'tis with such souls he consorts, our great Lord of divine compassion, who will not bow To the pride and pomp of haughty royalty. And so he shunned not me, my King of Grace, Nor ever withheld from me his angel smile, The unfailing friend of every pauper in this Our land of empty claims and clamours where Book-lore banished the One the books have sought, And resonant slogans came to enslave the mind;
Where the pedant priest talks glibly of things that slake .
No thirst of soul till we faint from pain and drouth,
Or else but mumble, half-deliriously,
Faint airborne rumours of the Ultimate
Ocean of nectar taking these, alas,
For the deep of Krishna sung of by the wise!
But we strive to fill the heart's void with vacuum,
Wooing the flitting shadows for the Form
And echoes for the Song .... Yes 'twas my Guru
Gouranga who has taught me this and all
I know, although 'tis little I have learned.
But what can a woman like me ever imbibe
Through her uneducated understanding?
I only know of one thing, my good sirs
And that's enough for a girl born ill-equipped,
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Who never was by fortune favoured, nor
Marked from her infancy by any gift
Or intellect, who lived through her lonely life,
A childless widow spinning from dawn to dusk
To eke out a bare living. 0 tell me what
Could such an ignorant and feckless creature
Hope to achieve? And yet, sirs, 'twas to me,
A flotsam on the crests of Time, a puppet
Of many moods that the Avatar of Grace
And Light and Bliss and Knowledge and Glory came
Unasked to give me a swift and everlasting
Asylum at his dawn-rose feet I kiss.
Everyday, in my waking hours, and nightly
In sleep or in my dreams I am cradled now
In an abiding peace I never knew.
And so a hope was born that even I
Might reach the Haven beyond my wildest hope.
It's God's truth — all I say, though you may smile.
The pundit, mother, may — but I believe you. For something upheaves in my breast and whispers:
Such miracles may happen even in this
Dark age of little living you described
As one inspired. I feel within my heart
A nameless beat of hope ... an exaltation...
A sudden wing-waft of a Bird of Fire. ...
A momentary glimpse of a mystic Truth
Through some chance opening ... rending of the curtain ,
An adventitious vision through a fissure
In our granite wall of jealous Ignorance.
I fail to account for what I see or why.
But this I know: it's something rich and living
Which is at war with its antipodes:
The phantom falsehood which yet seems more real Than the great Reality while it holds out. And so I too have lived a citizen,
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Even though sick of its hollow make-believes, Of words, words, words — of soulless pendantry Till it has grown now into a deafening blare. No wonder we hear nought else but words today In this our age of din. No wonder we But grasp at shadows letting slip the Form. No wonder Krishna has to be born on earth Again and again and wounded by our arrows That He may heal our wounds with his own blood:
To simulate our blindness that He may
Deliver us from our blindness grown so dear.
Who knows — our Nimai might be He Himself!
How can they who have not once glimpsed the King
Depose He has not come incognito?
So have no fear of hell nor listen, awe-struck,
To our arrogant friend, but follow your heart's one leading.
KESHAV (taunting)
The Sage never made a brighter observation Than when he said: "A fool shines at his best Until he breaks out into speech." And here A mad fool, harnessed to a doting gossip, Will be driven to doom, goaded by blasphemy, Condemning the words of wisdom of the Scriptures By ravings bred by suicide lunacy, Little suspecting, while they wag their tongues, That learning is only mocked at one's own peril. But, as the Gita says: "Dark ignorance Must babble true to its own inspiration." No wonder night holds up to ridicule The sunbeams when they hymn the bliss of light.
(His mounting wrath now gets the better of his sarcasm) I pity you both who fail to reverence The greatness of one who deigns to talk to you Of sober sense to save you from yourselves.
(grandiloquently) I am the son of Ramgopal the great
Page 30
Philosopher who taught me from my cradle To lisp in Sanskrit, made me read Panini From cover to cover when I was barely twelve, At twenty I lectured on God's ways to mighty Assemblies of the elect and erudite. And you dare flaunt before me a simple swindler Who has mastered only one art in his life:
How to impose on credulous men and women And be adored of them as an Avatar Of Vishnu Narayan — a modern Krishna!
(contemptuously) An Avatar indeed! — a lachrymose Day-dreamer who, with sentimental tears, Has won the hearts, I wager, of a few Gullible housewives! — Oh, what idiocy Is this, I ask you: to hoist an earthly creature On the altar of God Himself! No wonder we, Blind Hindus, are now in full decadence. No wonder aliens hold us in subjection. It serves us right: you cannot perpetrate Criminal heresies and yet stay moral! I wish I could but once meet this Pretender Who dare stand on the pedestal of Vishnu.
ROMA(stopping her ears)
0 hush, please — I implore you — or I must Come here no more to bathe — ah, there he is! Oh hail, my Lord! Deliver me from this —
(Sri Chaitanya''s voice is heard. ... Presently he comes into view. He descends the steps of the ghat, singing)
Why will men say they know Thee not
When Thou still callst them so ? How can the tree its roots ignore,
Or the river its seaward flow ?
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The eye wails: "Light's a myth, alas!"
The night weeps: "There's no dawn /" Wherever I look — in diverse forms
I only see the One.
We win no peace because we love
The eddies of desire;
We cleave to darkness and then sigh:
"Why must the sun retire?"
No bud outpetals but opens her heart
To the blue's imperial call;
No bliss that visits but leaves a trail
Of Thy joy's carnival.
We hear not for we will not hark,
We would outlaw Thy Light And then sob, exiles from Thy Gleam:
"Why reigns on earth the night ?"
(Roma ascends a few stepsof the ghat, weeping and falls down at Sri Chaitanya'sfeet. He blesses her. Murari salutes with folded hands. Even Keshav - moved in spite of himself - gives him an involuntary smile of greeting.)
MURARI Oh, why do you pause? Sing on.
Yes, do my boy!
SRI CHAITANYA (bowing to him) But, sir, my songs are simple.
KESHAV (somewhat off his guard)
True. But this
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I will concede: your voice has a pleasing timbre. Can you sing a Sanskrit song — or even a couplet?
Just a hymn or two. But I would rather not Venture to sing before Your Eminence:
I may mispronounce some word. Before a pundit Of your great altitude, who will not quail?
KESHAV (pleased and complacent)
But I'll correct you. Ignorance is no crime, Unless, like mist, it clings to its native blur. It's never too late to mend, my boy! And I Am ready to give you lessons in Panini And, through his medium, knowledge of Heaven and Earth.
I am grateful. But, sir, I want only one Knowledge — of Krishna, the One who is the home And country of all knowledge, divine or earthly.
KESHAV (sententiously)
But that is wrong. You cannot, says Panini, Attain the skies save on the wings of learning.
SRI CHAITANYA But I love Mother Earth more than the skies:
It's here my Krishna lived and not in the clouds. So I will now to Brindavan whose dust Is hallowed by the touch of His feet divine.
KESHAV (smiling superiorly)
But this is spurious, sentimental gush. For Krishna could at will defy the skies And span the void as He revealed to Arjun.
SRI CHAITANYA I know that, sir: or rather, shall I say,
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He has made me know that I know naught of His Deep ways. I only know that Him I need To adore and love more than to plumb or measure. And even Arjun was overwhelmed, remember, By what he saw — and, dismayed, supplicated:
"O Blaze of Fire, with suns and moons for thy eyeballs! Thy multitudinous, universal Form (With a myriad mouths and orbs and tusks and bellies And maws which darkle even as the abysms, And stature which fills the sky and chokes the spaces) Makes me dizzy with terror dark as doom. Lo, into Thy gullets rush the mighty heroes, Even as rivers streaming to meet the ocean Or moths which enter the flame of their destruction. 0 tell me who Thou art, I bow to Thee. Discover Thy lone apocalyptic Self Whose ways are vast beyond imagination."
(He smiles cryptically)
And who was the great suppliant? A giant whom Krishna Himself assured in His pledge of Grace:
"Thou belongst to Me, 0 Arjun, even as I
Belong to thee: whatever is Mine is thine
And whoever hates thee must My essence, hate
And whoever loves thee shall grow dear to Me."
So when the mighty Friend of God himself
Was baffled after having known and loved Him,
How could I hope to score where he had missed?
I am not made of his great heroic stuff
Or yours, sir. To each his Eden. Nor would I venture
Beyond my depth.
But what then do you want? A man must be a man and act like one. Worship is not enough: you must win knowledge Even as love — unless you hate true vision. Suppose your Krishna came to you, what would you
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Ask of your Lord, my boy?
SRI CHAITANYA (his eyes filling instantly)
What would I ask
If He, my Krishna, came to me. His slave? Could there be any asking then? But no, I would ask something. Shall I say it, sir, In a Sanskrit song — since you invite me kindly? (He breaks out ecstatically into song)
Renown nor wealth nor a paragon
Of beauty. Lord, I crave Nor even the Muses will implore:
I long to stay Thy slave.
Through countless births this boon unique
I sought, may Thou approve:
My heart be surrendered at Thy feet
In an unbargaining love.
KESHAV (once more moved in spite of himself) This is... not bad. But who was the composer?
Why ask the human author's name when all That thrill our souls derive from Him alone?
KESHAV (with asperity)
If a son is born one wants to know the father's Name — and the mother answers if she's chaste. A straight and simple question calls for a straight And simple answer.
SRI CHAITANYA (smiling sadly with a tinge of irony)
Sir, you walk in light And I do envy you and yet... I wonder ... For a question may seem straight to a simple child
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But not to an adult. The one infers the gold From the outer glitter: not, alas, the other Who has been disillusioned. And yet how oft Have I not vainly searched for an answer — when The Lord of Life has put the question straight:
"If thou hast loved Me more than all the world, Why dost thou still hark back to siren life When My Flute calls to thee to leave thy all?"
Oh, do not say you are called to leave us all:
Our only light in this dark Navadwip, The only minstrel in this mart of clowns And the only poet in this hive of pedants. None but yourself in this benighted town Could ever compose the lovely song you sang.
ROMA (enthusiastic)
You guessed aright, sir. Who else but our Bard Could make such a song divine?
KESHAV (curling his lip)
Impossible!
The song's in flawless Sanskrit. Tell me, Gora —
ROMA (hotly)
But I am telling you: it's he himself, And he has composed many more as flawless. Oh, listen, sir! Some seven years ago A famous poet came with a bunch of poems. But when he read the poems of our Lord He sighed and said: "Oh, who will read my stuff After such lyrics as these?" And then our Bard Just laughed and flung away his sheaf of songs Into the Ganga that the other might win The fame he coveted.
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But that was wrong. As said our learned poet, Kalidas:
"Pearls never woo men but will be wooed by them." And the pearl of pearls, the laurel of laurels, is learning.
(reproachfully) Mother Saraswati is fastidious Nor visits all and sundry but demands That those she favours set store by her boons. Woe betide the philistines who will not Welcome her smile of Grace.
SRI CHAITANYA (with a smile of sad irony)
You are her favoured Beneficiary and therefore know, sir, What is right action and what is the reverse, Being virile of conscience and enthroned in science Of the erudite. Only, I never have sought What you, the pillars of society, crave. I wrote my poems nor for fame nor lucre:
I wrote them, sir, because I felt like giving Voice to an urge that clamoured to be born. And, as I sang now: even from my childhood I have but longed for one boon and no other Whose name is Krishna. Him alone I have loved. And yet I have craved other things as well. (Not for nothing I feel now too bewildered To answer a straight and simple question simply, Nor can I claim my nature is consistent.) But as time passed, a nameless melancholy Deepened in me and with it my one yearning For Him who plays His haunting Flutelet hiding Behind a veil ... and with my years there grew In me a strange averseness to our earth Of shadow and fire and evanescent gleams... I felt I was being weaned from all I once Hailed as the most desirable of God's gifts.
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I was dismayed and strove to temporize ... To dally with what they called life's greatest boons.
(He shakes his head sadly) But alas, when one is seized with a mystic passion One cannot help but let oneself be taken, Even as a ship caught in a violent cyclone, When naught avails — helm, rudder, stars or compass, And I must now wend — whither His gale will lead.
Oh, come my boy, all this will never do. You must not throw away the tangible For something which no real prudence can Ever approve. Beware of the mood of folly Which hankers after the moon — as say the poets. The Flute of Krishna is a myth, a legend, An ignis fatuus no wise man would chase. Come, I now offer voluntarily (A thing I seldom do — but one must strive To save one's fellows from dire suicide):
You come to me: I will take you in hand And wean you from this perilous fantasy. I confess I judged you harshly from reports. For I see in you potentialities Rare as diamond. If a trifle wayward, You are lovable and gifted and endowed With humility: I was unfair to you.
SRI CHAITANYA (with a bow, smiling) O utter not, sir, such a monstrous thing:
For surely you and unfairness could never
Hive together. Can error and erudition
Live locked in love — the sun and morning mist?
KESHAV (taken in)
You are ripe in judgment, dear boy. But, sometimes, Even mountaineers may stumble on level land.
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However warily one marks one's steps, Our human mind, like flesh, must come to grief On occasion, though the wise grow taller in wisdom Even through pain. And 'tis in this true wisdom I offer to initiate you, my son!
Your Grace is overwhelming sir, I own. But I regret 'tis too late now: tonight I leave my home and all for Brindavan, A mendicant in His name.
ROMA (stifling a cry)
What! You, my Lord!
It is incredible, Gora! For you are The only pledge of sun in our deep night, The only thrill of song in our wrangling din, The beloved of all, the hope of Navadwip, Whatever a few benighted fools may say, Who do not count.
SRI CHAITANYA (heaving a sigh)
No more than do the others Who will acclaim me or extol my gifts. For only one thing counts on our dismal earth:
The loving approbation of Sri Krishna,
Beside whose one sun-smile of welcome pales
The whole world's chorus of applause or jeering.
KESHAV (impatiently)
But what, in the name of sanity, are we here Debating now? What is this approbation Of Krishna, Vishnu, Shiva, Brahma or Indra? And how can a human consciousness be sure Of the Gods' approving smile or deep or pale?
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It seems to me, this, stark midsummer madness!
(He fixes Us eyes on Sri Chaitanya's) You do not claim, I hope, that Krishna plays His Flute for you alone in this big world? So I infer you are joking.
Never have I Been more in earnest, sir. Last night my mother Gave me her sanction that henceforth I may Put on the ochre garb of a wandering beggar Living for Krishna on the alms of others.
You mean: you will forswear the obligations You owe to her and to your —
SRI CHAITANYA (nodding)
— wife and friends And what men in common parlance dub 'the world'. For I heard Him calling: "Stake your all for me."
(He turns to Keshav) You may, sir, deem this, too, midsummer madness;
But he who has heard even once that hauting call Can to another hark back nevermore.
(He shakes his head ruefully) But no, 'tis futile striving to explain What happens to one's psyche when one hears His mystic Flute so soft and yet imperious. One might as well, sir, strive to put in words What love's eye sees in the beloved's face. And so, may I suggest: you put away My madness, as you call it, from your mind.
KESHAV (insistently)
But this is serious, since your mind, my son, Is a trifle unhinged; for when you claim that Krishna
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Is weaning you from this our world of Karma,
You indulge your fancies. For no God-note ever
Calls one away from the world of fact to loll
As a lotus-eater in a hanging garden,
Nor sanity desires to drift away
From its cherished moorings toward a meaningless
Life of the parasite — the mendicant's.
Come, come, my lad! You are a green youth still
Who cannot tell the right move from the wrong;
And men of wisdom will unanimously
Tell you: "This giving up the world for God
Springs from a wrong escapist urge — an impulse
Calamitous because it makes one end
In the stagnant bog of a purposeless existence."
SRI CHAITANYA (animatedly)
But what use is this existence we eke out From day to day, sir — drifting, drifting, drifting On the crest of circumstance? You talk of the world Of fact: but what is this world as we see it? Is it not an aimless round of pointless squandering Of our most precious energies on — what? Building on the plinth of hopes a house of dreams Our dismal wakefulness makes tumble in ruins:
A legacy of tears and questioning sighs, Composing raptures' overtures that end In desolate finales of frustration.
Come, come, you are no country innocent Who fails to understand that two and two Make four. It is too mad by half, it's senseless, This ideal, long outmoded, of leaving all One's given by God Himself for God! My boy, I adjure you not to barter away the real For mere moonshine. Besides, where would you go? To Brindavan? For what? Sri Krishna's Light?
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But as a God He must pervade all space:
How could He live a prisoner king in oneSmall hamlet? Come, a householder must keepHis own dear house in order first and last.Frustration? Can one stave it off by beingA lone escapist, a recreant? Furthermore,How can a son his duty shirk to his ownParents who ushered him into this world?How can a man desert a faithful wifeAnd, once a father, cease to love his childrenAnd rear them till they grow to their full statureAs men and women? Each has his own dharmaAssigned to him which he may not disclaim.In the Gita did not your own heart's Lord say:
"Even death accept to fulfil your native dharma?"
SRI CHAITANYA He did, sir. Only who will tell me now:
What is my native dharma in this world ?
KESHAV (with a superior smile)
Oh, I can answer that. Yours is to be loyal To your worldly duties which, as a man of the world, You owe to the world. Had you been born an orphan Reared by homeless vagrant mendicants, You might perhaps have roamed the woods and scaled The hills and gone on begging from day to day, Knowing no better — living an otiose life. One could forgive these. But when one has been Born to a family of birth and breeding, One cannot even plead one's ignorant;
And so, my son, I'd solemnly remind you You cannot chase and cull a skyborn bloom, Nor turn your back upon a useful life To accept a parasite's whose only claim To our compassion is that God made him.
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You are a seer and prophet — whereas I Am born unarmoured for this alien world Of high-sounding responsibilities. The Gita says: "One cannot flout one's nature," The wise see from their wisdom's aerial towers:
The fool from his abysm of folly and blindness. One cannot achieve a stature not one's own. We are born we know not why, and ask in vain:
Why we comport ourselves like helpless puppets,
Driven by unseen forces, lured by strange
Urges — like foams on tides of chance and fate.
We hark at every turn to invisible prompters,
Swayed often against our will this way and that!
We voyage on but rarely come to port,
And what we coveted but yesterday,
Find, when we grasp it, but a thing of shadow.
Like rockets we zoom to return to earth — mere ash.
We are haled by life but our souls stay baulked of peace.
This is the ancient tale of human fate.
It seems a riddle to the outer eye,
A chimera calling the more as it recedes.
The householder reads great sermons on life's march,
Hugging his chains that cause his feet to bleed,
With no destination set — far less a goal!
He cites sonorous phrases from the books
To prove that our hearts' Ever-living Beloved
Is regnant allwhere when, alas, his own
Heart mopes unsated — ignoring the simple truth,
Life's stark experience, that until one loses,
Through loving Him, the last trace of one's ego,
One hunts in vain for a trace of His Omnipresence.
But one who has not loved Him never can know
How the pilgrim soul yearns to the faintest echo
Of the past and through its self-lost concentration
Can work the miracle and resurrect
A frozen cadence into a living Presence.
4
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How shall he know that love's great magic can, Through symbols, touch the One they symbolize? How can stone feel with the heart-beat of the bud, Or mind see with the eyes of lovelit soul.
(He looks straight into Keshav's eyes and smiles) But undivining what it has not glimpsed Nor doubting its own reason's sanity, It trudges on like the camel who only knows The load of sandal-wood but not its scent! The multitude accept this blindly — claim That the bale he weds must bring forth ultimate bliss. But does it, sir? Does life fulfil its pledges? I hope 'tis a question straight and simple as well?
KESHAV (embarrassed) I know not what —
. If you will pardon me, I'll make it simpler still: have you, sir, ever Stood before a mirror and scanned your face?
KESHAV (awkwardly) A mirror? ... What a question? ... I decline—
SRI CHAITANYA I beg you'd answer. Have you ever looked?
KESHAV (at bay) Well, yes, I — but — this is preposterous —
But why sir? — since Panini never enjoined On his devotees to shun the mirror like hell?
KESHAV (dignifiedly) I must resent such childish levity —
Page 44
SRI CHAITANYA (smiling)
I apologise. But suffer me to explain:
When I formulated this my simple question, 'Twas nor irreverence nor levity Prompted me, sir! I only meant to hint That if you scanned your own eyes in the glass You would agree they were not radiant With bliss nor light that came from self-fulfilment Nor even the certitude that one was treading The right path and no other.
(He pauses and holds the other's eyes)
And I will hazard:
Even so rayless are the eyes of all
But a tiny handful. Listen: by chance last evening
I saw a mendicant with a begging bowl
Come to my door. I gave him a plate of rice.
He blest me and then fastened his eyes upon me.
I stood like one bewitched. Then something strange ...
Oh, it was wonderful! ... For as I gazed
Into his eyes effulgent like twin stars,
I felt they sprayed deep bliss into mine own
And a rapture I experienced never before
And a peace of which there is not even a hint
In your great eyes irradiate with learning.
Why must I then, sir, for this famished learning
Come to your door a-begging? What can you give me
Who are at heart a pauper for all your wisdom?
And what is the worth of this your worldly knowledge
Which, for all its opulence, cannot even compete
With a beggar's fortune? A tree, sir, shall be judged
By its last fruit. The tree of human achievement
May be dense with the greenest leaves and rarest flowers,
But never till now has it been known to bear
The fruits of peace and bliss and harmony
Which we must pine for and could never rest
Until we found them. Something deep within us
Must goad us sleeplessly and make us lose
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Our sleep till the dream of sleep be realised, And the worldly wisdom is not this last dream Of our restless aspiration which, as a seed, Must sprout and grow till it attain its zenith Fulfilment which is Krishna —as the eyes Of this strange mendicant reminded me, Stinging me last night with the peace they shed. Oh! do not glower at me in indignation, For I came here not to argue but to bathe:
'Twas your own harangue on my worldly duties, Your castigation of the beggar's bowl, Evoked my comment. I would only beg To submit — science nor art nor worldly wisdom Can furnish groping life with the clue to life's Inscrutable purpose, the clue we seek in vain.
(He smiles quizzically) You did, sir, take my measure when you said:
I was not the fool I looked. I know the Scriptures
And the philosophies with all their commentaries.
You will forgive me if I claim I am
Versed in Panini and the Vedic lore,
And can declaim on entire Brahmasutras,
Lecture on metaphysics and improvise
On these like pundits till the insomniacs
Shall doze off into sleep for weariness.
But I confess — such wordy feats have never
Led me to the Home my homesick, orphaned heart
Longed for in vain — till, last night, in a flash,
The veil was rent and, overwhelmed, I saw
That for that beggar's simple happy heart
Throned in the love and bliss of the King of kings
I could barter all my learning away for good
And the fame I have won as a great scholar and poet
And the envied self-complacence that accrues
To a burgher of respectability.
(He warms up) And this is no mere fancy of a fool,
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A sentimental dreamer. For I have drunk Deep at the fount of worldly bliss as well:
I have known how precious is the mother's love, How sweet the embrace of a loving wife, How beautiful a pupil's loyalty, How delectable the sympathy of true friends. But still our life, as I feel more and more, Is a quest ever deepening, through all that attend us, For something that, starting as a nameless ache, Grows even as a tree until its every rustle Dissolves in a dirge, a questioning: "Whither, Oh! whither Shall wend my Radha-heart to find her Krishna Who plays at hide and seek, I know not why!"
(He lowers Ms voice somewhat abashed)I came here not to be theatrical,Far less to read you a tedious sermon, sir!How could I, an ignorant, who only knowsThat he knows not even what he once believedHe knew infallibly. I speak not of the great,The elect, who commune with the heart of Krishna.I cannot even claim I saw my wayClearly through the maze of wrestling forcesTill 'twas relentlessly borne home to meThat so long as one probes with human eyes,One cannot even tell an avenueFrom a blind alley, and that, when in one's groping,One takes a forward step — one seldom canBe sure one will not land in a fatal pitfall.
I take it, you are highly-strung, my boy, And so imagine ghouls in every bush. For I wonder if you grasp the implications Of what you now contend in your deep doldrums. 'Tis true that to be wise is to be wary, I'll even concede that sometimes one may find It hard, at life's cross-roads, to know which path
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Will lead to the heights and which to the abyss.
But even when one owns one's apt to err
Through ignorance or inexperience,
Surely it would be folly to assert
One never could move a step avoiding pitfalls.
Ah no, my alarmist, sentimental pedant!
Only the blind can say: they see no light
In their hearts' caves to guide them to the Goal.
But what's the Goal? For unless this were known, How would the guiding light reveal the Way? With no sun how would you tell the east from west?
KESHAV (pouncing on him)
Ah, there, my boy, I have got you at long last. For the sun is there on high and even so There is in every heart that breathes a sun Assuring our nights that daybreak's not a myth.
SRI CHAITANYA (with an ironic melancholy smile)
I am defeated, sir. I knew I would be. Could it be otherwise? Could a humble spark Prevail against an avalanche of wisdom? But I too knew the sun must still exist Even when the ruthless logic of night disproved it.
(with a deep sigh) Only, my soul now traverses the night Whose shadows make light dim as a dream-glimpsed face.
KESHAV (triumphantly)
I know, my lad. Man's life can never be Like to a child's who has no knowledge of death. To err is human and none can win wisdom Except through tribulations. And the highest Knowledge is only born through a painful travail. And that is why to the learned you must turn
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And hark to the oracle of experience:
The wise you must consult, and they, our saviours, Said with one voice: it's folly not to want To be circumspect — marking one's every step. None can be reckless with impunity, Part never, my son, on an impulse of the moment From the harbour men have built against the fates With infinite pains and courage and vigilance, Nor give your ears to Voices of the Night Which lead men to the abyss with the pledge of Heaven.
(He pats him on the shoulder) Wake up, sleep-walker! it's high time; remember:
You have a loving mother, a doting wife,
Loyal disciples and admiring friends.
God's all very well: I know the mystic longing;
But He is not ensconced in the skies alone,
A rootless Presence. "All", say the Vedas, "is He,
The Brahman." Also, the Sage of Katha said
Vibrantly: "What is here is there as well,
And what is there must here on earth be traced."
So deny Him here at your own peril, son!
For never then shall you find Him anywhere.
But find Him here and then you'll sing with the Saints:
"Krishna is on land and water and mountain peaks." One should be sane and normal in one's seeking.
Ah, now you are caught, sir, by your own words' snare. For words are faithless, sir, and will betray us Alas, too often, conjuring up a world Of utter unreality and hoist us On a phantom throne with no sign of a kingdom;
And, constantly invoked, they will induce us To take chimeras for the flickerless beacons, The shadow for form and make us home in voids Of perfidious fantasies and make-believes Which are worlds away from soul-experience.
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(He shakes his head sadly) And so the great Acharya Shankar said In his own peerless vein of irony:
"You may discuss the boon of a medicine, But no cure's for you unless you take it, friend! Even so through great discourses none shall win What's only by experience attained." And so be not offended if I tell you That all you say is true and yet false, false, Like love or death enacted on the stage, Whose aim is to perpetuate the Maya, The great Illusion, which is cosmic life Espousing compromise to breed perversion. Forgive me if, when I applaud your thesis, I flout it still as null — as when you quote:
"Who finds Him here must find Him everywhere." But what if you miss Him here for all your seeking?
(He heaves a deep sigh)
I too once mouthed these words of hollow wisdom Of the Sun in the soul, the Guiding Voice in the heart. But they speak to me no more as once they did When I, like you, sailed on their nomad crests And went on drifting, coming never to harbour. I blame you not, sir. How can I find fault Who am still unsure of everything but this That I must burn my boats and may not tarry A moment more?... My die is cast. I know not Why this great yearning has possessed me so That I cannot choose but yield to it — surrender All, all my cherished lights and preconceptions To its imperious call and take the plunge.
(A cryptic smile flickers round his lips) Not that I love life less, sir, I assure you;
Nor even that I am grown too blind to see:
I have a lovely wife who may, in the end, Die of heart-break. I saw my mother crying And sobbing till I felt her heart would split.
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But still I may not linger here although I long to cling to the painted shore of life With all its magic gleams! But something stronger Than destiny will sunder me now for ever From this our siren world of tears and laughter;
Of voices that ring like sweet familiar bells;
Of eyes that shed caressing love-warm light;
Of dear old footfalls that bring shivers of joy;
Of chequered plains I have explored in rapture;
Of the very dust hallowed by memories
Of ancestral feet; of temple-carillons
That wake me athrill at morn; of chirping birds
That greet me day by day; of loyal cows
That yield me milk so sweet; of faithful dogs
That jump at me in a frenzy of delight;
Of purring cats that woo me for caress;
And not the least, this rippling, purling Ganga Whom even in dream I hear reproaching me For leaving her for a nameless far-off phantom....
(His voice grows thick) All, all have grown into a part of me, My being's core, the marrow of my bones. And yet I cannot stay... I know not why, Or whither I am going. I only know:
I must find Him who, for His mystic Purpose First tethering me Himself to alien roots, Will now uproot me thence once more for some New rhythm of His deep dance to manifest, Wrenching me from this magic world of beauty He made me love so dearly. So bid I must Farewell to you and all: I have no choice.
(He smiles again cryptically) But take it, pundit, I am sane and normal, For the hearts of all I still feel with my heart-beat. I have lived intensely, loved with all my passion And fire and can still answer love with love And touch with touch.
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(He stifles a sigh)
And yet my all I must
Stake for my All-in-all whose haunting Flutelet
Calls to me in my wakefulness and dream:
"Oh come to Me, my Radha-heart, delivered
From thy last anchorage: put out to sea,
The shoreless Deep accept, cutting away
From thy dear moorings set thy bark adrift
To founder, if it must, in My bourneless Bliss."
(He throws his hands up and goes into a trance, Murari and Roma fall at his feet. ... Keshav gazes fixedly at him with folded hands as tears trickle down his cheeks.)
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Act Three — Illumination
A year has passed. Sri Chaitanya has just returned to Navadwip without apprising his mother and wife. He has toured far and wide preaching the message of Love. He now intends to call on his wife and mother though he has to stay elsewhere, in the precincts of a temple of Vishnu.
It is evening now and Vishnupriya, the beautiful bride of Sri Chaitanya, is seen in her private temple praying before the image of Lord Vishnu. She offers flowers, lights a few incense-sticks and then starts the 'arati' ceremony (moving a censer with lighted candles round and round the face of the image) singing in a moved voice.
VISHNUPRIYA (sings)
O Thou, my father, mother and mate, My friend unique! to Thee I call:
Who art my heart's one knowledge and wealth, My God of Gods, my All-in-All!
(Then she kneels before the image and, with folded hands, prays half-aloud)
They say: Thou art the Resident in our souls
And knowest all we do and feel and think,
Thy touch alone heals all the chronic ills
Afflicting human destiny and redeems
The anguish in our minds and lives and hearts.
So I appeal to Thee: Oh hark to one
Who feels herself a derelict in mid-ocean,
Mid hurtling colossal waves, like pitiless demons,
Which shatter her hopes of ever coming to port.
The asylum Thou, Lord, builtest once for me
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Now looks far-off even as a lovely dream
Which grim reality has dissipated.
Oh, why must all our roseate dreams thus founder
In a fortuitous storm — when these dreams flowered
In the heart's garden Thou thyself hadst fostered?
Why must Thou sow the seeds of tenderest blooms
In the virgin soil of our aspiration
If these will wither swiftly leaving a bare
Memory that but deepens the lone sigh
Born of the pining of what might have been?
I came here. Lord, Thou knowest, as a bride
Of twelve. For only seven years have I lived
In joys that pass all human understanding,
Inarmed by my one friend and guide and mate
Thou thyself gavest me in thy compassion.
The more I knew him, the more I found him elusive;
The more I loved him the more I found my love Flawed by my inescapable self of clamour;
And the more he gave himself to me the deeper Yawned the chasm that sundered him from me. The more I won him the more I feared to lose him Even as fears the arbour, when the breeze Brings music to her heart, lest he, alas, Retire anon when all will be again A silence of the sepulchre ... and so Her branches wave their arms to the skiey guest To lure him back to her music-hungry bosom. Yet I grew to love him day by day, a witness To his growing Godly stature which overawed me, And yet I hoped against hope, supplicating:
He might abide with me as my one stay.
But why hast Thou my guileless prayer shattered
By a cruel blow which filched from me my all ...
All I had hugged in rapture — treasuring
The very sound of his footfall in the vault i
Of my maiden soul to feed for ever on
Its echoes when he was not by my side?
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Was it because he made me pass Thee by? But how could I help that? O Thou who, knowing The deepest trends of the woman's doting heart, Must know why when she loves she will forget The whole world for the one who makes her world. Man is a hunter butterfly chasing flowers:
Woman's a lotus affianced to one sun. Madest Thou not this heart of hers Thyself? Why then wouldst Thou now punish it for its native Dharma? After making rivers flow Why wouldst Thou scold their waves for billowing seaward? The pilgrim Thou Thyself hast fashioned. Lord, And the goal, as well, which calls so hauntingly:
Then why rebukest Thou the deep nostalgia The goal induces in the aspirant's breast? Why wouldst Thou take such infinite pains to mould Thy handiworks agleam with loveliness If their very loveliness becomes a cause Of suffering for the ache it must engender? 0 Thou who art merciful! How can Thy mercy Be harmonised with the anguish it ordains? Why didst Thou give me one so beautiful An incarnation of Thyself, if Thou Wouldst wrench him from my pining heart for ever, In whose one image I have day by day Learned to conceive Thy Self of (lawlessness! Why has he moved away from me, his loyal Servant, who only dreamed to serve and tend him With all I have and am?
(Tears course down her cheeks now)
'Tis not so hard For those, 0 Lord, to journey through this life Joyless who never once have known the taste Of joy — as it is for those who have. And I am one on whom Thy bounty squandered Not only the quintessence of deep rapture But in this Thou didst hourly make me dive
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As in a sea of bliss which, strangely, drowned Me not to suffocate but make me swiftly Eligible for Immortality, As Thou must know, being the Knower of all.
(She covers her face in her hands) And yet why wouldst Thou never answer when I ask why Thou ordainest thus ? Oh why Had he, who radiated but light and bliss On all, even as the sun, to set for ever From their horizons — leaving a legacy Of gloom to those who had been born as natives Of shadowless light and thornless flowers in bloom? They tell me: others need his love and so He was called, to live and serve them, to disclaim us Who had penned him in our prison circumscribed By our demands. But what were these demands Which stifled him, and why? And how did we Cabin him, — we who only yearned to spread Our hearts of love beneath his dawn-rose feet That not a thorn might wound him even once? Why in this cruel world must one for ever Give pain to some that one may confer joy On others? If Thy great world has been built To manifest Thy heavenly attributes, Why must then even a Godly act entail Suffering here on those who have but longed To serve God through their daily aspiration, And minister to the happiness of all? How have I erred except through my engrossing Devotion and fidelity to one
Whom Thou Thyself didst in Thy pure compassion Assign to me as my life's sun and moon? Why comes he not back even once to us On whom thy daylight falls as the pall of night?
(She closes her eyes and presently goes into a trance)
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(In her trance she sees a strange clairvoyant vision. She sees an open space on the bank of the Ganges, about a furlong away, where a group of devotees surrounding Sri Chaitanya sing with him.)
Oh when shall. Lord, our tears out well
At the mention of Thy name. And, living in Thy truth, shall we
The illusive world disclaim? When shall our body's every atom,
Partaking of Thy Grace Become Thy holy temple agleam
With Thy love's loveliness ? When shall our questionings and doubts
Dissolve like shadow clouds At the advent of the new Sunrise
Thy cosmic Maya shrouds ?
(Suddenly she sees Roma and Murari and Keshav who take up the refrain.)
The day will come, 'tis not afar
Since He is born again:
The Avatar of love and light,
In our dark world of pain.
(Suddenly a hubbub breaks in upon the singing and the singers stop. The onlookers grow restless when stifled cries are heard just as Jagai and Madhai, two notorious roughs and terrors of the neighbourhood, dash through the crowd in a drunken fury.)
JAGAI {in a shout to Sri Chaitanya)
Ah, here, at long last, are we face to face With you, my precious, who will draw good men And spoil all...
(He turning to Madhai, his moving spirit)
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... what shall I say?
MADHAI
Not much to say.
Though we have a lot to do - to bring him back. To his senses.
SRI CHAITANYA (amused)
But how will you two compass that, Since what you call light is dark night to the wise?
JAGAI (showing him his fist)
We are come to teach you that — and you shall learn Which is God's gleam and which the Gorgon's gloom, So that — what else, Madhai? You are not helpful.
MADHAI You are wrong, for look —
(he suddenly spits on Sri Chaitanya's face and gives an exultant guffaw)
— my help begins like this.
ROMA (with a piercing scream) O Lord, my Lord divine! How could the fiends ...
SRI CHAITANYA (reproachfully, as he wipes his face) There are no fiends on earth, my little mother!
MURARI (impetuously)
I say there are — Oh hell-fiends! Now take this — (But as he rushes forward to attack them Keshav res- trains him by coming between)
KESHAV But wait — remember what he enjoins on us:
Insult and praise we must equate to naught.
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SRI CHAITANYA (pleased)
You are right: but let me know first why they feel Infuriated with me.
ROMA (stingingly)
Oh I know that:
Hell knows that Heaven wants to heal all pain.
MADHAI (with a growl)
Shut up — or you will know what's hell, my girl!
(he turns to Keshav)
You did your friend, the sycophant, a good turn. For he would have learnt a lesson he badly needs.
(Meanwhile the hum behind grows louder and he turns
sharply round.) Wag not your tongues, you jabberers! Stand aside!
(He brandishes his heavy-knobbed stick: the humming
crowd falls back timidly. Then he turns back fiercely upon
Sri Chaitanya.)
Now come, you knave! Give me, you must, your word That you will pose no more as a saint — or I —
(He suddenly picks up from the ground a stray broken
piece of a pitcher with a sharp end, which he lifts up
menacingly.) Will give you something — see?
JAGAI (clapping his hands)
That's it— the thing!
SRI CHAITANYA (smiling indulgently)
But you are wrong, friend, for it's not the thing That can correct me into the shape you want. The only thing that beats one into shape Is His rod of All-will, which, curiously, Is a rod made not of something hard, but soft Even as cream and that is why it made me What I am — a tender minstrel of His name,
5
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Vowed to singing from door to door, proclaiming That His All-will is love and only love Which made us see the light of day on this Our beautiful earth sustained by His compassion.
JAGAI
A truce to ranting — and posing as oracle. Nor are we here to be improved by sermons. Rather we came to improve you, my false prophet, Till you know better than to confound and wreck Good citizens of respectability.
(He brandishes his bamboo stick) And this is what will put sense into you, So either mend your ways, fool — or — beware!
Beware of what, my chastiser and mentor? I am no more afraid of ought on earth, For I told you a little while ago That Krishna's love is soft like cream although It can be, on occasion, tough and hard As an armour of steel that laughs at such frail weapons You are now flourishing in ignorance.
JAGAI (a trifle uncertain)
Why are you silent, Madhai? Shall we start? Or will you exercise your eloquence?
MADHAI ,
Oh, that is not my line. For I mean business, Nor can I talk the hind legs off a donkey As this mytho-maniac can. But I say, fool! I ask you for the last time: will you mend Your ways or will you force us to bring home To you some lessons your folly needs so badly?
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SRI CHAITANYA I only need, my friend, one lesson on earth:
The lesson of love which I am learning daily
Through His great Grace which makes now everything
I experience reveal a mystic truth,
A truth that frees from fear. And so I know
That you, my brothers, are come as messengers
Of this one Truth which the more I know the more
I thrill to know — for you can never drink
Too much of my Beloved's nectarous love.
Hey, Madhai! What does this impostor mean? We come to him as messengers of whose love? Why are you silent now? You should say something.
But what can he say to help you, since he knows No more than you? Suffer me to explain —
MADHAI (interjecting) But I have no patience — and I tell you this:
That you give up this high-faluting talk And go back to your family.
SRI CHAITANYA (laughing)
But one can Hardly go back to what one never left Even for a moment — since Sri Krishna's Grace Has made me see: that I live in my own Family of brothers and sisters everywhere.
But what is all this nonsense? One is born You live on the streets, you sleep out in the open Under the trees, hobnobbing with filthy beggars
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And vagrants such as no man in his senses Would choose to live with cheek by jowl and yet You talk of brothers and sisters everywhere!
I do because 'tis true, because I see What He Himself has made me see, by opening My eyes that once were closed and so, alas, I failed to see the all-revealing Truth.
O hold your tongue — or — or you shall regret For wagging it.
There you are wrong again. For 'tis not I who wag my tongue today But He, the Lord of speech, who makes me -now Speak what I speak and sing what I do sing:
And 'tis but on one theme I improvise At His behest I cannot disregard — No more, my brothers, than I can my heart's To inhale His air so fragrant with His love.
JAGAI Fragrant with His Love? What rigmarole!
But you would sing a different song, my friend, If only you would cast off from your eyes Your ancient blinkers. You would then see His love Dripping dripping dripping everywhere, And 'tis not difficult I tell you, brother. For all that is exists by His one love, That's one with light. The suns and moons and stars Are but pale beams of His self-luminous love.
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The seeds that sprout, the buds that blossom forth, The rivers that flow, the birds that sing in springtide, The dews that glisten in gladness, the worms that crawl, The cows that graze and even the desert void Of interstellar space are all sustained By His invisible sap which is His love And it stays invisible since your self-will chooses To disown the Vision you could have for the asking.
I say, Madhai! Why not leave him alone? For surely he is gone stark staring mad, Too raving now to count?
I beg to differ,
My brother! For what he says is dangerous. And madness too is infectious like the fever. The other day my own dear nephew left His home and school to roam the streets with him Swelling his troupe of vagrants. There he is.
(He glowers at a boy who slinks away hurriedly) Well — you wait. Your turn will come, boy, in due time. But the trunk of the prison-tree must first be felled Emitting such infectious, noxious fumes.
(He turns fiercely to Sri Chaitanya) Look you, my sharper! We are not taken in By this your abracadabra and so insist We have come to teach you: not to learn from you. And here's our ultimatum: we demand You give up this your pose of saintliness;
This folly has gone much too far and must be Or brought back here and now to sanity, Or else stamped out of existence — once for all. So will you promise to behave yourself And leave off souring honest milk with curd?
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But what is honesty and what is milk? The only honest man is he who will Own the one allegiance — to his heart's Lord, Krishna, who is the milk of tenderness. Who knows him not has never known true milk Which He still offers, in His great compassion, To all who thirst but still prefer, alas, The stale curd and stay hungering all their lives. But He, being Love in essence, will not force His love on those who elect the lesser loves, For love being of a piece with perfect freedom Must be accepted voluntarily.
(He gives a sigh) I only pity you, my friend, since you Choose to be drunk not only with vicious wine But what is far worse — with these fatal fumes Of pride which blind you to Sri Krishna's love, The love I have come here to pledge — announce.
MADHAI (enraged)
How dare call me drunk, you insolent fool? Let me then teach you what is God's sobriety.
(He strikes Sri Chaitanya on his forehead with the sharp end of the broken pitcher; blood spurts out; the group of his adorers who so long stood as if bewitched now break out in a loud outcry and pounce in fury on Jagai and Madhai who, sobered now by the realisation of personal danger, struggle helplessly in their grip till they are over- powered and flung on the ground.)
SRI CHAITANYA (rushing into the fray)
Oh, for the love of me, let them alone! Who deals them a blow has never accepted me.
(They set the two brothers free who totter up cowering,
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the bullies transformed in a moment into abject cowards.)
JAGAI AND MADHAI (simultaneously) O help, help—murder.
It's you, hell's own henchmen
Who have come, disguised as men, to murder Heaven. Look, he is bleeding! Oh, what shall I do!
(She tears off a part of her sari to bandage him)
SRI CHAITANYA (waving her aside and smiling)
A little blood has spilt out since I had Too much of it, as my Lord doubtless deemed.
(He turns to the two culprits who are now at bay, sur- rounded by the mob)
Draw near, my brothers! You have nought to fear. I stand security for you. I hope You are not hurt?
(He addresses the group standing near them)
O run, give them some water. Look, they are groaning! (They are given water)
Now you come to me. I will take you home. But wait, my brothers, first Let me embrace you. Have no fear: none will Lay hands on you now that you are armoured in My love my Lord gave me to soothe and heal All suffering souls who cry, for they are blind, Alas, to His compassion. Come, you both And claim from me but what belongs to you:
Sri Krishna's Love, the only refuge and harbour In this our derelict, unhappy world.
(He embraces his stupefied assaulters together and then turns on the equally stupefied onlookers to whom he sings in ecstasy while the blood streams down his face freely.)
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Your ways are strange, my Lord, You come
To play in ever new guises. You fail us in our gala shows
And gleam in life's dark crises. The light of day acts like a pall
On stars that shine on high, The sun hides what the dark reveals,
Through storms Your barks You ply. You lie in ambush when in pride's
Gay pomp in the world we move, When life's rich lamps all flicker out,
You flash Your moon of love.
(Here the crowd take up once more with him the refrain)
The day will come, 'tis not afar,
Since He is born again In His deputy of love and light,
(As the song goes on, the two rogues' eyes are seen drowned in tears till they fall prostrate at Sri Chaitanya's feet and cry out.) Forgive us. Lord, our sins — we cry from Hell.
SRI CHAITANYA (singing ecstatically) And what is hell and what is sin,
We ask and ask in vain Until we, fools. Your love repel
And know the answer of pain. And yet when we disown You, Lord,
Your Grace still sings on high:
"My heaven to hell I barter away
For but one price: a sigh."
(During the trance Vishnupriya felt very faint, espe- cially when she saw Chaitanya attacked. Tears rolled
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down her cheeks as she saw him embrace his assai- lants and heard him sing the last quatrain. Then the vision fades out. She opens her eyes and gazes at the image of Lord Vishnu in a heave of emotion.)
VISHNUPRIYA (with unshed tears glistening in her eyes) O Lord, my Lord! Forgive a doting woman Who worshipped the very ground her idol trod:
Since it was this excess of adoration That made her blind and sad. But could one ever Reconcile oneself to a loss so great And sudden which did sound to my scared heart, Rendered desolate in my fool blindness, As the trump of doom. And so I failed to see That the one thou gavest me I could not claim As my sole possession for all time on earth. I see now by Thy Grace which opens my eyes That he was vouchsafed to me but for a spell, A magic interlude, which I shall cherish, Across the sad, bleak years that lie before me, As the greatest boon conferred on me by life. I see now I received far more than I Could ever hope to claim — far less retain For my own puny world which does not count. The lonely oyster nurses the pearl of pearls In the blind void of her heart; even so, The pearl of his love was ensconced in mine. But how could he let it be housed for ever Where it had never belonged? The beggar receives The light of the sun and moon but still remembers That their light's gift is meant for all and not For a single hut to which they bring their blessing. I see now. Lord, as never before, that he Is even more than a sun and moon to worldlings:
Sun of thy joy and moon of thy compassion. For what is joy but the bliss of freedom born Of the last emancipation from our craving
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For a little living? And what is thy compassion
If not the all-forgiving sympathy
Which, at its peak, accepts to hug the blackest
Sinners whose sins its very touch absolves ?
And this forgiveness I need most today,
For surely my indictment of Thy Grace
Is graver far than all the insane acts
Of violence of those pitiful criminals
Who shed the blood of the holiest of Thy saints
Because they knew no better, and having never
Harked in their lost hearts to Thy saints' heart-beat,
Their hearts have stayed the playground of the demons
Whose puppets they become unwittingly.
But how can I, Lord, plead for mercy when,
After having savoured Thy immaculate Grace
Through the love of one Thou madest with the stuff
Of Thy pure love's quintessence, after having
Lived and moved in Thine own being of beauty,
Whom to see is but to know — experience
The incredible: that the drop could hold the deep,
That a human heart could beat in unison
With Thy heart's primal throb and ultimate breath:
Yes, after having kissed the dust he trod And felt myself redeemed — I still have failed To appreciate Thy great Compassion's boon Which made me, a wick, glow with Thy mystic fire And yet be not reduced to pitiful ash.
(A noise is heard outside. She hears a familiar voice, starts and, putting her hands on her heaving breast, rises up trembling with an uncontrollable emotion. Sri Chaitanya enters. She looks at him for a moment, then falls down at his feet in a swoon. He draws near and places his hand on her head and remains still for a little while, his eyes closed, only his lips moving, re- peating the name of his heart's Lord: "Krishna, Krishna, Krishna, Krishna, Krishna...." She comes
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back to consciousness after a few minutes, then rises and bows down and kisses his feet. He looks at her tenderly and places his hand again on her head and, when she rises, gazes into her eyes steadfastly.)
SRI CHAITANYA (tenderly) Do you now see?
VISHNUPRIYA (in a low voice with bowed head) Yes...
Then why are you sad?
VISHNUPRIYA You know my prayer... Why then do you ask?
One prays not to enlighten Him, but because Through prayer one offers oneself more to Him.
VISHNUPRIYA But can one offer more than what one has?
Yes: what one is, and that is always harder And this is why He smiles on prayer — because It delves down into the heart's invisible core Where the hidden sap of strength still waits untapped Without which none can ever fare to the Lone.
VISHNUPRIYA
That I have learnt, my Lord, to my bitter cost.
But bitterness, my love, is not approved Of Him. We ask for bliss which is our birthright,
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But in ignorance we knock at the wrong door
Of desire. And those of us He would call sooner
To the right door He would sooner disenchant,
Denying us nothing but the alms of pain
Which would have been our lasting heritage
If the wrong door had opened to our knocking.
And so has Krishna said explicitly
In the Bhagawat that those He would in Grace
Accept for His own He will untether first
From their last moorings of home and wealth and glory.
One must accept and not presume to judge,
At least till one knows more.
I stand rebuked, And yet what answer shall I make today Especially when one knows one has been weighed And found wanting?... Because, in my ignorance, I asked for the moon.
Brood not over the past. The Dance of our great Lord is executed Through rhythms whose deep import we fail to grasp, For they sound like false steps to our human scanning:
But the Artist knows how His art must evolve And even a discord He, our Great Composer, Weaves regally into a richer harmony.
I accept it all with bowed head even when I fail to grasp it fully. But my Lord —
SRI CHAITANYA Yes? ... Why do you pause?
Because ... I know not what
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To say. So may I only add, my Lord,
I wait upon your wish: will you not tell me
What you attend from me from now on earth?
I will, my dear beloved, with all my heart. I only know of one path in this life:
The path our heart's one Guide calls us to tread
His marvellous love-songs to manifest.
The only thing He attends from us, in Grace,
Is that we be conscious of the jarring notes
We bring in through our self-will and false pride,
And ask sincerely that we may not wish
To assert them and so mar the symphony
He will compose for His last diapason.
At any given moment He is at work
To build out from deep warring elements
An edifice of beauty and perfection.
'Tis not for us to inveigh against His planning,
Because our human eyes, alas, being blinkered,
Can never appraise His divine architecture
In the right perspective. From the niche of Time
Can one even glimpse the total Dance of the Timeless,
Each step entailing endless repercussions
Of Karma redeemed by Grace? How shall the mind
Conceive what is beyond the mind? And yet,
Such is His lila that 'tis given to us,
Infinitesimal specks of life, to joy
In His cosmic multitudinous play of life
And offer all we have that He may build
With human things a masterpiece divine.
I see this more and more, my Lord, and so I assure you, I will aspire more and more That I may offer more and more my self-will To the Master Architect, that He may use
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This useless life of mine too for His mansion, May I surrender at His feet what little I have to offer and without demur Accept what He ordains. My only prayer Now is that I may not in ignorance Lend my being to forces which impair His harmony: that my self-will, I repeat, Be sunk ever more and more in His All-will;
And since, O my heart's Pilot and Dictator, You are pleased, in your great mercy, to appear Before my twin eyes, hungering still for thee, I would implore you for one boon of Grace.
My dear beloved! Know you not that all I have and all I ever shall win are meant For all — since now I see in all but the One Whose utter slave I am and whose Compassion's One touch has made the whole world kin to me By revealing His one Self in the forms of all Though they, being blind, hold soul's last vision suspect And eyelessness alone beyond attaint.
VISHNUPRIYA (her eyes glistening)
My Lord, address me not so tenderly, Not only am I unfit to be loved by you, But what my heart has come now to dread most Is lest your love for me pollute your soul By even so much as a chance proximity. For you yourself have opened my eyes to what They in deliberate blindness would not see, So I pray to you today: Oh give me strength, Not love — which please bestow on the deserving.
Be not so sad, my love! and above all Say not such foolish things. For how can you
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Conceive Love as a judicial patron who
Will visit only those who are deserving?
And what is more, whom do you call the deserving?
'Tis time you realised that those who deemed
Themselves as worthy of His Love Divine
Must, by that very claim forfeit the title
To being adjudged as worthy. No, my dear!
The Love Divine looks not with our human eyes.
If pick and choose it must, it will invite
First those who are more conscious of their flaws
And undeservingness to claim its favour,
Rather than those impeccable, upright souls
Who preside in their world of self-complacency.
For Krishna will not greet the opulent
Highbrow of arid fame and fiery pride.
Remember you not His fling of irony
In His talk with Rukmini against the rich:
(He hums)
A pauper am I and so
To the paupers alone I wend, For them as loyal I know
Who call me their one Friend!
'Tis the low lands that yield the richest harvests And not the highest peaks which stay for ever Barren and gaunt hugging their haughty glare. The great saints will nor flare nor dazzle like these But sparkle even as grass athrill and bowing With divine humility. If you I call 'My dear beloved', 'tis not from a mere Impulse to shower an empty blandishment, I hold you dear to me as my heart's breath Because I have cherished you for what you are:
A thing of beautiful humility
Which made you glimpse in pain the apocalypse
Of His Grace conceded but to the pure of heart.
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VISHNUPRIYA (rivetting her eyes on him)
But what else could one be, my Lord, but humble Who claims but one asset: sterility?
(She gives a melancholy smile) And can you wonder why I now implored you To address me nevermore as your 'beloved' ? And shall I tell you something else — a thing I kept from you so long — yes, even from you?
(She clears her voice, now thick with tears) Lord, when I saw you first, seven years ago, My heart and soul upheaved and I surrendered All I possessed: my pride and gift of beauty. But one thing still I could not give away:
My yearning that you would remain for ever
My own and only mine. I worshipped you
With every drop of my adoring blood
But even then I dimly saw, although
I strove to close my eyes to what I had glimpsed,
That I gave my all to claim your all: I loved,
To win your love: I dreaded even the thought
That others might come to claim your love and so
Curtail the quota that was due to me.
I failed to see, nay, I declined to see
That you were made not of the common stuff,
Nor destined to stay mine alone for ever
And I was vowed to an unconfessed desire
To reserve your love for my poor love alone.
I stifled my deep agony, for I knew,
And this knowledge only grew with passing time,
That all the time I deified you, I was
Deifying but my arrogating self,
Entering like a servant of the King
To grow into the status of his mate
And ministering angel and guiding star.
I wanted to make a God of you because
I longed to be the beloved of a God.
This deep low voice of conscience I did stifle
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with loud reasons fabricated to kill my qualms.
Yes, to be absolved from this my sense of shame I vindicated all I did and argued That you I served to joy in your sole glory And not in the mirror of my doting self Which shone with the bright lustre it reflected. And 'twas for this my sin of sins I lost you My light's last fount, one sun to my pining moon!
(She covers her face in her hands and sobs disconsolately)
SRI CHAITANYA (placing his palm gently on her head)
Oh, be not over-repentant, my beloved,For a failing that is an adjunct of our egosWhose blind desires dog us ever on earthBranding us with self-pity and pain and sorrow,Nor lash yourself too hard for what may well beLikened to spots that are born with the leopard's birth,A heritage of our terrestrial life.Who ever was born immaculate on our earth?The One who over broods his creatures knowsTheir natures' flaws which chase them like their shadows.And being the soul of patience and compassion,He sets us tasks but not as a task-master.For even when we fail Him signallyHe knows why we all fail — impelled by forcesOf sceptred instincts that have ruled for agesThrough a long line of births in diverse forms.Nor is He fain to judge us by our lapsesNor by our lamentations of remorse:
He takes our measure by our aspiration And our hearts' sincerity and deepest dreams. And, seeing all from His last peak. He knows We are seldom as responsible for our deeds, Far less for our impulses and thoughts and feelings, As the moralist proclaims omnisciently Menacing us with Hell's dread chastisements, In the name of God he conceives in the image
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Of his high moral and judicial self. And least of all can one in the realm of love Hope to comport oneself as one aspires. For in love's intense ambit the ego derives The fiercest joy from finding the freest play. So 'tis in this realm desire reigns supreme, The fulcrum whereon Nature's mechanics rest. And life's desires being self-regarding Must war for ever with true love which is In essence a deep urge to lose one's self.
VISHNUPRIYA ` I know, my Lord, or rather, shall I say:
I came to learn through bitter experience. But you will pardon me if I confess I cannot stifle a sigh when I feel thus Humiliated — lost in my own eyes ... Nor is the anguished question answered yet:
Why are we born under one flag on earth If we must disclaim it driven by suffering To seek the aegis of another? — Oh why?
To answer this I must repeat, my love, What I hinted at a little while ago:
That the human mind can never truly plumb The primal Purpose which brought into being. The evolving architecture of the Master Architect. And may I add that this Our human mind behaves still like a child Asking deep questions without understanding Even the import of its curiosity, Far less the answers of the soul.
(He smiles abstractedly)
Our mind Has yet to know how little it can know With all its loud pretensions. And this I came
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To realise anew in Orissa
Through a strange tragedy. She was a Princess.
Her father, vowed to make his daughter happy,
Insisted on her having for spouse a Prince,
A handsome youth of twenty, who was smitten
By her mystic elusive beauty. But she loved
Krishna alone and swore she never would marry.
The rational father, a born sceptic, laughing
To scorn a legend, wished to harness her
With a youth afire with passion and large as life,
And the wedding bells rang out at his command.
The daughter, in her desperation, swallowed
Some fatal poison. I was summoned when
She lay in the palace, gasping. But as I
Drew near her bed she opened her eyes of trance
And gave me a smile dripping pure ecstasy!
I was amazed: for her frail body writhed
In agony hard to see and harder to bear.
Yet she calmly said: "Please bless me that I may
Be havened at the feet of my Beloved."
I prayed as her frail frame quivered in the grip
Of the deadly poison. But, to the last, there passed
Not a shadow of regret across her face
Radiant with the beatific smile,
And her eyes a picture of ineffable bliss,
Even when her limbs were twisted in the throes
Of dire convulsions the like of which I never
Have witnessed heretofore! Before the end
She gave me a last look and then smiled. "My people,"
She said, "are cursing Krishna; they call him cruel
For ordaining such a horrible fate for me!
But how dare they judge the high Omniscient —
They, who fail so pitifully everytime
To take the measure of pigmy men and women?
How can they render unto the vast Divine
What is due to Him when they cannot even render
The little that they owe to His puny creatures?
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Can those who never have delved down to the simple
Genesis of a single grass-blade's birth
Hope to elucidate the mysteried
Passion Play of multitudinous Life
And the fathomless role of human aspiration
And the birth of Beauty in the sphere of Pain?
And lastly, how can they divine His Love's
Import who never have hearkened to His Flute-call?
I tell you I can feel my heart's Beloved
Breathing into my heart when this my body
Is tortured in the pitiless clutch of Death.
I marvel at His great stupendous lila
As you too must oft marvel in your heart,
0 Master mine, who, havened at His feet,
Call shipwrecked souls to the harbour you have reached,
Even as the tree, inspired by the example
Of clouds with their cool retinue of shades,
Invites for a like protection from the sun
Pilgrims on their way to the holy haunts.
So you too smile at them, the prudent fools,
When, solemnly adjudicating, they
Decide: I am a thing for pity's grace
And those alone are God's own darlings who
Pass goalless days, starving in an isle of plenty,
Ringed round by darkling waters of destiny,
And the ones who outsoar this Valley of False Glimmers
Escorted by His light are lost for ever!
Lila ... lila ... a magic word! To think:
That all the bliss of earth or paradise
Should have in a moment lost its gaudy glamour....
And who could rival my beautitude
Whom He, my mystic Prince, to claim and own
Had made a pauper Princess but to change me
Into a faithful slave of His and show
The difference between the moon and marsh-light:
He lured me with a phantom opulence To countervail it with His mystic Flute-call
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And lead back to His Bliss for which He made me Draw my last breath in pain." ... She gave a smile As in a trance, then heaved a sigh and murmured:
"But how can the worldlings' hooded eyes even glimpse The iridescence of His rainbow Grace Which shows me an exit into the Life Divine Through the dark portals of death-agony!" And she hummed a song of mine she had heard me sing, Of Radha's everlasting pledge to Krishna, And, improvising with a rare emotion, Her virgin soul she poured forth as she sang:
(breaking out passionately into song)
Whether He tramples on me, my Lord,
Or hugs me tenderly: . My life is given to Him alone
For all eternity. Whether He spurns me from His door
Or will abide with me:
My thoughts will dwell in Him alone
In pain or ecstasy. Whether He courts me or consorts
With the fickle frivolously:
My heart will bow to Him alone,
None else my King shall be.
(His face flushes with emotion and his eyes fill. ...He
pauses for a little, then fastens his gaze upon her and
clears his voice tremulous with tears.) Her eyes took on a hue unknown to light And then a strange thing happened: I felt a Presence I know so well... and ... thrilled, I sang with her When, lo, on a sudden, oblivious to us all, She stood up from her bed and faltered out In ecstasy: "My Lord, my Lord, my Lord!"
(Vishnupriya wipes her eyes. He goes on) Her people thought she was delirious
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And rushed to her side to put her back to bed
But she eluded them and fell down forward
Prostrate upon the floor — when I too saw Him,
The Kings of kings in person, aureoled
In a blue light. His eyes deep with compassion,
And the magic smile upon His magic lips!
I lost all count of time ... And when at last
I came to — He was there no more, nor the virgin
He had come to take back home to His Vaikuntha.
(He pauses and holds her eyes) Her parents could not see what she had glimpsed And so dubbed Krishna a fiend or else a myth. But, as she said. His smile is lost on those Who will not win to the deeper vision, and so When I left my all they said, unanimously, That I lost everything when I lost only My chains and blinkers. And yet such is His Inscrutable Maya that we fail to see:
He leads, how often, to His Heaven through Hell....
(He smiles ironically)
No wonder we quail to answer His dangerous call As I too once did, summoned to cut away From my old moorings I so dearly loved " But none can ever attain the summit bliss Until he bid farewell to the lower strands;
And nowhere is renunciation more
Imperative than in Love's deep domain.
For though nought can ever rival true love's raptures,
Yet nowhere else can pain be paramount
As in the empire of what we call love.
But when we will not do His will through joy,
The initiation is taken in hand by pain
Which visits not to make us derelict,
But to spur us ever onward, onward till
We find a harbour lovelier than our last
From which nought but the storm of pain could wean us.
(He looks at her tenderly/or a few seconds, then puts his
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hand on her shoulder, very gently) But since you ask me to enlighten you I will say only this: trust not your heart Too much to the keeping of that wise fool. Reason, Whose glimmer, at its best, is like a glow-worms' Which cannot quell the gloom that dogs our lives But only shows its girth and density. I would advise you to accept on faith What mental reason cannot reach: that we Are born to a nature with two diverse urges:
One would cajole us to stay where we are, The other goads us to climb ever higher, Leaving the stagnant bogs we grow to cherish. And every joy on earth becomes a bog:
Every haven save the one pledged by the highest.
And nowhere holds this truer than in the realm
Of human love and nowhere is the prison
More stifling than where lust is dominant,
For lust can never win to lasting bliss
Because its rhythm falls out of step with love's.
For lust by its very nature will exult
In its instinct of possession whereas love's
One impulse is to give away its all
Without reserve or fear or thought of the morrow:
Ever squandering, never garnering,
Ever offering, never questioning.
But this movement, being essentially divine,
Is dreaded by us, humans, till we learn
To see with wisdom's eyes the limitation
Of each impulse acting on the human level.
But to see clear and far one must discard
The stained glass of desire, and this occasions
Often a pain so great to its votary
That he would even smite His hand of Grace,
(Which can alone wipe off desire's stains,
And lead us to the vision that gives salvation)
He even would curse the hand that comes to bless
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Rather than hail the boon of bliss it offers. (He holds her hand tenderly)
And that is why you suffer misconceiving
The message of true love which, in its essence,
Is a message of surrender unbargaining
Which whispers in the heart: "Give all you have
And are to Krishna and never in return
Ask even for the meed of His answering Love."
But, alas, it sounds like madness to the wise,
And so I sing now only for the crazy
Whom I adore today since none but they
Will respond to Folly's message which declares
(Reversing the prudent values of sanity):
"None but the fool who squanders all he counts
As the most precious of this earth-life's boons
Shall win to His last pinnacle of Bliss
Through Love which, starting as a flickering flame,
Must grow till its apocalyptic sun
Will burn away the dross of our desire
And this shall be achieved when we will learn
To merge, like moths, in Krishna's Fire — of Love.
(Vishnupriya falls prostrate and kisses his feet. He puts his hands upon her head in a half-trance and goes on repeating: Krishna ... Krishna ... Krishna ... Krishna ... Krishna ...)
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MIRA
PLAY IN THREE ACTS
To Dear Nani Palkivala
Who'll sing with the marvellous Minstrel rapturously the mystic prophecy in Savitri:
"Oh, surely one day he shall come to our cry, One day he shall create our life anew And utter the magic formula of peace And bring perfection to the scheme of things."*
With love 10.5.77 DADA DILIP KUMAR
* Cent. Vol. 28, Bk. II, C. 6
Often enough, when I sing in our temple, Indira Devi goes off into a mystic trance — samadhi — and sees Mira singing or dancing, in a Brindavan temple, in the midst of some devotees or learned sadhus who start with her a discussion or an altercation, as the case may be. After a time, when Indira Devi comes to, she relates in a half-trance—bhav-samadhi—these singular experiences: historical scenes recaptured or else Mira's stories and parables. As she goes on recounting them, she often breaks out laughing or clapping her hands ecstatically like a child and sometimes — when talking in a faltering accent about "her Gopal's" love — her voice grows husky with emotion and tears trickle down her cheeks moving even the hearts of hard-boiled sceptics and critics. I present here, in the form of a play, a few scenes she saw re-enacted in Brindavan along with a few communications she has had from Mira who comes to her daily. She used to keep a record of her talks with Mira in her diaries of old dating as far back as 1950, some of which were pub- lished in Pondicherry just eleven years ago in her first book of Mira- bhajans entitled Shrutanjali, a sheaf of sweet songs Mira would sing to her day after marvellous day. These she (Indira) would dictate to us then and there directly after her samadhi in which state she heard Mira speak or sing as the case might be.
To quote hereanent the comment of Sri Aurobindo, (and who could be a greater authority on authentic mystic experiences than he?) he wrote to me three letters when I sent him a few of Indira's songs with an elaborate account of their genesis and transcription.
"There is nothing impossible," he wrote first, "in Mira Bai mani- festing in this way through the agency of Indira's trance, provided she (Mira) is still sufficiently in touch with this world to accom- pany Krishna where He manifests and in that case there would be no impossibility either in her taking the part she did in Indira's vision of her and her action. If Indira wrote in Hindi with which she was not used to write and it was under the influence of Mira- bai, that would be a fairly strong evidence of the reality of Mira- bai's presence and influence on her." (7.5.50)
"It is evident," he further explained in his second letter, "that Indira is receiving inspiration for her Hindi songs from the Mira of her vision and that her consciousness and the consciousness of
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Mira are collaborating on some plane super'conscient to the ordinary human mind: an occult plane; also this influence is not an illusion but a reality, otherwise the thing could not happen as it does in actual fact. Such things do happen on the occult plane, they are not new and unprecedented." (2.6.50)
"In any case," he went on to stress, "the poems Mirabai has conveyed through Indira — for that much seems to be clear — are beautiful and the whole phenomenon of Indira dictating in a language she does not know well... is truly remarkable and very convincing of the genuineness of the whole thing." (11,6.50)
I need only add that I am sure that these experiences and songs (a few of which I have translated here in English) will go on ins- piring — irrespective of caste or creed, race or religion — all true devotees, aspirants and seekers who must need the light of Love Divine to help them tread the Path.
One last word:
As for the Lord's coming to Sanatan and Mira and playing at hide and seek with them, I know full well that such experiences of even the greatest mystics and God-lovers are sure to be scotched today by many as figments of the imagination. But I am not con- cerned with critics who cannot believe because they do not know:
I am concerned, first and last, with spiritual seekers as against mere investigators who cannot possibly assay the truth of such experiences as happen on the mystic plane for the simple reason that they have not been there. So I will conclude with citing a rele- vant passage from Sri Aurobindo's Essays on the Gi'ta:
"Far from the Infinite being unable to take on finiteness, the whole universe is nothing else but that; we can see, look as we may, nothing else at all in the whole world we inhabit... the Divine takes upon Himself the human nature with all its outward limitations" .,.. because "the human limitation must be assumed in order to show how it can be overcome."
For the rest, I can only add that if a single devotee, reading this play, feels even a fraction of the rapture and sense of illumination that I have felt while writing it, I shall deem myself amply repaid for my pains.
DILIP KUMAR ROY
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Act One
Full moon night of Jhulan Purnima. In Miras temple at Brindavan she is singing before her Image of Gopal. On the right of the altar her Gurudev Sri Sanatan Goswami is seated beside the temple-priest, Pundarik. On the left, four sombre, whiskered pundits are watching intently. Behind her sit, with folded hands, a motley crowd of pilgrims, come from far and near, drawn by her name, music and holiness.
MIRA (singing in a mystic ecstasy, standing before the Image):
Friend, shall I tell you how I wooed
And won my Lord Gopal? How the One for whom pine mighty saints Responded to my call?
I knew but one code, trod one path:
Alone to the Alone. They worship Him as the King of kings:
I claimed Him for my own.
The sages seek Him far and near
And still sigh unfulfilled:
I searched for Him in my yearning heart
And there He stood revealed!
I conned no books nor performed feats
Of high austerities. I gladly hailed what He ordained:
My joys and miseries.
The learned fail to fathom Him,
The Vast and Mysteried:
He answered because I prayed to Him
My way lost soul to lead.
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How can I ever, friend., plumb His ways ?
Can a bird span the space ? I only fell at His lotus-feet
And He smiled on me, in Grace.
I cried for Him as for the mother
The child cries in the night, And compelled. He leaned like sky to earth,
In love's divine delight.
{In tears of ecstasy she sang, describing
How Krishna, her one blue dream in desert life,
Delivered her from the underworld of Night
To boon her with the freedom of the sky,
Calling her His own child of dateless dawn
And she sang how she had groped for years for Him:)
MIRA (sings)
I sought Him in idols, temples, shrines, Woods, hills and dales, alas, in vain! With mantras and rites I worshipped Him With lights and incense, time and again.
Till the saints revealed to me — how one Must love the Lord one yearns to see And I sang: 'I know I am dark and flawed, Still I am Thy child and cling to Thee.'
So Mira, the derelict. He redeemed And gave asylum at His feet When, lo, in a flash, the ages' chains Fell off— as He came her to greet!
(Her voice rose in a resonant crescendo
And, as she sang and danced in a mystic fervour,
The devotees acclaimed and kissed her feet;
Men bowed down to the ground; the women wept
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And even the children stared, bewitched — as she In simple similes delineated How the Blessed Lord installed her lowly slave In His tender heart of evergreen delight.)
SANATAN (in a moved voice)
Oh you are bless ed, blessed Mira, my child! For surely 'tis He, your Gopal, who inspires Your ecstatic songs and dances, raining His Grace On our earth's heart of drouth. Your mother is blessed And blessed are all -who come to your holy feet. 0 lotus of light, flowering on darkness' stem, Who have grown into a legend in your lifetime, In this our world of din how shall we hail You, minstrel of Gopi-love, to whom our Lord Of bliss and loveliness, comes to reveal His inviolable self of harmony, Beauty and bliss, music and compassion To manifest His soul of dream delight? How through your voice He sings, day after day, In ever-new lilts. His deathless melodies, And visits the temple of your soul to seek Your pure love's hospitality! 0 daughter of divinity and stainless purity! Sing on ... ever on ... dispense His nectarous ruth's Lavish bounty...
(Thickly)
In this our world of greed
And gloom you come, missioned to teach us, misers, How to win all thro-ugh staking one's all for Him, To grow blue wings, with the sole power of faith And make love's rose bloom on a mantra's stem, The love that defies the wisdom of worldly prudence! O incarnate audacity, who abandoned all You cherished — to attain the viewless Peak By dint of your one yearning for the heights! We salute you who have come to initiate
7
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Our storm-sky lives with the dare of your star-poised soul!
(With a sigh)
We are, indeed, fool cripples who still prefer Crutches to wings — we, realists, who applaud The testimony of those who have not seen And scotch the rapturous evidence of the seers! The mud-lipped worms are real, but not the eagles That pierce through clouds to revel in stratospheres. The ghostly shadows are true because they abound, But rainbows are pointless because their angel glances Are few and far between! We indict Heaven As heartless because none can have for the asking Its endless riches! A few do, indeed, sing Of the blissful Brindavan of selfless love They come to know through the Evergreen Lover's Grace;
But nay, we must have a Grace on our own terms,
Build a religion of stark power and greed
And impose it as the unique real gospel
That can make us all happy on this earth!
Oh, when shall we accept the heart's lead of love
And aspire to see light where we see today
But a kingdom ruled by hatred's gloom or half-lights
Of transient pleasures which fail even to please?
So we appeal to you, O His beloved
Minstrel maid, you sing ever on — uncaring
Whether we, fools and dotards, respond or not.
You sing on and — who knows — you may achieve
With your unearthly voice and moving songs
What Pandits, priests and pulpit-preachers have
Striven in vain to bring home to our minds:
That faith and love are the twin angel wings On which we all can soar to His Vaikuntha.
MIRA (falls, in tears, at his feet; then rises and, standing before the Image with folded hands, starts singing again) We home in His love's own domain, Love is our heart's one refrain:
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When for love we lose our all, We know all all we'll attain.
In love, in rapture, we sing,
Drink at love's pure virgin spring;
Come joy or come deep pain,
We'd live and die for our King.
Love-intoxicate are our eyes
Which strain but for love's sunrise:
We, minstrels of Brindavan,
Love His Face in our soul's dream skies.
We chant His one Name all day,
Consigning our lives to His sway And, enthralled by His call, we dance
When He starts His flutelet to play.
We reck not of virtue nor sin,
Knowledge nor wisdom serene, We hymn but His beauty and thrill
In His laughter's lilts evergreen.
Sings Mira: "We are love-mad, friend:
On love alone we depend:
Like love-lorn moths, in His flame
Of love we will merge in the end."
PUNDARIK (rises and folds his hands)
O mother, how you do transport our souls With your angel voice, celestial songs and dance! A time was when I did wonder at heart If what you claimed you had seen were true! I felt At a loss ... because I myself never had seen In all my wanderings a saint who had So swiftly attained the Goal: His lotus feet. But your incredible personality,
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So radiant, strong and yet so flower-pure,
Whittled away my crust of scepticism
And helped me glimpse in you the Lord's own maid.
As Gurudev so aptly said just now.
The Gopi-heart of Brindavan is yours
And so it is you can, in a moment, unveil
The starry secrecies of our great Lord's
Love and compassion through your beautiful songs
And heavenly dances of pure ecstasy.
(His voice grows husky) And may I tell you something? 'Twas because You blessed me with your Grace that I caught, at last, The contagion of your vision creating faith Which laughs dark doubts to scorn. For 'twas this faith That fostered within me the Eye of Light Which can see into the heart of things. And so My doubts gave place to a deep reverence For all that you stood for. Thereafter, oh! Your every message and dance and song and smile Did give a fillip to my aspiration.
(He bows his head and drops his voice) I wanted, mother, to confess to you;
But a fear held me back lest you renounce me
If I owned that once I had dared dismiss
Your vision of Him as mere hallucination
And your claim to have compelled Him to descend
To dwell for ever in your heart as a sad
Delusion if not sheer pretension. Thus
I had deeply sinned because I had refused
To listen to the dictates of my heart
Which would fain have me bow to you at once
As one whose even anklets showered sweet lilts
Of Gopi-love that comes in this dark age
Only to a few, the blessed elect,
Whom His love, like a ruthless hurricane
Wrenches off their anchorage to be granted
Eternal refuge at His lotus-feet.
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(He heaves a sigh)
But something within me sought refuge in My recalcitrance when your deep Grace had gripped me, Till, slowly it dawned on me that those who spoke Like your inviolate self, from summit-vision (Attesting what we, on the plains, alas, Can never glimpse) must first be venerated Before we could presume to verify Or scotch their findings, as the Gita says:
Shraddhavan labhate jnanam
For How could one judge of what transpires on peaks When one wallows in abysmal ignorance?
(With a sigh) But even this is not all. He says in the Gita:
"Disclaiming all commandments, codes and dharmas Take refuge in me alone. Have no misgivings:
For I undertake to deliver you from all sin."
I waved aside even this breath-taking pledge
As fabricated by His unscrupulous priests.
"For is not He," I asked, "the peak and plinth
Of spiritual life which must be grounded in dharma's
Inviolable codes? If so, how could He
Thus lead us astray — sundering trustful souls
From their eternal moorings: the moral codes?"
(Smiling a bitter smile of self-pity) But the great Lord knows that fools cannot help but adore Their folly and so must resent if His Light comes down to deliver them from their blindness. So little wonder that I saw the Gita's Profoundest truths distorted through the haze Of my idiot conceit.
(After a brief pause)
'Twas then you came, Like moon on her golden chariot, cleaving my dusk And, singing your way to Heaven, carried my dark, Doubt-weary, peaceless soul to the very gates
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Of the Paradise of certitude — the eternal Brindavan where the Evergreen still plays on His haunting love's flame-flute. 'Twas only then The meaning of love's surrender dawned on me, The love which, once attained, we overpass All moral codes, commandments, formal rites —
FIRST PUNDIT
Halt, fool yokel! A truce to blasphemy! It is stark, staring lunacy!
(Bitterly)
To think
That you an old and sober priest should thus Take leave of your senses — genuflect like this To a woman, hailing her as your eye-opener!
(Snapping his fingers in contempt)But you are but a stooge. 'Tis she who isResponsible — the prime mover, chief offenderAgainst Divinity — His will and fiatsTo which all among us must bow, or beExcommunicated by Manu's law.
(Consternation among the devotees. A stifled outcry
ripples through them)
PUNDARIK (bridling)
How dare you, sire-
SANATAN (putting a restraining hand on his shoulder, in a
whisper) Hush, Pundarik, my son! There is no need. Mira can hold her own Against them all.
PUNDARIK (surprised, in a subdued voice)
But still, must you allow Insolent fools to insult our holy mother?
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SANATAN (smiles )
Can insolent rockets ever insult the star By merely hissing at her diamond gleam? I have an object. Let us witness His lila.
(Meanwhile the First Pundit has been answering back excitedly at a dissident colleague in a low voice. At the very moment he finally shakes his head and bursts out.)
No, no! I will not listen. For I do feel The call is urgent : accept her challenge we must. Did you ever hear the like — a gospel of love Gone mad! She must be told now some home-truths, And made to see how grotesque seem her claims When mirrored in the good sense of sobriety.
MIRA (smiling sweetly)
Forgive me, sire! For what I sang was not The gospel of madness but of the sober Soul's Discovery of the last Reality. Whose other name is Divine Love. And when This is borne home to our Radha-soul, she sings:
"Austerities, virtues, learning, genius, pomp,
Scholarship, prudence — these move not the heart
Of the world's Unique Beloved, the Evergreen
Swain for whom the eternal Radha-bride
In the soul of every one of us lives. And
He can be only won through simple love's
Petition and the ultimate surrender
Of all one has and is; my Gopal being
Pure love — He's best propitiated by
The offering of the guileless heart's deep yearning.
FIRST PUNDIT (his glance ranges the baffled faces of his
colleagues) Did I not tell you? She is unrepentant
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And it is serious — I warn you all — Because there is a method in her madness. She has a way with her and so infects Effusive women and simple rustics like This senile priest who, in his turn, will start Recruiting similar half-wits, calling trustful Yokels to gather under her banner. So, It is high time we put her in her place ...
(Turning hotly on Mira) You do have a tongue which you know how to wag To draw the credulous with your swift allure. But you shall never take in those who can See through your ruses. Humph! How can sobriety Endorse your version of Lord Krishna's ways And coming and going? It sounds all too quixotic! You glibly mouth a string of hyperboles, Feminine and absurd! Do we not know How unattainable is our Lord, Sri Krishna? Did not even the resplendent saints and sages Apostles and Messiahs find the Path To Him, the Lone, strait, difficult to tread As the razor's edge? Is He not far-off like The galaxies, elusive like the sky, Vast like the sea, ineffable like Om And, above all, is He not hard to please? And yet you, garrulous maid — who are not versed In the Vedas or philosophy, who know not A word of Sanskrit, the alphabet of the Gods — How dare you arrogate the Sage's status And brag you are cradled in "your Gopal's" Love!
(He makes a grimace of contempt and turns his eyes upon
his colleagues}
Do use your brains, gird up your loins, friends! I appeal to you: be scandalised and shocked! To think that such an ignorant babbler should Expect us, learned pundits, to believe That the Omniprevalent, One-without-a-second
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Has deigned to descend to abide for ever with her And eat out of her hand, her little Gopal!
(He blows his nose angrily) Humph! do we not know all about His ways Through our high erudition and Yoga of knowledge? Has He not over and over again proclaimed In our hoary scriptures that none ever on earth Can attain to Him save after years and years Of stern and arduous austerities:
Self-discipline, fasting, vigilance, meditation, And last, an intensive study of the Vedas? Has He not promulgated: "Only the strong Shall win through to the Self's inviolate light?" Yet she vaunts — "her Gopal" never once exacts From her what He imposes on us all! "Her Gopal", indeed! Humph! The One who is The Creator of the cosmos, the Absolute, The immaculate Supreme who ensouls all!
(He takes a pinch of snuff, then jabs his friend seated
next to him) Oh, wake up, friend! Say something, for God's sake!
SECOND PUNDIT (bridling)
Wake up? How do you mean? Surely, I Am no somnambulist — nor was I dozing! Only I wondered if one should in a temple Flare up into a fracas. But you are right:
Our honour is at stake. We —
(turning with sudden heat on Mira)
Mira, listen:
You are delirious. You know Him not. Is it not written: we must be pure as light, Perfect as crystal, thunder-strong and, lastly, Delivered from the siren Maya's bondage, Live in the forest, for long years vowed to silence And comtemplation and philosophy, Embodied in the Tantras, Vedas and Gita,
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Before we can glimpse Him? Do we not all Know to our cost that He smiles never on our Manifold flaws and foibles of the flesh? Your puerile, sentimental rhapsodies And popular songs, I warn you, never shall find Favour with Him, the Superconscient Brahma!
THIRD PUNDIT (in a tone of raillery)
I applaud you, my self-righteous friend! And therefore, I also, duly furious, shall take now ... Ahem ... my cue from you. We must all growl In a body like a pride of wounded lions, Maimed and down, but... ahem ... not out. Oh, no! For lo and behold: are we not bristling with Righteous indignation? And joy, as well, Of course ... for is it not in tedious life Delightful to explode and feel... ahem ... Superior to a woman? And when one is As cock-sure as we are (in a body, again) That one is a paragon of wisdom and those Who genuflect to other idols are fools, Does not one walk on air, athrill that one Is born peer of angels, model of virtue, Sponsor of dogmas, teacher of saints and proctor Of morals?
(Taking a heroic pinch of snuff)
So Mira! I say, you are doomed! For you are innocent of all that we Have learned through memorising reboant phrases. Ergo, you have not the ghost of a chance against Our august selves when you dare claim you see Light where we ... ahem ... see but silhouettes For your poor evidence is only ... ahem ... A woman's, whereas ours is masculine And therefore ... ahem ... strong, impeccable!
(The raillery becomes more pronounced) You see, we are so erudite and can quote
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Torrents of fearsome dicta from the Vedas.
But you, frail thing, even if you have seen
Are out because you never burnt midnight oil,
Cramming on earth blue rumours of the Beyond.
So I ... ahem ... deduce ... I know not what
Follows from this ... but never mind ... for this much
Is certain that the great Vyas knew what he
Wished to convey when he blared like the trump of doom!
Kalena sarvam vihitam vidhatra
paryayayogat labhate manushyah;
Which means, most probably, that as one grows older With time the present vanishes momently Into the past, and that, the older one grows, With the march of dreadful time, one is expected To grow even wiser till one ripens ... ahem ... Into an awful oracle, shall I say? Never mind. Only ... where was I? Ah yes, It all comes back ... we must rebuke you sternly For being what you are. So Mira, I, too, Must with my learned colleagues lash at you For venturing to have seen what we have never Glimpsed even once nor dare hope ever ... ahem ... To see with our mortal eyes till they grow glassy With cataract or deepening wisdom. Well, well!
(His eyes range the faces of his three colleagues and his
lips curve into a smile) Is not that just what you would have me say? I mean ... ahem ... thus crushing her with the weight Of authority of books and howling down With multiple frenzied voices that of a simple Dame who can only sing and dance and thrill But not overawe as we great pundits ... ahem ... Do, first and last, and even in the middle ... Oh, why must you shoot a fire-fly with a gun?
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FIRST PUNDIT (frowning) Fool! hold your tongue!
SECOND PUNDIT
Nay, he's a flippant knave,
As we all know to our cost. But we, who are Responsible guardians of society, must Take action since it is no laughing matter.
FOURTH PUNDIT I do agree. But how shall we —
THIRD PUNDIT
— in chorus
Drown with our scandalised tears her sparkling folly? (A low titter of laughter ripples through the audience)
FIRST PUNDIT (in stentorian tones')
Silence! Good heavens! Is this a temple — or A circus of clowns?
(To Mira)
I say, you must not mind
What my friend, the buffoon, said just now. I mean
We have no wish to be hard on you. But ... er ...
I mean ... you must learn to bow down to your elders,
Nor presume to ridicule the wise, our Sanskrit
Vedas and Tantras and the holy rites.
We only evolve in light through living in light
And not in the primitive world of our blind instincts
And impulses of the untutored mind.
Besides, an unlettered woman should be humble
And ignorance must never sermonise.
MIRA (placidly)
I assure you all, my venerable elders, That I luxuriate not in sermonising, Still less in ridiculing the holy codes.
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I only dance and sing to my Gopal And speak my mind. But I do understand Why you misunderstand me. I subscribe To your verdict on my humble self. I own I am an ignorant, unlettered woman Unversed in the Vedas, innocent of Sanskrit. Only I cannot help but wonder how Can an intensive study of the Vedas Or Tantras liberate us from our chains Of worldly attachments? How can, sires, a mental Philosophy lead us to the One who baffles The mind and senses ? And how shall scriptures Memorised heal the cravings of the flesh Or curb the passions that lay us under the yoke Of what the wise call Fate? And lastly, how Shall ever learning help one glimpse Gopal Who resides not in the books but in one's soul? The sages who have realised Him have, Indeed, attested: "We have known the One Stationed beyond the mist of ignorance And to see Him is to achieve the Goal of goals:
To taste the Nectar of Immortality."
But what have you achieved and known in life?
You merely cite the testimony they gave
With an eloquence more sonorous than convincing.
The saints have seen; you only prate the news
Of their great vision and experience.
But can mere erudite talk that someone else
Has tasted honey help one ever to know
How honey tastes and thrills and fortifies?
Can quoting the experience of a sage
Afford you even a clue to the deep fulfilment
Which he won through direct experience?
(As the pundits, nonplussed, looked at one another And fidgeted and hummed and hawed in deep Embarrassment, the loyal devotees
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Of Mira, tickled, tittered again. She gave A beatific smile and her twin eyes Glistened with unshed tears as she resumed):
But one who is touched by His own love, who's called By His Flame-flute does pass beyond all cults And the maya of words, words, words!
(With sudden animation)
But what have I
To do with the hollow drum of words — I who His Presence feel in the adytum of my heart? I assure you that my Friend and Mate Gopal Does come to play at hide and seek with me And sings and dances, too, with me, and daily Nay, hourly, teaches me the art of love. He knows, indeed, my countless flaws and foibles, My sins and lapses, falterings and stumblings;
But He also knows that I do cling to Him As my one and only life-line to salvation. I count the world well lost for Him and draw My every single breath from His love's breath And see at every step by His eyes' light And lean on Him and Him alone in life:
So He told me: I am His and He is mine.
(A hint of raillery creeps into her tones) I do know, sires, how limited is my knowledge;
I know I am weak and frail and helpless. Only One thing I know which you are yet to know, Which may I tell you in all humility?
FIRST PUNDIT (cuts in sarcastically)
Humility, indeed! One who presumes To bandy words with her superiors, Erudite elders versed in the mystic lore Of the Vedas! We will leave you to your fate And visit your temple nevermore. You are
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Beyond redemption.
SECOND PUNDIT (indignantly)
You are right. Why cry In the wilderness ? Come, friends, it is a sin To hear her denigrate the hoary wisdom Of our sacrosanct Vedas — we must ostracize her.
MIRA (folding her hands, deprecatingly)
I have said I plead guilty to the charge Of being untutored, unsophisticated. But how can it be a sin for one who is Not learned to talk of what one has, indeed, Experienced with one's every pore and cell? Besides, why must I retire into silence, Like guilty souls in torment, when I have Known and seen, day after marvellous day, What few have glimpsed in life? Sires, why must I, Who have been in the clasp of my Gopal, (The end and aim of even the greatest sages) Disclaim such an apocalyptic vision?
FOURTH PUNDIT But the Vedas —
MIRA (with a deprecating smile)
Woe is me! the old, old story! The Vedas speak of what was seen by the sages Who lived the Truth and so was authorised To testify to what they had realised. But those who never have glimpsed Gopal, alas, Fall only into the snare of make-believe, A maya of words which weaves a pitiful veil Of noisy pride to get one reconciled To a life of grievous gloom or phantom half-lights And still — such is the maya of grandiose words — That one who's domiciled in a land of dearth
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Unwittingly becomes its advocate,
Until he forgets that the soul's deep thirst
Can never be quenched by resonant quotations.
I claim I was answered by His Grace because
I did not seek Him in the world of words,
In overawing tomes of holy books,
Which our great forbears penned to help us follow
In their footsteps, but you prefer, alas,
To memorise them to mouth void shibboleths.
(with a sigh) But from my childhood, I yearned for one thing:
The Raasa Tryst with my one dream: Gopal, The savour of His love which no scholastic Can ever know through books. I was impelled By my deep thirst to seek His love's caress With every breath and throb of my lone heart. And so I only appealed in derelict tears To my one Beloved whose love's Flute I had answered, Who had wrenched me off my moorings, made me homeless Till I found my home in Him and, to my joy, Discovered that He can never stay hidden if one Cries out for His union, staking one's all for Him.
SECOND PUNDIT (a little impressed in spite of, himself)
You mean you really found Him — your Gopal Whom we call Krishna, the Lord Himself—the One Who is the Primal Cause of causes, the Lone Inviolate Light of lights, the One-in-all —
Yes, sire, 'twas He, the world's Evergreen Beloved, Who gave me asylum at His feet. You find This incredible perhaps because the authors Of the holy books omitted to put on record That He comes to ignorant women even though They have never sought Him in the way approved Of the Vedas. In life, you hold, the bygone sages'
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Pronouncements are the only beacons and so The zones their torches fail to illumine must be Scouted as undivine and non-existent.
(With a smile) How grand the verdict of your summit-wisdom:
"What bears not the Vedas' seal is a chimera!" But can it not be that life has not yet Been fully fathomed or mapped out by even The holiest scriptures like your hoary Vedas? (She draws a sigh)
But I'll bow down to you. Since you dismiss
My findings as invalid, I will not venture
To submit before your bench an evidence
So unorthodox and shocking. If you are loath
To listen — I shall be silent.
But I demur. For I do, mother, long to listen. Let them Depart in outraged majesty in a file, I propose to stay on to receive your blessing.
FOURTH PUNDIT (to the others, equally embarrassed) What shall we do?
The answer you'll find in the Vedas:
The frog thrives best in its little world — the well.
Silence! ... We might as well give her a chance. For after all, one should be kind.
FIRST PUNDIT (reluctantly)
As you wish. (turning to Mira, sententiously) We decide to give you a hearing. Tell us now
8
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What you meant when you said you knew one thing Which we are yet to know?
Wait — let me put in
A clause — to safeguard our resplendent status That we wise men are not committed ... ahem ... To anything ... and whatever you may urge Can make no difference to us ... since ... ahem... We know all there is to know on earth.
FIRST PUNDIT (shaking his fist at him) You ... you black sheep! You ... you shall pay for this —
FOURTH PUNDIT
Oh, let him be—a chimpanzee will grin, Dogs bark and insects screech.
(turning to Mira)
Now, Mira, tell us
What is it we know not and yet you know?
MIRA (with a faint smile flickering on her lips)
You know not, sires, that you go to Gopal As a daughter-in-law goes to her mother-in-law Who weighs her constantly, relentlessly, Upbraiding her whenever she is found wanting, And making an issue of her every stumbling. But I look to Him as a daughter does To her own mother in whose loving eyes A child is to be treasured, never judged Harshly as a delinquent brought to dock. The mother, too, desires that her children may Grow hour by hour into a perfect shape And would not let them stoop to unworthy acts Or have truck with the ones who are impure. She corrects and curbs, but all the time with love's Charity, understanding. She does, indeed,
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Chastise her child when it is called for — only
Never in the manner of a martinet
Or a stern judge. And this her daughter knows.
She knows: she never can grow old and ugly
In her mother's eyes, nor would she quail before her;
For she knows that from the moment she is born She's bound to her mother with the strongest tie:
The golden cord of love, a love that could Never misunderstand, still less denounce;
Gives but never expects to be repaid.
(The pundits glance at one another, looking somewhat
deflated)
SECOND PUNDIT (uncertainly) Does it... er ... mean ... do you imply ...
THIRD PUNDIT (chimes in breezily)
Perdition!
SECOND PUNDIT (in a towering rage) Behave yourself... or we will ostracize you.
FOURTH PUNDIT (impatiently)
Oh hold! Let us now hear her — for a change, A little tranquilly what she implies.
I imply that I approach my Gopal with Full faith in His all-comprehending love But you would treat Him — I'm amused to note - As though He were your mother-in-law and so You brood or wonder, argue or speculate What he is like and how you'd cross the hurdles He poses. I regard Him as my own Own mother and father in one — I am, I feel, The child of His dream, the apple of His eyes, The breath of His indulgent, loving heart.
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FIRST PUNDIT {flaring up again)
We wished to give you a hearing, but... humph! your ... Your subtle flings at us ...
MIRA (folding her hands)
Oh, do forgive one Who is unversed in social etiquettes. Believe me, I gave this simile not to have A fling at your deep dignity. I only Wanted to stress that I should have to act Utterly out of character were I To approach my Gopal with deep awe — because To me He came day after rapturous day As my Beloved Teacher who taught me only With His sweetness and His charm that beggar description. In sum, I submit that He came to greet me Like moon's kiss on eve's brow. 'Twas so I came To know through Love the miracle of His Love. (She shivers and then breaks out into song)
Daily because of thy love. Lord, clay flowers into rose:
Wan water-vapour, soaring, &s a regal rainbow glows, The dim worm is transformed into a radiant butterfly And night's dark pain dissolves in sungold laughter of
the sky.
THIRD PUNDIT (in tears')
How exquisite! What music, images, And, above all, expression!
FOURTH PUNDIT (reluctantly)
I must concede Music can move our hearts in a way our minds Can never understand nor reason explain.
SECOND PUNDIT (in a moved voice) I know not, mother, how, all on a sudden,
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My heart's subdued with tears of ecstasy! I sometimes felt of yore that all this vaunting About high scholarship and formal ethics Was hollow. But whenever a questioning Made me uneasy I would look away — Dreading to face the issue — to come to terms With my incipient malaise or, shall I say, Admonitory conscience? I am unsure. But now something incredible happened to me:
When you were singing of life's night of pain Melting in the sungold laughter of the sky, I saw, lo! on your Gopal's lips a faint But indubitable smile. I rubbed my eyes And looked again — when this mysterious voice (That often of old had warned me like a kind But stern friend's voice before I stifled it With all my erudition's studied folly) Aye, this familiar, long-lost angel voice Came to the fore again and whispered: "Do, For a change, give me a chance. I want to take You under my wing, but how can I — if you Elect to flock to phantom banners and idols!" And my heart was in a heave and I... I... I... (He paused to gulp his tears)
FOURTH PUNDIT (after struggling with himself, capitulates)
Well, it's remarkable ... for I, too, glimpsed Something inexplicable ... I saw her standing In an aura of blue light!
PUNDARIK (smiling)
And so you have To regret to own that this old priest before you Had not taken leave of his senses, after all?
FOURTH PUNDIT (unable to contain himself) Forgive, ) O mother, this your foolish son!
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How often have I not lectured on the Vedas'
Dictum that intellect nor learning nor
The claim to having heard deep words of wisdom
Can help one to attain the Lord — but only
The ones who are elected by His Grace
Can know His ultimate Self of Light and Love!
Nayamatma pravachanena labhyo
Na medhaya na vahuna shrutena Yamevaisha vrinute tena labhyas-
Tasyaisha atma vivrinute tanum shvam
But not till today's revelation could
I really grasp the meaning of this couplet.
So you, the elect of His Grace, do bless me
That I may never again put on my blinkers
Nor let my conceit build a wall once more
Between my soul and the Light I have now glimpsed.
FIRST PUNDIT (theatrically stopping his ears with both his hands)
Sa no buddhya shubhaya samyunaktu
O, Lord, for mercy's sake, do keep me anchored To good sense!
(to the other pundits accusingly)
Shame, shame, shame on all of you! To think that all we have been taught since childhood Should be thrown out to the four winds on an impulse Of hero — or shall we say heroine-worship?
(turning hotly on Mira) But 'tis you — you — who are the poisonous flux Which vitiates the atmosphere. So I Hold you to blame for all this heresy And folly that have gone to their heads, alas! And I warn you for the last time, Mira, now:
Playing with fire is not a harmless pastime! Beware! Such false claims must doom you, in the end,
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To irrevocable disaster. You are dancing
On the brink of a dark precipice, nor delude
Yourself that wise men can be taken in
By such transparent ruses. Still less can
The Lord Almighty, be duped by a slip
Of a capering priestess posing as His agent,
Missioned to dower the blind with summit-vision!
(he laughs contemptuously) Those who live in the Lord are shy, secretive And, loth to parade the high boons they have won, They dwell in caves, nor will, like you, set out With all this cajolery to catch the eye. Is it not written that one who attains His peace Is changed into a vast and tranquil ocean No deluge nor cateclysm can affect?
(sententiously starts declaiming)
Apuryamanam acalapratistham
Samudramapah pravishanti yadvat
(as Sanatan smiles, he turns on him in high dudgeon) Why do you grin — you who are versed in scriptures You should know better than to mock at wisdom! Did not the Gita enjoin on all aspirants To strive to attain the illuminate's sober poise, Scorning the levity of charlatans?
SANATAN (giving a bland smile)
My furious friend! Whatever little insight Has accrued to me at long last, I do owe To her, the maid of Brindavan, the Eternal Gopi whom they adore as Mira, the Queen, Who turned a mendicant in Gopal's Name. Aye, valiant friend! 'tis she who came to guide And show me the sunlit path of Love when I Was groping in the dark of pedantry,
The so-called jnana, waylost in the daedal
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Forest of cryptic words. Her Godrapt life,
A canticle of all-surrendering love,
Has served me, in the late phase of my Yoga,
As the ultimate commentary of the scriptures.
So why not ask her — when she can, in a moment,
Untie a knot which takes such scholars as we
Years to unloosen?
FIRST PUNDIT (with a grim smile)
I will take you at your word, Though I am no heroine-worshipper, I warn you, Nor susceptible to sentimental gush, Or the cult of lachrymose love. I can be only Convinced by real achievement — not tall claims.
(turning to Mira, grandiloquently) Mira, beware of the vulgar rabble — the fools Who fall at your feet and blubber through their tears Because you sing and sway in a trance of joy. At your peril entertain the gullible, To be, in return, idolized by them. We, the wise, demand indubitable proof That this your grandiose love has achieved wonders. So hedge not nor mouth cliches: we insist on A simple answer to a simple query:
If you are what you claim to be, to wit, One who has met the great Lord face to face, (The Unborn, Everliving One whom countless Sages and saints and seers have, in all climes, Hymned as the last Goal of evolving life, The Sentinel whose consciousness broods over The flux of Time and the vast, star-studded Space,) How can you stoop to sing and dance before All and sundry, a puppet of your emotions, Utterly powerless to contain yourself?
MIRA (trying in vain to repress a smile) 0 fabulous omniscience! Have you never
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Seen how a mountain-stream descends when snow Thaws on the heights — when gigantic swirling waters, In a rapturous canter to meet the viewless deep, Burst all embankments that stand in the way? 'Twas so His Peak Love rushed my love-starved soul, Flooded my life and swept away all dams Of social codes and moral interdictions. picture to yourself, sire, a sudden hurtling Avalanche of ecstasy shattering all Tradition-worshipped dogmas and taboos, And you will not find it in your gentle heart To condemn me for my uncontainable joy Which made me ride rough-shod over all man-made Edicts and bans. Remember Who flashed out Of the blue to court my hospitality In a beggar's hovel: 'twas He, my Gopal, Whose miracle Gleam transfigures oceaned glooms Into rich rapturous continents of light! Now tell me, when you meet such a glorious Being (The touch of Whose marvel feet makes deserts quiver Into song-gardens of amaranthine flowers) And are told He has come to stay with you As your heart's Guest forever, can you still Refrain from dancing and singing in ecstasy, To emulate the deportment of the ones Who nod or frown or doze in sombre grandeur Or tread the beaten track with faultless steps, Never once stumbling till they, in due course, Come to journey's end to merge back in the dark Of fitful sleep hereafter? (she rushes on in joy)
And so you see, Failing continually to conform To the laws laid down by the sober worldly-wise, I laugh and sing and dance before you all Because I have attained my dream: Gopal, The Evergreen, of fadeless loveliness
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Whose love, through beauty manifesting, leads To deathless bliss in our world of pain and strife.
(She points to the Image) I have achieved the Eternal Light of lights And housed in my heart as Guest the Primal Host Of the universe, an achievement envied of angels, A fulfilment even colossal seers and saints Have craved in vain for aeons! Thrice-blessed am I That the God of gods, beyond the reach of gorgeous Emperors, should have come to stay with me! How can you, sire, expect me, after this, To comport myself like matrons prim and staid?
(She claps her hands in glee, like a child)
(As Mira's ecstatic voice rose by and by In a mounting rush of mystic adoration, The expression on the irate Pundits face Underwent a gradual change. His angry eyes First lost their hard glint, then, as she raced on, The frown on his face gave place to a startled wonder And the tension of his face relaxed. He gazed From time to time at Gopal's face as Mira Pointed to Him in tremulous rapture. Then, As she emphasised her blessedness, he gave An involuntary shiver and stood rapt, Staring, like one bewitched, at Mira's Face.... Then as her voice trailed off, he faltered out:)
O mother, I know not ... how ... it is so strange... And incredible ... just now as I looked ... His face Shone with an unearthly lustre. And a voice ... An inner whisper ... spoke and ... how it, lo, Tore at my heartstrings ... Now that I know ... at least ... But no ... I only know that I have been A pedant half-wit rich but in sterile pride.
(He gulps his tears and resumes)
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That is why I ... presumed to question your ... Deep blessedness.
(He falls at her feet. She blesses him, after which he
rises and goes on, in tears.) Only ... mother ... an egotist never can see Truth in its true perspective. We all, alas, See in the measure we grow and so we fail To realise the crazy folly of pride.
(After a brief pause, suddenly blurting out) O mother, I saw behind you Radha's face!
MIRA (smiles') I know you did, my son, you are thrice-blessed.
FIRST PUNDIT (smiling through his tears)
I am, indeed ... because ... 0 mother, she came To convey to me her blessing ... through your touch! So the scales have fallen from my eyes at last. Only you ... who know all there is to know ... Must know how we grow to hug our folly... and how Our egos blind us in such subtle ways. And so, alas, we fail to see how we Learn seldom from the school of experience!
(with a sigh)
We read, indeed, of bliss but only know Brief joys which, too, alas, in this drab world, Are few and far between and have, besides, To be always bought with some pain or repining, Because our revels never redeem their pledges ... We are disenchanted and still... such is the maya Of pride.... We tell ourselves that all is well With the world and our blind world-enamoured selves.
(After a pause, with folded hands) Only, mother, may I ask one more question
To have my darkness redeemed by your light?
(Mira nods and smiles)
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FIRST PUNDIT (after a brie/pause a/hesitation)
I humbly want to ask: if our great Lord Has come to stay for ever in your heart, Then why must you still intermittently Cry out in pain? ... Why must your ecstasies Leave desolate legacies of gloom and fear?
MIRA {gazes tenderly at the Image for a few seconds, then
turns back to the Pundit) Let me tell you a mystic parable, my son.
(After a pause)
Once upon a time, in a far-off village, A destitute woman begged from door to door. They gave her alms, a pitiful quota was hers;
But she, poor starveling, somehow subsisted. Now once, as she returned to her hut, she was Startled to find a jewel in her sack:
An entrancing thing that sparkled, scintillated! She loved the strange self-luminous talisman Which transformed her hut into a paradise. She hugged it to her bosom, guarded it Jealously from all alien gaze till she Began to be obsessed by fears lest thieves' Should rob her of her one and the only treasure. For it was not an earthly jewel: it made Even dark clods and clay irradiant, As though by a magic as incredible As thrillingly indubitable!
(She gives a faint smile)
Now, sire, Tell me: can it be that you have to be told Why the beggar woman's heart would palpitate In fear lest a chance robber should pounce on her And wrest from her the jewel of jewels she had Received in token of God's Grace!
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I ... know Grace.
MIRA (cutting in, impetuously)
Pardon me, son! It is impossible For us to know Grace truly so long as We go on living tethered to happy homes, Basking in the sunshine of security. What His Grace is we cannot realise Save through a shipwreck of our hopes and dreams.
(Folding her hands and ranging with her glance the
faces of the Four Pundits)
Sires, you are leaders of light and knights of knowledge, Who are served by rich disciples, idolised By all and sundry for your genius, Eloquence, strength and personality:
How can you ever understand what has
Transfigured a lost derelict like Mira?
I had no talents to commend myself
To the One on high and yet He came to me!
I often ask myself: "Can this be real?
For suppose it were a make-believe, a phantom
Touch of an angel who, like lightning, flashes
To vanish again! Who knows?" In dread I cry
Lest I should lose once more my nonpareil
Jewel of jewels, the Lord who came to make
His home with me — my dream Beloved, whose
One little smile can fill the boundless Vast
With trillions of stars and galaxies,
Whose one glance can transform the dreary deserts
Into an Eden laughing with fadeless flowers.
(Her voice quavers and eyes glisten, but she quickly
masters her emotion and resumes) Sires, only those who have trudged on leaden feet Life's tortuous ways and sloughs of dark despond;
Who have borne the cruel flails of Destiny And bled through stabs of traitor Calumny;
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Who staked their all at one throw of the dice, Then lost all to be jeered at by the world, And who still can nevermore hark back to the voice Of calculating prudence playing safe:
Aye, only such paupers know the meaning of Grace.
(She breaks into a smile of irony) Those whose houses are fenced with fortune's ramparts Can never know the supreme bliss of His Deep clasp of tenderness. He who on earth Has all can never win the One who is Beyond all. He comes only to embrace Those who have none but Him to turn to ... Sire! I cannot speak for others. I can tell Only of what I know; so I can say That His help came to me in the midnight hour Of abysmal helplessness. And then I thrilled And asked myself over and over again:
"Can it, indeed, be true — the Blessed Lord's Answering the lone call of derelict Mira And making her the recipient of His Love? Was it not, indeed, incredible that I So recalcitrant to His Light should be touched By His resplendent Grace to incandescence? Nor could I believe this till, one day, the heart Of the hoary mystery was revealed to me.
FIRST PUNDIT (eagerly) The hoary mystery? Of what?
Of His Grace,
His alchemist compassion which brings off Divine miracles in a human world With just one touch of the mystic Flame of Love The all-transfiguring, dross-intolerant Flame;
And this I understood when, one day, I Witnessed an accidental forest fire.
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(After a pause for breath)
I saw gnarled, ugly trees and withered grass,
Sere leaves, dead twigs and miserable shrubs,
All came to glow in a moment in the fire
That touched them to its hue of liquid gold!
Even so, came my Lord to me, and then,
By the magic of His Flute's flame-alchemy,
He performed the miracle and kindled in me
The resistless conflagration of His love.
(Mira now paused and then, with folded hands Upgazed at Krishna's Image, as pearl-like tears Streamed freely down her beautiful cheeks. Then, swaying, She chanted in a world-oblivious rapture:)
Mira {sings) 0 Peak of Love, O Deep of Grace,
0 all-transfiguring mystic Fire ! Who dancest thy victorious way
To golden all — clods, murk and mire !
Do I not know that Mira was A drop athirst and thou the Deep ? Hail, marvel Grace, who comst at last
To me, thy slave. Love's troth to keep !
(Mira pauses in tears and looks at Sanatan who beckons to her. She comes and falls at his feet. He places both his hands on her head in token of blessing.)
SANATAN (in a thick voice)
We are all blessed to have seen what few Have seen on earth. And even among those Who have seen how few do truly understand You who are missioned with the Lord's behest Inviolate our atheist world with your Inviolate purity outflowering in A carnival of heavenly songs! My child!
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Your life is a baptism of Heaven's own fire That burns away earth's dusk of centuries And, like a wizard, turns all obstacles Into a crystal stairway to His Home!
MIRA (in tears, holding his eyes) Bless me Gurudev, who led me to Him.
SANATAN (giving a radiant smile)
Oh, need you ask my blessing? Did I not Bless you years ago — when you were a sweet Child of delight and even then you sang And danced to invoke His light — although you knew not Your stainless self of Gopi-minstrelsy.
(His eyes glisten)
But who am I to bless one who is blest By the deathless Minstrel-swain of Brindavan? I only pray: may your great life be a beacon Of all-fulfilling Grace that outlaws doubt And initiates us in Radha's Love, revealing Her everliving soul in each of us, Singing her way to Him. You flow ever on, A naming flood that sweeps away all dams And hales even wan clods to be merged in the blue Deep of His compassion where all is Light And Love is coronated on Beauty's throne, The Brindavan of bliss and harmony!
(Mira rises as all prostrate themselves at her feet; then they, too, rise, including the Pundits who start singing with her alternately, as tears course down their cheeks)
MIRA (singing with the others)
All, all, 0 friend, is a play of love
He sustains sleeplessly, And binding us all with His love's chain,
He dances in harmony.
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In love still rise the moon and stars
And the great sun gleams in love:
In love the oceans, rolling, glass
The sky-blue Lover above.
The clouds pour rain in love and the bird
In love in the woodland sings And the shy buds laugh as smiles on them
Aloft the King of Kings.
In love woos Him the saint, and the sage Merges in love in Him:
The Yogi renounces all in love
And in love He comes to redeem.
Love is the eternal law of life,
In love begs alms the Queen, And Mira lost the world for the love
Of her Lord, the Evergreen.
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Act Two
In her temple at Brindavan, on the full-moon night of Ras, Mira is seen singing before her beloved Image of Gopal. The windows on one side of the temple open on the rippling Yamuna. A number of pilgrims and devotees listen on, in rapture. On her left Ajit, a Brahmin pedant, frowns on her as she starts dancing. On her right sits her Gurudev, Sri Sanatan, and the temple-priest, Pundarik.
MIRA (Sings in a half-trance of ecstasy)
Blessed art thou, 0 soul, to be born,
May not thy days glide by in vain. Remember: priceless is this life:
Aspire His lotus-feet to attain.
The Vedas are mere words, if thou Stay blind to His starry secrecies;
The deep of love divine is rife
With pearls of light — dive dive for these.
The austere disclaim the lure of pelf, And miss the joy of harmony;
So sinks the ego-laden boat
The moment she puts out to sea.
The King broods on, unhappy, in
His royal palace and revelries;
The pundits extol learning, alas!
Nor find in books repose or peace!
Temples can lead none to His feet,
Nor floral offerings to His Grace;
Blessed are those alone who are called
And chosen to meet Him face to face.
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And they are the elect who sing His Name
In love's one-pointed ecstasy;
For only in loyal, love-lit hearts
He comes to dwell everlastingly.
(Pendant Ajit, a proud aristocrat,
Who loved to flaunt his wealth and erudition,
Looked on and frowned in deep distaste when, lo!
In a swift crescendo of emotion, Mira
Began to dance in a flaming ecstasy.
The simple, reverent rustics who had flocked
To the holy of holies gazed in a trance of joy:
The women sobbed; the children watched, overawed,
And many a pilgrim, who had come from afar
To have her blessing, bowed down to the ground.
Had they not all adored her in their hearts
And sung her songs in their own huts and shrines ?
Had not the name of Mevar's beautiful Queen,
The Queen who had left her palace and throne to roam,
Begging her way and singing His Name in tears,
Become a legend in her brief lifetime!
For a Queen to be a mendicant in His Name !
The song was over; the temple priest, overwhelmed, Rose to his feet and then, threading his way Through the hushed throng, dispensed the holy prasad To the eager devotees of the Blessed Lord. Lastly, sobbing aloud, he bowed before The saintly singer and, crying out "Mother, mother !" Lay prostrate with his brow on her lotus feet. This was the last straw: the highbrow critic curled His lips in scorn and cut in mordantly:)
AJIT
Shame, shame! Oh, for a Brahmin, a priest, to bow Obsequiously to a woman, who — to judge from her own songs — is a country innocent,
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Unversed in the Vedas and ] and philosophy, Nor, by birth, even a Brahmin!"
PUNDARIK (aghast)
Hold, Sir, hold!
Beware of trespassing against the holy! May I recall you to what Krishna said To Arjun once — a saying we often quote:
'Ye me bhaktajanah Partha ! mama bhakta na te janah:
Madbhaktaanaancha ye bhakta mama bhakta hi te narah.'
Who loves me alone is not so close to me As those who truly love my devotee.
Besides, she is — a noble Queen —
Halt, fool!
A Queen, indeed, to reject her veil — and go Begging in the street, hobnobbing with mendicants And dancing from dawn to dusk in public temples! And what dances! what songs! — as puerile As deficient in decency!
(Turning on Mira in anger)
How dare you Belittle the Vedas adored of all — decry Our time-old rites and mod( modes of worship praised By our sages from the dawn of time? You scoff" At floral offerings. A peerless poet Are you — turning out only only tinsel verse! A singer — singing sentimental songs! A great Queen — catering fang for the vulgar yokels! A composer trading in cheap metaphors And obvious rhymes and similes! You may Deceive the rabble with your sentimental Effusion — captivate their their simple hearts Playing on their creduality, revealing
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Romantic short cuts to the One who stays Beyond the ken of the mightiest saints and seers Till after years and years of arduous Austerities they win to the Eye of Light;
But how can you impose on the ones who know:
The illuminates ? You'll only raise a smile Asserting that the One-without-a-second Must come in haste and go on playing His flute To entertain the ones who can but sing Trite lachrymose love-lyrics or repeat His man-made epithets ...
(He halts, then waggling an admonitory forefinger at her)
A truce, I say, A fool petitioning and spurious fervour! At your peril play with fire! Beware! For falsehood Must always, like a boomerang, recoil On the head of the false prophet. Or, in the words Of the Upanishad: the head of the blasphemer Falls severed from his neck down into the pit.
(Drawing a deep breath) Remember: sages and saints have, down the ages, Proclaimed that none may gallop to the endless Om Save on the inviolate steed of meditation, Disclaiming flesh in favour of the Spirit. Your delirious bhakti, wallowing in the dust, Shedding rivers of tears shall not avail Even if you sang on His Name for aeons. Only knowledge, propped by the soul's deep strength, Can serve as the diamond stairway to His Peak. And then, avoid we must the countless pitfalls, Straying never from virtue, doing good To all who have sinned and fallen, helping in pity Those who cry for our help and radiant guidance, Compassionately fulfilling our souls with theirs And lastly, soaring, we must transcend earth's Downpull of dust on wisdom's aerial wings. (A silence falls)
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MIRA (Turning towards the Image she stays silent for a
while, then faces her challenger with a ironical smile)
My learned and stalwart friend! How I do envy Your splendid infallible knowledge! For I freely Confess I can lay no claim to the gifts That made you flower out into what you are Today: robust, self-righteous and sonorous! I am sad that such equipment as I have (Which made me into what I am today,) Enjoys not your approval. But woe is me:
They can only sigh for the blue who have no wings! My sole strength and support is He, my Lord Within, even as without, in the world. And so I can only cry and cling to Him, my sweet And unique Guide and Stay, as helplessly As a child does to its mother and insists On being nursed and sustained by her love.
But who ever swam across life's surging main And reached the other Shore, the Harbour of Bliss, Relying but on his twin frail arms' strength And the nickering light of his wistful, feeble eyes That casts more shades than lustre? Nor have I Your learning's dazzling Beacon to help me find My way through the dark cross-currents of desire. Only His Grace's star and mercy's boat, Propelled by His love's breeze, can take me across.
(With a quizzical smile) The Potter did not choose to shape me in A heroic mould like yours; nor have I wings To help me defy the earth's downpull of dust. But then, I love to cleave to earth and adore To kiss her dust with my lips of clay — the dust Touched into hallowed jewels by His feet. My soul's one prayer has been from birth to birth — (Turning to the Image she breaks out into song)
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Take me to thy sky — I cry no more;
I ask for strength to tread the Way. I ache not for security;
To be havened at thy feet I pray.
With thy Name's all-consuming Fire
My dross burn everlastingly;
May my love's longing wane no more,
Were even the air to cease to be.
I fear not pain nor joy desire,
Thrill not to life nor death now dread;
Virtue and sin are one to me,
Ennui and zest for me are dead.
I yearn not for thy starlands where
High gods of bliss and beauty reign;
I only ask: Oh, grant that I
Be born here time and time again
In Brindavan — acclaiming all
That comes my way to sing of Thee:
For the night of pain for Thy sake borne,
Lord, dawns into golden ecstasy.
(The song came to an end but the cadence lingered...
An overawing hush pulsated in
The temple-room. The women wept... and men
Gazed at her as she stood there swaying in trance
Rapt in her heart's one Lord who had come to life
To commune with her and inspire her songs of love.
The breeze stood charmed and time forgot to flow
As a tremulous, mystic beauty's aura shimmered
Around her luminous, ethereal form ...
And then the spell was broken: the pedant lashed out)
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Your empty platitudes and cheap devotion May take in nitwits; but I know, being wise, That saintly poses, even as irised bubbles, Only beguile the gullible credulous. These, prone to be caught with chaff, take the husk for corn And idolize all who can flood the earth With gushing tears that riot like epidemics. Alas, this bhakti's maya, make-believe, Leads by the nose the fools, easily tickled By a nervous joy they nurse as heavenly passion.
(He addresses the crowd in a stentorian voice)Nay, worship of emotion or effervescingEcstasies cannot deliver the goods.
(Glowering at Mira)
I warn you against misleading trustful rustics With coloured myths and spurious romance. For only Knowledge and real dauntless strength Can pass beyond the clutch of Siren Maya.
MIRA (clapping her hands in childlike glee)
Now, now, my good Sir, you are caught at last By your own ignorance of what they all . Know — who have eyes to see and ears to hear.
AJIT (bridling)
Silence! how dare you call me ignorantWhen I say that only knowledge and learning canDeliver us from Circean Maya's thrall?For the stark truth is that bhakti cannot withstandThe onslaught of Siren Maya. So —
You need Hardly reiterate what was drummed so often By the valiant souls who trod the thoroughfare Of masculine Knowledge as against the blind
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Alley of feminine bhakti. They may all
Be the architects of human destiny,
Rare spirits who know all there is to know
And think that what they know not can be scotched
As suspect, invalid or fairy tale —
(With a mocking smile) But what can they know who have never known True bhakti's blessed pain and dream come true, Nor learnt that they win all who renounce all? You frown on Maya and claim that only the hoary Wisdom of the last, inviolable Knowledge Can be proof against her irresistible charm, But though Knowledge may be older than the sky And stronger than the pinnacle — still, I ask you:" Can a man, however vigilant and learned, Tell always a woman's mask from her face beneath? Dare you deny that her allure can swiftly Take in the wariest of men on earth? Does not her subtle and insidious Cajolery, pulling invisible strings, make even The Titans dance and bow to her like puppets?
But bhakti, being a woman herself, knows What Maya, the deep Enchantress, is and how She can deflect the strongest from their paths By her heady wine of beauty and honeyed words Which, wafting Heaven's ambrosia, drag her dupes Down rose-strewn paths into the abyss of hell. Friend, bhakti can lead home where knowledge stumbles. Only a hen knows how hens hatch, and so I beg to contend that when you dismiss bhakti As an unreliable guide you only betray Your pathetic ignorance of how true bhakti Invokes the Grace of Light from Love's Brindavan.
(Ajit catches his breath and bows his head; the audience, overawed by Mira's passionate sincerity, gaze in
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silence at her; then, suddenly, the women titter and men whisper commenting on the discomfiture of the pedant, which flusters him and he glowers at his scoffers contemptuously).
AJIT (to the devotees)
You imbeciles! ... who can only cringe and grovel... And think ... that I... but you are beneath contempt.
(Turning on Mira)
You have, indeed, a glib tongue you can wag To advantage ... and you do know how to play To the gallery. But ...
(losing his thread completely in his high wrath)
pert tongues, as we all know, Can only spew out spittle. Our world today Needs men who can serve the poor, not merely mouth Shibboleths and sing sentimental tosh. We work and achieve — not prattle on to our doom! We heal our ailing fellow-creatures, help Redress their suffering! You are parasites And so can only cater for your ilk, Living on alms, creating nothing of value To society. We are the salt of the earth, Selfless master builders who live to serve And teach men to hitch their waggons to the stars.
MIRA (holding his eyes and smiling)
I understand, friend, why you divagate. But do pray listen: Once upon a time I begged my way along the Ganga's bank For days and days. I saw how she meandered On a sinuous course as her sweet destiny Led her ever purling on. And I saw, too, That, as she danced along, she made some plains Break out into a flame of green and gold, While others laughed as orchards or blue groves And, lastly, some lovely towns and villages
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Gleamed out as holy haunts where pilgrims flocked To sing His Name and attain the last fulfilment.
(Turning to the Image and with a beatific smile)
When the Deep's flute calls: "Come, come!"
I run to Him — I know not why:
I only know — 'tis/or Him
I sing and dance and cry.
They ask: "How can you yearn
For One you never have seen ?" But I see naught but my Blue
Beloved without or within.
As I ripple on, green fields wave Their myriad banners to me;
Buds break to blossom and leaves Applaud in ecstasy:
"O maid of the viewless deep !
Thou follow thy destiny And fulfil us, answering
His call everlastingly."
(Wiping her eyes)
And then, my good friend, suddenly I heard A mountain-river vaunt: "The desert, too, I'll irrigate." And so she was deflected By her fool pride from the call her soul had heard In her mystic snow-white trance: the imperious call Of the blue song of the sea. She hurtled along The parched and hungry sands and met her doom In a dismal stagnant marsh — the desert stayed Famished and burned on glaring at the sky And the ocean's self-willed daughter sang no more Her love's resistless, rapturous melody."
(With a smile of irony)
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Have I, friend, met your question? I exploited This simile to stress that only when We live for Him and learn to love Him — not Among a million fool things we profess To love from a sense of duty — but above All other things — 'tis only then we may Claim truly to live for all, fulfilling all. And that is why I say: who garners loses, And who loses all for Him gains all for ever.
(A hum of approval ripples through the pilgrims and the women heave a sigh of deep relief. Which irks the pedant; he answers stingingly)
It's all very well to concoct similes. But analogies or popular images Cannot be surrogates for arguments. You sing of the far blue song and the dread doom That waits in ambush for the ocean's maid. But confound it all! trash poetry is not life! How can you vaunt: to sing your Gopal's Name Is to live for Him? And why, in the name of good sense, Must sober men stake all they have for Him? You grandly aver that when one loses all For your great Gopal, one wins back all for ever. A truce to drivel! Tell me, why must I Hark back to such delirious lunacy? Why must I slip my moorings, called by a mad Urge to a void non-entity — gamble away The certain for the uncertain, at best a dream, A fantasy? Only singing His Name how can one Work the miracle, transcend Name and Form And win the Primal Om no words can limn? Last, disavow we must this suicidal Gospel of penury and self-abasement. The great Lord never sent us to this wondrous
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Multitudinous carnival of beauty To vegetate in a barren isolation, Outlawing life's romance and rich adventure, In favour of a grim asceticism. One must aspire for spontaneity, Not inhibition; harmony, not din;
Realisation, not renunciation Of this festal world of senses for Gopal, Whether with four divine arms in Vaikuntha, Two human ones in Gokul or none — in Puri.
MIRA (unperturbed)
My furious friend, forgive me if I plead That you have misconstrued my message. I Never once claimed that I had, of set purpose, Wished to renounce your festal world of senses For Gods with a million arms or angels with none. I only spoke of loving my Gopal, Living for Him and doing His will in joy, As against my unillumined self-will. Also, Why fight a shadow? When did I extol he cult of all-renunciation? When You truly love Gopal you only ask:
How you may best achieve your soul's surrender At His twin lotus feet and realise That He's your heart's one Lord to whom you offer In sheer delight all, all you have and are, Counting no cost and never calculating How He will indemnify you for your loss. Friend, this is no romance, nor poets' irised Fancy which peters out with the ascent Of the Sun that brooks no hues. Not once have I Felt I was renouncing this or that for Him. I only aver that when I move a step Toward Him, my Gleaming Orient, my Gopal, I do, inevitably, put behind me This westering world of senses you adore
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But I find a stagnant bog.
(She halts, then with a sigh)
Perhaps, friend, you, With your vision of a worldling, cannot help But look down on all pilgrimage of the soul And so make out Love's long, lone path as strewn With roses, roses, roses all the way. But how can one who stays enamoured of Life's surface ripples — ever plumb the abysmal Despond that makes one cry out for a glimpse, A fleeting touch of the elusive dream Beloved?
(Her eyes glisten)
But believe me, friend, 'tis a despond that kindles A mystic flame of faith and aspiration In the heart of despair. I know not how it happens, Nor can I explain how His Grace steers our frail Storm-tossed boats through perilous reefs and shoals Into His harbour of blue harmony. I only know how it sustains and saves — But nay, you'll laugh — so I will say no more.
(To the amazement of the devotees the pedant folds his hands' )
Forgive me: I, too, cannot... at all... explain ... But you ... your voice ... your tears and ... above all Your unmistakable sincerity Has touched a chord ... and so continue, I pray. And believe me, I am not quite what I seem. A time was ... when I, too, had faith and fervour. But pride has been my downfall... so go on:
I have found my long-lost mother in you again!
MIRA (with a radiant smile)
You see, my son, how His invisible Grace, Like the wizard's wand, can transform visible things.
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The brightest intellect stands stupefied Before the deep epiphany of His Grace ... It is a dateless mystery none can plumb ... Only when one resigns can one begin To glimpse ... but listen, I will tell you how My Gopal came to me, the derelict.
(Warming up)
Once, after I had left my palace to beg My way to Brindavan, a destitute, Calamities swooped down on me, alas, At every bend — I had no respite, till The light before my sore eyes was eclipsed, And an abscess on my left thigh crippled me. Limping I trudged along in deep despair;
But how to wend my way to Brindavan Which seemed now all but unattainable! All hope had died ... At last, I found a chance Shelter in a wayside cave when the sun had set. I lay down utterly spent and closed my eyes. I thought I would die of sheer fatigue and thirst, But could not even rise to my feet. I wept And asked Gopal (who stayed away since the day I had become a mendicant in His Name):
Was this, indeed, my destiny — the Last Act Of the passion-play of my love's rapturous quest:
To fail and be lulled to everlasting sleep? I cried out: "Where are you, my one Beloved, For whom I staked my all? Can you not see My desperate plight? Say, to whom can I turn If you, my sole Sustainer, now desert me In my zero hour?" But only the echo mocked My anguished cry when, on a sudden, a deep Voice from my inmost heart admonished me:
"Has He not all your life with roses strewn The paths you have trodden blithely, picking your way By His own Love's light He had lit in your heart." In a flash, my vision opened and I saw
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That when the sky is blue and the earth ashine Like a green carpet under our feet, and life Is a care-free joy-ride to the rainbow goal, We all can sing His praises fervently And thank Him for His endless boons of Grace Which uplift earth to Heaven and make our days Flawless like music falling from angels' harps;
Tis only when the skies hurl thunder and lightning When storms are unleashed and hope's crystal streams Hurtle and swirl, turbid with eddies of Fate;
When kindness, sympathy, happiness and laughter
Flicker like half-forgotten memories
Or twinkle like wan dream-stars half-veiled by clouds -
'Tis only then our faith and love are tested
And the authentic self-surrender is achieved ...
The vision dislimned, but its cadence lingered
And my black despond dissolved in grateful tears
Then upon my lips broke out an impassioned song,
Of unquestioning acceptance and I sang,
Offering all I had and was at His feet:
"Man bhave jiun rakh, Prabhuji,
Man bhave jiun rakh:
Oh, keep me as you will, my Lord,
Dispose of me as you will."
Then, as I sang on this refrain, in a moment, My every cell and pore spilled ecstasy And a new, invincible, death-defiant strength Rushed into my blood to heal my agelong pain, My sorrows, heart-ache, questionings — all ceased When, lo, I saw Him — my Beloved, Gopal, Wherever I looked! I picked up a grain of sand, And there, too. He was mirrored! In every leaf I saw Him nod, through every flower He smiled:
The trance of every clod was broken because His love outwelled from every particle.
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In my joy I pressed my swollen thigh, when all
The festering poison oozed out, giving me
Instant relief. Only my thirst survived.
But as I lay down once again, resolved
To accept death, I saw a Shepherd Boy!
'You are thirsty, blessed maid?' He asked and, smiling,
Poured water gently down my mouth. I clapped
My hands like a child and said: 'Come in what guise
You will, Gopal, but even if you tiptoed
Over my grave, I'd know you by your footfall.
You can no more conceal yourself from Mira
Than grim cloud-curtains can conceal the sun.'
He gave me a dazzling smile, blessed me and vanished.
But since that memorable day His play
At hide and seek with me came to an end;
For I saw nothing but Him wherever I looked:
From the infinitesimal dust to the boundless sky.
(Pausing for breath) His Grace sustains me now at every step And, as I walk on air, my heart goes on Singing paeans to His fathomless Grace! 'Tis not a fairy tale nor hearsay: I Have realised through my trials and tribulations That His one touch can golden the blackest night Of agony into a marvellous, deathless dawn. He veils His Beauty's Face to deepen our yearning For His loveliness, and suffers the powers that be To cast us into Hades but to teach us This supreme lesson that one who has passioned for Him Can never go under nor need parley with The little officials of the world — to win Flowers that fade, laurels that swiftly pall And mirage that lures but fails to appease thirst.
(She breaks out into an ecstatic song)
They say. Lord, this Thy world is A carnival of bliss
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And hails us like the rainbow Agleam with mysteries.
But they know not what transpires
When Thy Love's Flutelet calls:
How its garish footlights fade out
And the sweetest caress palls !
Then as the gay voices trail off
And joy-bells ring no more, Mira puts out to sea. Lord,
Athirst for Thy viewless Shore.
The radiant faces she cherished
Now twinkle like fireflies And she breaks away from her moorings
Led by Thy Love's star-eyes.
Then Thy answering footfall sounds in
Her soul, in a desolate gloom And Thy Name as the Herald steps in
To take her to Thee, her Home.
"Halt, halt /" — her dear ones plead still,
But they have not heard Thy call:
They find the world's irised bubbles
A marvellous carnival.
Sings Thy Flute again: 'Come, Mira!
Thou chant His Name and be His play-mate in Brindavan's
Unearthly felicity.'
They entreat: 'Thy palace is splendid
And without waits ambushed gloom'. But wherever I look, I see. Lord,
Thy tender star-eyes bloom.
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What once was my darling palace
Now looms as a prison of pain;
Can one who has winged Thy Love's sky
Wend back to the dungeon again ?
AJIT (With folded hands and in a husky voice:) O mother, forgive a born fool's antics, I pray:
A fool who knew you not for what you were Because he was vain and pride had made him blind. But a sigh awakes: Can ever the deaf know how Great music thrills or a cave-man's soul respond To the ocean-rumble of the Vedic verse?
(Brushing away two tears' ) But His Grace, like the wind, bloweth where it listeth:
So she came tonight to touch me with her wand
And opened my eyes to your divinity.
You know what she made me see. Still I'll recount
The revelation as it came to me,
To offer it at your feet in grateful joy.
(Pausing and indicating the Image of Gopal:) When you were singing of how His Love's Flute came To wrench you off your cherished moorings, I All on a sudden, saw your human face Transfigured ... in an ecstasy ... when like A rocket it flung out myriad flaming atoms Which hung in the air suspended like star-dust And then, while dancing, were condensed ... 0 bliss! .. Into a face ... 'twas yours, O mother ... and yet It was not made of flesh but protean sparks!
(After a brief pause, breathlessly) Thereafter, close to you, I glimpsed a lovely Cerulean aura which gyred and whirled and danced Till the overarching heavens seemed to sway And reel, intoxicate with rapture ... when ... Oh, blessed am I to have seen what I have seen! ... Two exquisite, resplendent feet emerged Of a little boy whose form I could not see
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... But only His self-luminous contour ... Then I saw you, swinging with Him as His own play-mate Who is born from age to age to sport with Him As His darling Gopi-maid He new-created To see His own pure love and loveliness Mirrored in her divine, adoring eyes!
MIRA (with a quizzical smile)
And then — what else? Did you not see and hear Something still more ... ravishing — though incredible?
AJIT (smiling)
You are pleased to play at hide and seek with me, Are you not — since you do know what I saw? ... Still, I'll obey ... Then, as you whirled with Him My blood, too, whirled inebriate ... as I saw Blue flowers of light outpetal everywhere From the hallowed dust that kissed your feet and His! And lastly, lo! I saw a Flute's outline Swaying in the air ... but no face, lips or fingers ... And I heard it calling ... to me ... from afar!
(His voice falters as tears course down his cheeks') Forgive, O mother, the ... pitiful ignorance Of one whose ... eyes of flesh can only see This world as made of dust and din and gloom And not as His holy playground where His Love Through Beauty manifesting leads to Bliss. But we ... poor elfs and dwarfs ... hugging our blindness, Can only hymn the romance of earthly nights. We scout as myth His miracle Light (the sole Lustre that can repeal our global gloom) And in the same breath flaunt — 0 irony! — Our Reason's flickering candle-flame which casts More questioning shadows than certitude's sunbeams, As the ultimate tribunal of all truth. I say this, mother, because now I have seen, Through your Grace, how and where I went astray:
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'Twas pride and self-complacence, first and last. So I conned the Vedas, read the saints' lives, scanned Old chronicles of mystic ecstasies, But interpreting them everytime, alas, With my self-sure arrogance and so opined That this our world of senses and our minds Are all we have to depend on and employ. So I aligned with fools who, like me, held That our intellect alone can be our pilot
In this riddling world, all other guides are suspect. (With a rueful smile)
Fools must be fools. No wonder, mother, I failed To realise that the Truth that upholds our world Is beyond the comprehension of the mind Which never can see life for what it is:
A Brindavan of bliss when He comes to play, Day after festal day with us and we In joy surrender all we have at His feet And so fulfil our destiny through love. Only, mother, I wonder if I may — "
MIRA (Touching his head in token of blessing)
Ask what you will, without a qualm, my son! For who knows — perhaps the One who danced with me To help you see, has chosen to make you want To be trained to hear — as He so often does, In ways that baffle our reason. Who can tell When He will play His Flute and whose dark doubts Shall transmute to radiant certitudes as night's pain Thrills into golden ecstasy at dawn!"
AJIT (kissing her feet)
I have now, at long last, not only seen His redeeming feet, but heard the voice as well Of the Guru He appointed for me. So You must, 0 mother, believe me when I claim That I ask now not to question, but to learn.
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(Folding his hands') Mother, I humbly ask you: how can one Attain to illumination through a mere Singing of His Name or a simple Mantra? Man vaunts in joy: he lives in a prison-house He has laboured long to build, hemmed in by the ego's Sentinel walls, all but impregnable. He winces even if you prick them with So much as a tiny pin of disapproval. He loves his den more than God's light and air And quails at the bare thought of floating in His sky of Freedom, liberated from His shadow-cabined self-love. So I ask you:
How could we ever hope to sing our way To salvation? How could we, by dint of chanting A Name or a Mantra, be delivered from This Maya's pen of darkness masquerading As God's own home of light and bliss and beauty?
So many sing His name or some trite phrases Day after tedious day and yet, alas, Do they not stagnate where they were? In this Our strange world's daedal maze how few do win A clue to the exit! And still fewer, we find, Dare follow the clue to debouch into the vast Of Godly freedom — Mukti. Only a handful, The elect, dare sally — out from their ivory towers — To give us the lead of light they have achieved Of love and wisdom, strength and purity. So will you please explain how a mere Name, When sung, delivers the singer, in the end, From the dark crypt of his ego and attachments?
O mother, I have transgressed against the holy, I know: yet have I not been redeemed by His compassion which tonight came down to flay My overweening arrogance because
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You, His Compassion's deputy, forgave me?
(His voice grows thick) I know this ... still reassure me that you have,, Indeed, absolved my sins, do smile on me When I sing in rapturous tears at your feet:
As the flower, though stung, forgives and opens
Her petals to the bee again, So her rebel child's affronts the mother
Forgives even when she weeps in pain .....
MIRA (Blessing him tenderly once more as he s falls, weeping, at her feet)
When once you have glimpsed His feet and I heard His Flute, Need you still ask if I have forgiven you? Nay, tell me who are we to forgive the sinners s When He Himself comes to kiss away their tears, Absolving time and again their sins and lapses s? Could you move a single step toward His feet :
Did He not run a hundred to make you welcome As his own child with whom He loves to play?
We seem, indeed, so feckless and pathetic Creatures of circumstance who revel in doom
Yet think we are wise — like moths that fondle the flame.
But, in reality, are we not all
Diminutive sparks of His Primal Fire,
Whence we all stemmed and whither we'll all Hi merge back?
So vex no more your mind with such misgivingigs,
But panoplied with his blessing's strength march on,
With His Name upon your lips and love in your heart.
I only pray: may you momently remember
His Grace which came to open your eyes tonight;
And may you cherish ardently through life, This priceless, beneficent spark of vision. For 'tis a spark that cannot grow to a flame Unless you fan it with your sleepless love, Singing His Name with every heart-beat till
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The great day dawns when out from your every pore;
His Name cascades His sun-victorious music To repeal life's dismal, atheist anarchy.
(She closes her eyes for a while, then looks at him and
blesses- him once again) I'll answer- your query now — about the Name:
How it cam help us rend the chrysalis
And give ms wings to soar on — to His blue
Like kin acclaiming kin. Let me, for this,
Exploit the simile — of the prison-house
You mentioned with such warmth and mystic fervour.
(After a pause for breath tranquilly) A prisoner?, in a cell, procures a chisel And hammier; then begins to bore a hole In the wall in a corner underneath his bed. Day after strenuous day he goes on boring. He knows 'twill take him long; but he persists Because from his dark dungeon he must escape Which he can achieve only by hewing away The stones in a hidden niche. So, tirelessly, He plods con in the dark for hours at night. After seven long years, one morning, lo, The breach has just grown large enough: Oh joy! Even an hour before, till the last stone-slab Was whittled away, he had no hope; but now His freedom beckons to him: incredible! In the space of an hour all is changed! Gone, gone The accursed life of gloom and hopelessness! Fate's tyranny is ended! He emerges Into the light and air of unwalled freedom! His pulses race: it seems too good to be true, And yet the miracle has happened! But Remember: till the last obstructing slab Was broken to bits, he had been moping in His sty of living death. Even so, my son, His Name does act as a Mace of Heaven to achieve A deep breach in our egos' immuring walls
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That doom our lives to abysmal night — although, Enamoured of gloom, we laugh at His Gleam as myth And acclaim our ego's cellars as citadels. And 'tis because we elect to home in hell That we legalise the wages of sin with Reason's Soul-killing sophistry — outlawing His Love's Brindavan of deathless bliss and beauty. (Dropping her voice)
But one thing is certain, my son: by dint of logic, However unassailable and God-proof, None may annul, outwit or shut out One Who, subtle and all-pervasive like the air, Can, even through your imperceptible pores, Insinuate Himself into your heart athirst '' For a whiff from His heights, and then, in its empty vases Stemless miracle buds of worship blossom,
Like laughter of green outbreaking through chinks mid rocks! Or He may choose like the light-waves to invade Your world of dream and, hid there, play His Flute To flood your wakeful wastes with His blue rapture;
Or, sometimes, when your Warder Reason dozes, He steals in on His own Name's wings, to redeem Your jailed soul with a lightning-glimpse of His Grace. And 'tis the saints and seers who tell us this And the Guru, His Vicegerent, is sent by Him To initiate us into the human-divine
And marvellous passion-play He comes to stage
From birth to birth to reveal to us the eternal
Rapturous Way of liberation from
The atheist dungeon-walls that stifle our souls.
And because in our Maya-fostered ignorance
We take our prison-house for His crystal Home,
He arms us with His Name's own victor sword
So, wielding it we may all hew away
Brick by brick, our egos' sky-hostile walls.
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A month later. In Mira's temple she is seen again dancing. On her right Ajit is revealed seated with folded hands, the proud pedant transformed now into a humble devotee. On her right are seated Mira's Guru, Sri Sanatan and the temple-priest, Pundarik. After a time she breaks forth into song.
MIRA (sings as tears course down her cheeks) They ask: "For whom do you sing your songs
For ever, endlessly ? Whether one harks or no —you go on
Pouring your melody /" For whom does the heart still brood and long, Sweet koels warble the boughs among, Blossom the buds in hues' display, The rivers dance on — who can say ?
And yet they'll ask: "For whom do you sing
For ever endlessly ? Whether one harks or no —you go on
Pouring your melody /" For whom do bulbuls trill and trill And plumaged peacocks sway, athrill, The clouds, sleep-walkers, saunter on And priest winds fare from dusk to dawn?
Forever, endlessly ? Whether one harks or no —you go on
Pouring your melody !" For whom stays rapt, in trance, the saint, Comes the artist spring our earth to paint ? For whom do the skies, aflush, awake And trees in laughter of green outbreak?
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For ever, endlessly ? Whether one harks or no — you go on
Pouring your melody /" Why pines for the Lord His devotee, Desolate — everlastingly ?
Why appeals the heart to the viewless star And the ways of love are what they are?
For ever, endlessly ? Whether one harks or no —you go on Pouring your melody !"
AJIT (with a sigh)
O mother! how you do transport the soul With your lilting melodies! How your divine Similes and sweet rhymes and rhythms compete With one another! ... When you sing you do Cascade a resonant billowy flame of nectar And it is a flame that sheds light but not heat! And how the words are momently transformed By the magic of your music, even as Wan water-vapours are with the sungold's kiss Into dream rainbows!
SANATAN
You have said it, my son! For when she sings I hear a voice of light Whisper to me that she is sent by Him To boon our lustre-avid benighted souls With a new faith we never could have conceived:
A faith that draws its life-breath from His Light. Yes, Mira, when you sing in our midst, athrill, I feel you have come commissioned by our Lord To ransom our night-imprisoned anguished souls, Transform our cynic intellect's atheist strands And put to shame its infidelities, Extolled by purblind men who revel in
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Their egos' abysmal nights of God-denial. And so you had to quell these — not with arid Theology or logic — but with vibrant Music inspired by His Flute's haunting call Which we in our folly, alas, dismiss as fancy!
But Gurudev, why must we fail to prize A gift divine we ought to acclaim?
Ask the one Who not only has acclaimed but found it, too, Singing her way to Him, the Lord of Knowledge, And so has come to know, through love, what we Strive in vain to grapple with our fool minds.
MIRA (smiling)
Nay, Gurudev! Mislead not one who has Sought refuge at your feet. I only sing What you inspire.
SANATAN (laughs)
I'll have to steal your thunder To rebuke you: for 'tis you who have inspired My inspiration through your songs and music;
Although, in the end, all inspiration is Sent by the One who, curtained by clouds, breaks out As lightning, though the clouds will vaunt 'tis they Who strike the sparks to blaze swift trails of light.
(Turning to Pundarik) Now, tell me, friend, have I not hit the target?
PUNDARIK (smiles)
O Gurudev! embarrass not poor waifs By queries they cannot meet. We never plumbed The depths achieved only by godly divers.
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We can but float on bubbles nor dare aspire To profundities: we can at best pay dream Homage to angel shores beyond our ken.
So I, for one, can only go on praying To you to go on blessing us with your songs, Only, 0 mother, grant that I may have The humility which asks not futile questions. For only your holy self can know for whom You sing and how He answers through your songs.
You may not ask, being a holy priest And as such know all about holiness;
But I am an Arcadian and so must question To be enlightened...
That is, if you will
Deign to give me an answer?
MIRA (indicating Sanatan)
Why not ask Him?
SANATAN Nay, Mira, play up: tease not honest souls.
(To Ajit)
You are on the right trail, my discerning son! If question you must, prod her who knows the answers. Pundits can talk till doomsday even as parrots Can go on twittering — but 'tis given only To light — and not to heat — to repeal darkness.
AJIT (To Mira) Now, mother mine! How would you evade the thirsty!
MIRA (Smiling) So be it. I will pour — although, I warn you,
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It may be thunder and lightning more than rain.
I am not dismayed. For rainbow-clouds dispense Rapture and peace which refresh even more than downpours.
(Seriously)
You sing of those who pine for your Gopal, Declaring that He is yours and you are His. But woe is me! How shall my feet of clay Achieve what is beyond the dare of wings? You belong to skies, we to our craving cages. How can we aspire, being what we are, To win to the blue — beating against our bars? How shall we, wingless elfs, consort with angels? Oh, if He is our Lover and Beloved, Why do such as we cry and cry in vain For One we could claim as our very own?
But your premiss is false: do we cry and cry for Him:
We only clamour for His Grace and Love, Demand — they sustain us on our own terms.
AJIT Forgive me, mother, I am still at sea.
You would not be, my son, if you could only Accept that it is not for such as we To insist on His obeying to our will:
We are to be shaped by Him, not He by us. If we are humble, we would know that we Are sent here so we may fulfil ourselves On earth by doing His will at every step. For He knows, and not we, how to uplead Our half-lit, groping minds to His sun-truth;
But our loud self-will, alas, does fret and fume
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Announcing, clamouring — it wants this and that, Nor pausing, alas, to enquire once what He wants! Folly, son, is not fain to view things save With its own eyes — from its own perverse angle. So, regarding things askew, unwittingly, We grow blind to what He would have us want. If once you achieved the humility of wisdom You would realise that first you must fulfil The conditions He has posed. And one of these Is to keep your vigil sleeplessly — lest He, Your heart's Beloved, may not find your doors Bolted against Him when He deigns to call. Let me tell you a mystic parable.
Once upon a time there lived a King, A noble monarch whose bounties rained like sun's Unstinted largess of all-healing light. He often went about incognito To know first-hand of the urgent needs of those Who looked to Him as their one God on earth. One day his herald announced with beat of drums:
"The King desires to make it known to all That he will visit a house in the deep of night. And so in every house or cottage a lamp Must brightly burn all night in this our great Metropolis and the villages round about, So His Majesty may wend his way and choose The host with whom he will stay for one night. Blessed is he who shall receive his Grace." The citizens and rustics were all thrilled;
But as the days went by, tired of waiting,
They put out their lamps, arguing: "Why must we
Waste nightly so much oil? Surely the King
Will come in state in his resplendent car
With his noisy equipage. The rumble of wheels
And sound of the horses' hooves will doubtless make
The sky reverberate and waken us,
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When we shall promptly kindle all our lamps." They made long lists of all their grievances;
The amenities they lacked, the boons they craved,
The favours they desired and, above all,
They vied with one another in emphasising
Their multifarious merits, gifts and virtues.
Now on the purlieu of the town a poor
And humble widow lived in a tiny hut
On a small pension sanctioned by the King.
Thrilled with the royal proclamation, she
Kept kindled in her hut her one and only
Oil-lamp which brightly burned night after night.
Her knowledgeable neighbours laughed in chorus
And mocked at her: "You are every kind of a fool,
You imbecile, to waste for nothing nightly
Your little store of precious oil! You know
Full well that you can ill afford to squander
The beggarly dole you receive from the King.
'Tis lunacy! say, how can you expect
The Ruler of our destinies to seek
A pauper's hospitality? Furthermore,
Suppose he called on you now — where would you
Receive him in your dismal hovel? And how
Do you propose to entertain him, fool?"
So they, her patronising, prosperous neighbours
Went on and on till she dissolved in tears
And faltered out: "I know I have no claim
To the Grace of our noble Lord ... This, too, I know
That the odds are a million to one against
His visiting my hut... Yet... who is there
That hopes not against hope? ... And who can tell
How Grace will act? ... Are not even tiny blades
Of grass blest by the light of the high sun-god
And starveling streams replenished by angel clouds?
And then," she pleaded, "I keep my lamp burning
Because such is the will of my great King,
My heart's one Donor, on whose bounty I live
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From day to day ... I know my place, good friends!
I know I am a cipher ... Only ... I
Know this, as well, that 'tis for him to ordain
As 'tis for me to accept and do his will.
You may laugh and mock ... but I will follow my lights
Such as they are ... You go your way, wise friends,
And I'll go mine alone. Only I swear:
I'd sooner starve than flout my master's wish." Nettled, they jeered at her with one accord And decided she was "crazy." But, unperturbed, Night after lonely night she kept her vigil, Companioned by her sole, loyal lamp, While all her affluent, wise and thrifty neighbours Slept on in peace, conserving their precious oil. After a month, one day, to their utter amazement, A royal chariot hove in sight and rattled Past their imposing mansions to draw up Before the lowly hut of the "crazy" woman And took her to the palace where the Queen Appointed her as her own personal maid And, after a time (as she endeared herself To her loving mistress serving her with sweet Humility and swerveless loyalty) She grew to be her dearest confidante.
(Appraising Ajit with a smile) Have I now met your question?
AJIT (reflectively)
I understand now:
To do His will in glad and full surrender Is the way to the last fulfilment. We are tested At every step so we may shed our self-will. 'Tis only when we die to our old self That we may claim our birthright — godly Freedom. For only then can His will — working in us, As a leaven — transform our flawed human nature And, once this is achieved, through serving Him, 11
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We are exalted to His divinity. When we play with Him in this His cosmic lila As His trusted friends and darling confidants. Have I divined your import?
MIRA (nodding, pleased)
You have, bless you! Only add: 'tis our egos which, first and last, Erect the walls between His will and ours. Our self-will, stemming from our self-love, is At the root of all our man-made misery.
AJIT (bowing)
The spirit's truths dawn on me, more and more, Daily, O mother, since you came to me. Only ... sometimes ... perhaps because I still Choose to hug my old outlook ... (he pauses)
You mean
The spectacle of human suffering Still makes you restive?
AJIT (surprised)
How did you divine?
SANATAN (smiles)
Her eye of light sees into the heart of things Where our mortal eyes spot only surface bubbles.
MIRA (in mock anger)
Oh, lead them not astray, when sages choose To put on an act, people are taken in. Nor even in jest suggest — you are as blind As the orphans who come to you to be guided home. (To Ajit—laughing)
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Take him not at his word when he's in the mood To fool the undiscerning innocents Like you and me. (After a pause)
But tell me — what is it That vexes you, my son?
AJIT (hesitant)
I know not how To put it in words ... but since you know our frailties, You will forgive me if I cannot help But feel, sometimes, a stir of swift revolt Deep down in my heart when I see men suffer, And I ask myself wherefore philosophers And saints must still acclaim this cult of pain.
The philosopher's outlook on life, my son, Is alien to me; nor can I lay Claim to high sainthood. So your pointed dart Has missed the target. I can only say What I have learnt in my life from the school Of experience. If you mean one should never Glorify pain, I am at one with you. And I may assure you that not once have I Idolised pain. But the fact remains that pain Has met me at every bend till I met Him, My Gopal, when I saw the last of pain, Because to touch Him is to transcend sorrow. But till the day He came to abide with me I did go through deep pain again and again. It caught me, unawares, first through the chink Of my hyper-sensitiveness, insomuch That I was frantic even when a pin Pricked me. Even a shadow of hurtful things Depressed me deeply.
In the second stage,
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It was no longer shadows but real things
Jolts, shocks and disenchantments, thorns and gusts
Entanglements, attachments, expectations,
Dreams shattered, trusts betrayed, men's cruelties —
In a word, everything that came to sully
The flawless image of beauty that presided
In my heart's temple, made me desolate,
Till I turned to my Gopal — to break away
From my moorings to be anchored only in
The Harbour of His Grace beyond all storm.
But then, in the third stage, even my Gopal Vanished and my soul groped, alas, in night! For two long years I lived in the agony Of exile — sundered from my All-in-all:
A pain which made the light before my eyes Loom like an irony of ironies;
Life seemed to jeer at me for having hoped At all for bliss in our world of suffering. I drew my every breath in pain in the frozen Gloom of despair: every touch and tremor Reminded me of my Gopal I had lost. To have savoured nectar and then to be invited By the turbid waters of the stagnant pools! My soul, in torment, could not see a thing From the viewpoint of the sober worldly-wise. They said I was a rudderless boat, a flotsam That could at best toss for an interlude, To sink thereafter in the darkling deep Of utter shame and fathomless frustration. My name was mud in my noble family Whose high deeds are still sung by minstrel priests And chronicled in Mevar's deathless sagas:
They called me names because I had eschewed The tradition-worshipped veil of high-born women. They were all scandalized to see a Queen Consort with all and sundry: in a word,
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I played for the highest stake and lost my all:
The worldlings' support even as my Gopal's.
True, only you were not sent forth by Him To be sustained by the worldlings. Therefore He Schooled you through pain so you may reveal to those Who adored their little lusts and thrills, that one Who is called by His great Love must bid farewell To the lesser loves, laughing to scorn the props And lures of the world of senses. Because you Were His own darling child and maid, you had To be disowned by the worldlings of the world, So you might come to be owned by Him alone, In His eternal city of bliss and beauty, Where you belonged as you once sang when you Came at last to journey's end: sing, sing that song The lovely song you sang to disavow Our dismal world to be pledged to His Brindavan Where only His Love rules and His Light reigns. Come, Pundarik, let's sing in chorus with her. (They sang together, Mira leading the chorus)
Farewell, our dismal vale of sighs and tears!
We'll wend to His far shore of blessedness. Farewell, our heart-lost land of fogs and fears !
To acclaim His Brindavan of Gleam and Grace.
Fare far, still far from our domain
To His garden where springtide never can wane,
Beyond the clutch of din and pain,
We'll leave our glooms for His haven of Gleam and Grace,
And wend to His Brindavan of blessedness.
Where only Love Divine holds sway,
Where none sustains defeat in play
And the Friend presides for whom all pray,
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There we'll knock at His door of Gleam and Grace;
Let's wend to His far shore of blessedness.
Where none says: "This is mine alone," Where woe or illusion is unknown And children of Light the dark disown,
We'll live there in His home of Gleam and Grace,
His marvellous Brindavan of blessedness.
"Hark, calls the Beloved," Mira sings,
"Playing the Flute, the King of kings!
To Him, the Evergreen, on our wings! Give all we have to the Lord of Gleam and Grace ! We will to His Paradise of Blessedness."
How thrilling to be owned by Him, the Lord! You, mother, came to our world of lesser lores To wean us from their maya and sing to us That not till we are vowed to disclaim this Our phantom carnival of transient pleasures Entailing disenchantments, can we win To the everlasting joy of being reclaimed By Him, Gopal, as His darling intimates.
And what intimacy, indeed! Could ever we, humans, Imagine how He can, in love, play up Once we accept to be under His wing? Oh, how He assumes our ways, comports Himself Like a mortal, seeks us out, in Grace, even deigns To laugh and parley with us, so we may learn To play at hide and seek with Him in rapture, As one of us and — loving Him — open ourselves To His victorious Light that quells the inherent Darkness of our unregenerate nature! Our God seeks birth as a human so we may
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Be the more swiftly divinised till our
Flawed natures, become one with His, merge all
Their taints and blurs in His Love's gold-incandescence!
AJIT (hesitantly)
Will you give an instance? Does the Divine, indeed, Laugh and fence with us as a human?
SANATAN (to Mira)
Tell Him. For now he is receptive to your pure Love's own Light — he will not misunderstand.
MIRA (with a smile)
So be it, Gurudev. I will confide In him now though he may still be at a loss To grasp with the mind what is beyond its ken.
The question you have asked, I can, my son, Answer from experience. Yes; the One Who can hurl a myriad suns and stars all spinning For countless aeons through interstellar space, Does indeed come down to play and laugh with us, So we may be transfigured the more swiftly By His joy and laughter as well. Could any of us Ever laugh if He declined to laugh with us?
(Laughing to herself) How once, in a teasing mood. He said to me:
"Mira why do you link your name with mine, Now that the world decides you're raving mad?" "Because, my Lord," I answered back, "our world's Great sages say: you only understand The idiom of the ones who are raving mad, And as these, touched by you, still madder grow, You do feel more and more at home with them." "Mira, you're not far out," He laughed, "for tell me:
What, in the name of good sense, can they say When they find me, alas, chasing you who are
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The Queen of the lunatics?" He mused for a while, Then with a cryptic smile: "Only I wonder If these sane worldlings ever surmise how Mad are the sane who prefer shells to pearls And call mad those pearl-connoisseurs who Discard the empty shells to cull the pearls!" (All laugh)
PUNDARIK
Forgive me, mother, because even when I could not help but laugh with you all now, A question vexed my mind: how could our Lord, Who is infinite and immortal, stoop to accept The limitations of mortality? How could the last Ruler of our destinies Not only bear our impure human touch But put on our mortal nature to court our love?
How can you entertain such strange misgivings? Could there be aught on earth which did not draw Its light from His sun, its breath from His life-breath? Pundit, is it not written in the scriptures: .
"Yadeveha tadamutra yadamutra tadanviha:
Whatever is here is there — in the Beyond
And whatever's there, can here, in the world, be found?"
And not only in the scriptures, friend, but in
The Gita, too, has He not promulgated:
"Ye yatha warn prapadyante tarn stathaiva bhajamydham:
In whatever mode mortals approach and love me I answer in the same tune and accept them?" Once you accept that He, too, wants our love Even as we want His — you can with reason
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Accept as well that He delights in playing At hide and seek with us in love's sheer rapture.
Pardon me, Gurudev! But may I ask A question about His play?... I know not how To express my meaning without sounding stilted, But you who are the soul of tolerance And understand our human limitations Far better than the worldly-wise of our world, Will surely forgive me if I ask how can The infinite Godhead (who is self-fulfilled, The Atmaram, basking in His own sun-bliss) Could seek to be born as a mortal to make love In the human rhythm to us, crass egoists, Who dare deny the gods and insult angels, Who murder innocence and do outstride Even beasts in bestiality and blood-lust! I can understand His meeting us half-way To lead us swifter out of this dark maze Of sorrow back to our inviolate Homeland Which we, fools that we are, disclaimed to live Like self-convicted exiles in a madhouse. And though I may not fully comprehend What maya is, still I may perhaps claim To have a dim perception of the Lord's Loving solicitude to deliver us all From the yoke of His own self-projected maya, This labyrinth of rapturous illusions.
(Turning to Sanatan) But what bewilders me still everytime I want to puzzle it out with my mind's lights, Is the why and wherefore of His predilection For this our bedlam and His baffling urge To put on our nature and play at being human Accepting gladly the hospitality Of our dismal dungeon — almost, as it were,
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Forgetting, for the nonce. His ways divine! How could He bring Himself to ape our ways, Crying and laughing, planning and organising In the human mode with us, alas, whose antics Make blush for shame so often the hounds of hell.
SANATAN (frowning). Insult not the form our Lord Himself has chosen To manifest His Love's epiphany:
Krishna, the Avatar of flawless beauty,
The Nonpareil, who gave His pledge in the Gita
To be born from age to age to sustain Dharma.
Learn to worship the dust His twin feet hallowed.
Be on your guard: 'tis perilously easy
To scoff and fulminate, judge and condemn
From the dais of the schoolman mind. Never forget:
Humility is the stair to knowledge and glad Acceptance the essence of surrender. True, Men do comport themselves abominably, But has not our Lord stressed that 'tis because They sully His inviolate light in the soul, Of love and truth and purity, that He Takes birth in the world as radiant Avatars To uplead our way-lost souls to His starry truths?
(Dropping his voice) But a truce to wordy arguments. Remember:
'Tis not for the such as we, blind egoists, To indict and curse in righteous indignation, Since we all do err and sin again and again. Furthermore, cynic questionings can never Invoke a deeper lustre — they only cloud Our half-lit minds till even the little skylights Of our prisoned souls, clogged by pessimist doubts, Shut out the night-victorious boons of His sun.
(Putting a hand on his shoulder) So once you have on bended knees accepted Our Lord's eternal gospel of love and beauty
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And hailed His glorious lila of delight, Once you have turned to the orient lead of faith, You must put behind you your unregenerate nature Your old and self-sure habit of measuring, Dissecting, testing and judging from the mind. Even if you truly thirst to understand The rhythm of His deep lila, outgrow you must Your mental way of assaying mystic truths, The way your purblind ego would goad you on To plumb the uncharted deeps of cosmic life. Accept now once for all that as a boy Has to outgrow his juvenile consciousness Before he can understand the adult's ways, Even so one must outgrow life's twilight glimmers, The preconceptions of the intellect's dawn, Before one can claim kinship with the glow Achieved by souls in spirit's noonday knowledge. In these inner golden worlds the saints and sages Are the adults whereas you, a mental seeker, Are but a child from the viewpoint of the wise. And that's why, down the ages, seers and prophets Have saluted faith in reverence as the prime Pathfinder in soul's pilgrim quest for God.
AJIT But Gurudev, is reason then redundant?
Nay, reason too can help but not until It learns to be subservient to the soul. The analytic intellect is helpful As servant but incompetent as master. Roundly, it helps you deal with the world of senses;
But once you have set out to win the passport To the starland of the Spirit — adored of sages And peopled by the gods — you must first learn To unlearn what the arrogant atheist reason has taught.
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For reason walks on stilts whereas true faith
And fervour can serve you with angel wings,
And aspiration dower you with strength,
Not the frail physical might or mental force,
But the soul's invincible power which fortifies
Your flame-will to attain the Pinnacle
Of His sun-love, star-knowledge and moon-delight.
(Pointing to Mira)
Your soul has bowed to her because you saw In her lustre what your fool mind failed to glimpse. Accept her lead and you shall win to the Peak Where He will come, in Grace, to play with you Unfolding vistas of His bliss and beauty Such as you dare not even dream of now. Oh, the ecstasy to be His instrument! To sense His rapturous touch in everything, To see each act illumined by His ray, To be hailed at every turn by His dear voice — What we call naralila: His sporting with us Revealing at every bend a panorama Wherein each atom teems with His living Presence And every spark throbs with His Fire's heart-beats, When the Godhead born as man in flesh and blood Redeems mortality with His Love Divine!
(He halts and sighs)
But a truce to the vain endeavour to describe how The apocalyptic Vision beholds a speck Glassing the Vast, a drop holding the deep!
AJIT (moved)
I stand rebuked, Gurudev, I bow to you:
I will be on my guard from now on. Only May I implore you, sire, on bended knees:
For mercy's sake, confide in me — although I know words cast more shadows, alas, than light, Still we must make words do till we achieve The golden Silence where they dissolve in bliss,
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The knots of the heart are loosened and all's explained. So I beseech you — tell us a little more:
How He, our Blessed Lord, comes down to play With us in human lilts to manifest His hoary Divinity?
Ask her, through whom
He came to manifest it all to me.
MIRA (reproving)
Oh, confound not seekers with like cryptic phrases. He came to you because you grew to love Him. I served but as an accidental spark To touch off the conflagration. You know full well:
I only brought you back the Image you had Entrusted to my keeping in my childhood. He answered afterwards as Balgopal Because you had adored Him as a child. It was all preordained, as your great Guru Sri Chaitanya had assured you years ago, And as He, my Gopal, too, bore him out And told you why you had to wait for me — Why 'twas predestined. So it was I had To serve you as a stairway to His Haven:
You reaped through me what you yourself, as Guru, Had sown in me when I was a romping child. And so your own love's boon came back to you Through me, your own creation, even as comes Back to our earth from clouds what they received From earth as her offering. So, Master mine, Tell him you must now in detail how He Came to you as the Everliving Cherub To answer your great love in the way you wished.
SANATAN (shaking his head) Nay, you recount the story — you. His own
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Daughter of Bliss and maid of Brindavan.
MIRA (pouting)
But it is your own life-story, Gurudev. So don't insist like this!
Perhaps he's shy.
But why must he be shy once he has opened The mystic lock and entered the adytum?
But who gave me the key? None knows, my child, Better than you — how long I had to wait. So catechize me no more — now that He At long last has revealed to me why you Were sent to me. Shall I divulge —
MIRA (with folded hands)
Oh please! Say not such things again — even in jest. What the Lord confides in you is not for the public.
SANATAN (smiles to Ajit)
I call you to bear witness now how she Goads others on to come out into the open, While she, herself, would lie hid under the veil.
But tell me, is it fair when your heart knows The Image you worshipped came to life for me In answer to your urgent supplication? So it's for you to speak —
(in mock solemnity)
and may I remind you Once you have come and pledged yourself to me
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When I command, you have no choice and must —
MIRA (finishing—with a resigned smile)
Obey ... So be it since you leave me no Alternative, my merciful commander!
(to Ajit)
So listen, my son! It is a thrilling story Perhaps too thrilling to be acceptable To the intellect of those who, judging from mind, Dismiss all high, divine phenomena That befool our realist reason's man-made logic. They forget alas, that the ultimate tribunal Of Truth is not the bench of this our puny And self-sure intellect whose preconceptions Are, far too often, belied even by life.
(Shaking her head)
Nay, the last touchstone of the Truth that rules the world And life is the experience of the soul, Blest by His Grace no reason can explain. So listen: only doubt no more, my son, When those who have received His Grace attest That He does come still to play as man with men Who in simple faith accept and worship Him And thrill to His celestial-human play.
His Gurudev, the radiant Sri Chaitanya, Rebuked my Master when, once, he had said:
"As my heart's Lord stays hid behind the veil I have failed to rend, I want now but to die." His Guru admonished: "Sanatan, my son, If one could attain to Him so easily, I'd die a million deaths. Nay 'tis not by Dying for Him one opens oneself to His Grace:
Only by living for Him and Him alone, Surrendering all you have and are to Him, Can you win Him as your Playmate and Beloved And achieve the blessedness envied of Gods.
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And then, since you have given yourself to me, How dare you dispose of what you own no more? (After a pause)
So my Gurudev was silenced by Sri Chaitanya Who sent him to this hallowed Eternal City. I had met him first when I was a little child, And cherished his sweet memory because He had booned me with the Image of my Lord. But I knew not then that he was my appointed Guru to whom I had to wend and bow As my soul's one friend and pilot in this life, Till my Gopal enjoined on me to leave My world of maya and give myself to him;
For not till then — He said — could I attain The ultimate fulfilment.
Forgive me, mother, But once Lord Krishna came to you in person How could you still ever need to accept a Guru?
That was a part of what my Master calls. The great Lord's naralila: the Divine Puts on the nature of dismal man on earth So earthlings may, through loving Him, transcend Their earthly limitations the more swiftly. For once you love Him you do open to His Alchemist compassion whose touch alone Can divinise your egoist impulses. These are not my words — 'twas He told me this Many a time — and with what tenderness! The deepest tenderness on earth is a pale Reflex of His divine solicitude. As I'd not leave Him, how He coaxed and argued With me to explain the recondite mystic truth That does sustain the Gum's miracle power
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To ransom the seeker disciple. He confided:
'T was not enough to see the deep as deep
Or the drop in the deep: one must, withal,
See the deep in a drop — Gopal in the Guru—before
One could have an inkling of the starry secret
Of human-divine love, the Infinite held
In the finite, the Timeless in a fleeting moment.
But to resume my story.
(She masters her emotion with effort)
At the time My Gurudev was living in strict seclusion., When I went to him he looked away and told me To seek another Guru as he had taken A stern vow not to look on a woman's face Till the attainment of his heart's Beloved. I answered him with a song I improvised:
(She starts singing)
Come to my aid, my Lord and King, in thine own land of bliss, Where every heart is a Gopi-soul, aheave thy feet to kiss. Brindavan's one Beloved! helpless Mira appeals to thee:
Can one who calls himself a man thy darling minstrel be ?
I have often heard this claimed in Brindavan. But is this also a part of what you call The Divine's mystic immemorial play As a human lover — the Everliving Bridegroom Who comes to the Tryst to savour His own love In every Gopi-bride-soul here below?
MIRA (Hesitating) Nay, you'll misunderstand...
O mother mine
Evade me not, I pray ...
12
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I am not evading. I wish I could explain more lucidly, But how portray with words what is this bliss That He invites His Gopi-brides to share With Him in His deathless carnival of love We call His Raasalila.? Nor can the secret Of His inviolate Love be ever unveiled, Still less described, with words. It is revealed Only to His elect — His blessed brides, The Gopi-souls, who live from age to age In utter self-oblivion, immersed In His love's rapturous deep both in a trance Of rippleless silence and whirls of delight. But this last savour of His tenderness Can never accrue to those who have not been Initiated in His nectarous Love Which momently renews itself in time And thrills, withal, to the heart-beats of the Timeless. So importune me no more to elucidate The supreme mystery of His highest Love He comes to reveal to Gopi-souls alone, In His Eternal City from age to age.
I understand. I promise never again To ask such futile questions. Pray continue.
MIRA (resumes the thread with a smile of irony)
When I had sung this song, my great ascetic Gurudev smiled...
SANATAN (amending, with a laugh)
Nay, cried in a tearful voice:
"I. capitulate to you in deep disgrace."
(To Ajit, breezily) Which was only the beginning of the end
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For lo and behold, in the first Act she enters As an ideal disciple, bowing in deep Humility — only to culminate, In the last Act, as she herself sang once:
(humming) "Charanki kinkini bani vo sirka taj ho gayi:
"She came to Him to tinkle as His anklets Only to end by gleaming as His crown!"
MIRA (feigning anger) If you say such things again —
SANATAN (in mock repentance)
I fold my hands Apologise. I'll say no more. Go on!
MIRA (waggling an admonitory finger)
Remember I shall hold you to your pledge. I will not go on if you laugh at me.
How dare you say I dare laugh at the great Mira who has made history? And say, can we Ever laugh at one we feel browbeaten by?
PUNDARIK (with folded hands)
'Tis my turn now to fold my hands, Gurudev. I beseech you not to tax her patience thus. For, God forbid, were she to lock her lips, 'Tis we who would lose — not Your Holiness. Nay, mother, heed him not: go on, we pray! Tell us the great breath-taking story — how The Lord of the universe, in Grace, put on The nature and form of man to play with you, His blessed devotee. When, in these days, Saints tell us thrilling tales of His compassion, We, in our ignorance, call them myths, alas!
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MIRA (flushing)
A myth? My Gopal? One in whose Light glow Trillion suns and moons and stars in space! Whose fluting sounds in pain and joy and laughter! Whose beauty breaks out in festivals of flowers! In a riot of colours on trees and hills and clouds! Whose delight in life erupts in high adventure! Whose magic love touches to incandescence All things inert and frozen and lustreless! Who's born from age to age to bless the holy, Rescue the derelict, redeem the sinners! Who, like a heavenly Magnet, draws us all To magnetise our souls with His touch divine! How dare men dub Him myth, my own Gopal, For whom I slipped my moorings, to be havened At His beloved feet, whose intimate touch Sustains me momently, transforming this My dismal, torpid life into love's gorgeous Glittering carnival of Godly rapture!
(She breaks out into ecstatic singing and dancing)
He comes, O friend, He comes to me:
When none are there — in steals my Lord to keep His Mira company.
When I'm alone — I'm not alone.
For at evetide, when the blue day dies, He does come, my dream-jewel unique,
To flash upon my ravished eyes, And then in my heart's desolate shrine
Relumes His star-lamps silently:
He comes, my Lord does come to me.
When clouds of black despond envelop
My way-lost pilgrim soul with Night He comes. Compassion's Moon, and floods
My darkness with His Beauty's Light.
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And then on my forlorn heart-strings Plays His elysian melody:
He comes to me, friend, at all hours.,
My comrade and mate in life and death And I'll sing on, from age to age.
Of His deep Grace with my last breath:
How He, the Lover, calls as Love
And thrills my soul everlastingly:
How He, my Lord, still comes to me.
(A silence falls)
PUNDARIK (wiping his eyes)
We need to be thus assured, 0 mother divine! For if you, saints, stay dumb, how shall we know What states of blessedness can redeem such As we, pale wraiths, who wrangle and fight and kill For ephemeral baubles calling ourselves, alas, Apostles of worldly wisdom — we, fool braggarts! 'Tis for you who have won to the Eye of Light To testify to the Sun-resplendent Being Curtained off by our suicidal pride!
Mother, he has said it. How could such as we Hope to outsoar our vale of tears to His Joy-jewelled Heaven, His Brindavan of Love, Where we can meet Him as our Friend and Guide, Our Father and Mother, Guardian and Beloved? So, do continue your story, we implore you. Tell us how the peerless Minstrel-Lover "played On your heart-strings His heavenly melody."
MIRA (after a brief reflective pause) So be it... In those days my Gurudev
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Was vowed to a hard ascetic cloistered life
To achieve a consummate mastery over all
His human impulses. He plodded on
With a flaming aspiration sleeplessly.
Everytime my Gopal came to me
And I told him His message, my Gurudev
Grew even more one-pointed in his yoga.
It was a noble saga, a daily, hourly
Victory of invincible aspiration
Against what odds no historian ever shall know:
How the dark hosts went on tempting him and how He fought them, only propped by his God-love Which held him in its strong relentless grip And led him as on a forced march to the Goal Urging him to surrender his self-will To the All-will of his All-in-all — till He, My Gopal, came to him to put a term To all his doubts and sighs, his pain and struggles.
But mother, do tell us a little more About these struggles. Indeed, I have felt:
We hear too often of high miracles
Of the Lord's compassion dowering seekers with
Blue angel wings we acclaim as vibhutis,
High superhuman powers that stupefy,
But though these thrill us, I yearn more to know
How His effulgent Grace in our darkest crises
Descends like dawn to cleave the soul's blind night.
MIRA (to Sanatan) You tell him then, since it will surely help.
SANATAN (smiling)
Nay, you can narrate stories — explain, too, Far better than my humdrum self. So go on.
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MIRA (to Ajit)
You see now? When he talks about poor Mira, He glows in a flaming mystic eloquence Proclaiming — one should share Gopal with all. But prod him once and lo, he, like a snail, Withdraws precipitately into his shell!
Then why not, in revenge, now force him out Of his purdah, pray — if only to cry quits?
MIRA (laughing)
You are right. So I'll relate how Gopal came To him out of His own Image, there on the altar.
You know, my son, that we all have to cross On our way to Him deep hurdles. And He comes To weigh us daily and He'll try the hardest The ones who are born great. So my great Guru —
SANATAN Sh-h-this is not the way —
MIRA (brushing aside)
The workman knows
Which tools will serve him best. Now you have set To my humble self this task, you must allow me To tell it in my own way, the more so as You have conceded that I am as great A story-teller as you are a sage, (They all laugh in chorus)
MIRA (continuing)
So my great Guru — I insist on his greatness — Had to negotiate day after day Hurdles that would have dismayed even the heroes. He underwent untold austerities,
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Never once letting his burning aspiration For His Love's Peak to cool nor would he ever Relax his vigilance even for a moment On his pilgrimage to his one Beloved: Krishna.
What men call history is a chronicle Of things our eyes can see or reason collate. But the lone adventure of the dauntless souls Can only be divined by kindred spirits. So I will leave his great deeds to be sung By those who, following his trail, may discover The noble heights which shall his footprints cherish. Here let me only speak of how, at last, My Gopal came to claim him for His own.
(After a pause) A few years after my initiation He told me one day, in despair, that he Had lost heart and so must resign. It is A story far too long to be told fully;
So I shall leave it at that — unless he Volunteers to relate it all himself.
(After a hesitant pause, with a sigh) When he had talked thus of resigning, I Shed tears and implored Gopal to help Him see his way by His compassion's light. But He only gave me a cryptic smile and vanished ... It was a dismal dusk ... the sun had set... Incessant spears of rain streaked down our windows And a wind moaned through the trees ... I felt depressed As neverbefore. But still I could not ask Gopal for any boon. I only prayed That He ordain for His loyal devotee What He deemed best for him ...
Just then I heard The slow thud of his dear familiar footsteps. He told me he had decided, at long last, To ask Gopal to put a term to his life.
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I wept in silence ...Blessing me, he went To pray to His Lord. But strange is Gopal's lila:
The prayer that he voiced was not the one He had resolved to offer at His feet! For it was not despair or grief that welled Out from his heart: it was a moving song He sang whose theme was utter self-surrender. And this was what he sang before the Image In an ecstasy, as tears coursed down his cheeks:
(Mira, broke out into a song on a sudden impulse — the
song which had been improvised and sung by Sanatan on
that memorable night of his final Realisation,—swaying
in a mystic ecstacy)
How do I know the Truth that still Overarches our bewildering life, Save through my prophet heart's profound Whisperings in the din of strife ?
I know, Gopal, and you know too :
I groped and stumbled oft in my quest And hailed as Truth what is my fool Ego's blind urge, by self obsessed.
Nor is it easy to winnow out From the kernel Truth the chaff of Lie ;
I know what lands me in the Abyss;
My ignorance of your Light on high.
But this I know and you know, too, That if I chase the call of Gleam That wakened first my sleeping soul Twill lead me to the Goal I dream :
So now that shadows loom — accept, Lord, all I am and have on earth;
May this one yearning me sustain
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Even in the Pit —from birth to birth.
I lay my derelict heart at your feet, For only you can my soul fulfil:
Make me your own once and for all, Disposing of me as you will.
(A silence falls. All bow to the ground. Then Sanatan goes off into a half-trance — bhav samadhi — and Mira gazes at him for a few minutes. Then she shivers and looks at Ajit who bows again.)
AJIT (brushing away his tears) And then?
What then?
The Blessed Lord...
MIRA (in a faltering accent, her eyes swimming in tears)
Ah, yes. Oh yes ... we both saw ... He came ... my Gopal... He came to the fore through His own Image ... Ah, yes ... When Gurudev ... after the song ... in tears, Prayed silently — his forehead resting on My Gopal's feet...
( With a sudden smile)
His marble feet, I mean ... Then suddenly His toes moved. Gurudev, Now startled, looked up ... and there, smiling, stood Gopal, his one Beloved, whom he had sought In vain for twenty-four long, lonely years!
(To Ajit, anticipating) Yes, yes. He does still come to reveal Himself And play in love with all who'd lay their hearts
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At His feet in unconditional surrrender.And after His advent life flowers in blissAnd beauty and radiance and harmony,Even as before that apocalyptic hourAll all was dim and dark and woe-begone.And this epiphany is not a slowTransition, but a lightning-flash of GraceNo wisdom, however old, could ever predict.It is a sudden descent like a child'sFrom its mother's womb — when it's deliveredOut of its stifling prison. Now, even a momentBefore its birth out of its shadow-cabin,Could it imagine the free, jubilant lifeThat waited outside? How the unseen friendsWould hail its advent blowing conches in joyAnd, above all, how a pair of love-lit eyesWould rain on it an angel heart's song-welcome?Could ever the embryo, in the womb, conceiveOf the unbelievable realityOf one who'd come to change its destinyFrom a dungeoned exile into a life on wingsOf light and laughter, bliss and adoration?Yet did it not live within the unmet motherWho hailed the infant even before its birthAnd nursed it with her every fibre's sapAnd heart-throb where with she would hence sustainIts life of hunger with her love's sweet milkAnd soul of aspiration with her deep blessing? (A silence falls)
MIRA (Gazing at the image in ecstasy)
O my heart's darling, Gopal! How can I Describe to others who have never known Your Grace that kisses my twin eyes like light From day to day — and voice that sings to sleep My restless heart in the cradle of your arms?
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(She pauses and shivers intermittently. Sanatan looks tenderly at her ... Ajit and Pundarik kiss her feet ... She gives a start and comes to ... After a while with an effort she masters her tears and resumes)
When He came to Gurudev as Balgopal, A Wonder-Child of Immortality, Resplendent like the sun and sweet like moon, A miracle of glory and harmony, Incredible and, withal, more real and vivid Than fires that burn and zephyrs that entrance, Skies that beckon and stars that foster dream ...
(Her voice grows husky as she rushes on) The Supernal Child of love and loveliness Whose touch transforms life into a festival Where even clods break out into a hymn Of adoration — making thorns transmute To flowers whose petals sing with angel lips!
(She pauses and heaves a sigh)And yet, think: such a miracle Being whose contactMade space a silent, boundless VastitudeAnd time a termless flux of purling life,Did come to us, a little Gopal, who played And romped from day to day like a mortal child,With all His human ways we both thrilled in,The exquisite pranks manifesting at every turnHis flawless harmony in our world of strife!
AJIT (importunately) Oh, give us a few examples — we too are thrilled.
MIRA (with a tender smile)
Bless you, son! Listen — how the incredible Comes to pass in His marvel lila of love!
(She laughs, abstracted, to herself) In those days. He — our little Gopal — would come Daily to my Gurudev as though He were
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Our one and only child; we'd play and play With Him at hide and seek. And He'd say: "Coo!" — When we could plainly see Him strive in vain To hide behind a shrub; for how, alas, Could the sun hide behind clouds, or fire behind The chaff? We found out Gopal every time As, at His touch, the shrubs glowed golden! Or, else, He'd plunge into the Yamuna — when we both, Aghast, would cry out "Halt!" — But He would giggle The more and shout back "Catch me" — when Gurudev, Frantic with fear, would dive to rescue Him, Yelling: "Oh halt! — The current is too strong there, In midstream — have you taken leave of your senses?" — And so on — but who listened? Not He, the Elusive Lightning who came to dazzle us for a moment Only to vanish — leaving a legacy Of starless gloom in which light-thirsty soul Groped vainly for the blessed epiphany. So while we stayed in an agonised suspense,, He, spilling His nectarous laughter, swam ever on. But what a blissful anguish 'twas of love We came to feel — and what a prayer cascaded Out from my heart of pain which was, withal, A heave of mystic joy that beggars description! To feel He had come to stay with us as our Guest, The Lord who was the Host of the universe, Who revealed to us how pain was one with bliss! And what a lovely maya to marvel at — this Our incredible solicitude for One Whom not all the oceans of His myriad worlds Could ever drown — One who with just a laugh Could still the demon storms and titan waves! Then, sometimes, in the twinkling of an eye, Our little Truant, like a squirrel, climbed Up onto the topmost branch of a giant tree And there, poised like an acrobat, sent forth peals And peals of triumphant laughter, while Gurudev
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Would thunder at Him from below: "Come down, You naughty boy — you'll fall and break your neck!" "Not I — I never can fall," He rang out, chuckling, Then, tantalising: "Look! I can sing too!" And He would sing and sing to ravish the air, And dance — when even my heart missed a beat! — Such is the maya of His human play That, knowing who He was, my head reeled when With a sommersault He leapt bang down and, to — Before my Gurudev, aghast, had time To cry out and run to Him — He rose and flew, An unearthly arrow made of a golden gleam!
And then, day after marvellous day, things happened Which gave us glimpses of... I know not how To define what flashed before our entranced eyes ... We call it Divine Grace, but can we, alas, Through symbols convey what is symbolised? Can a painted flame, however fine, caress Cold limbs with a real fire's exquisite warmth, Or kiss its way through the passage of the eyes To golden the heart's despond in the thrall of gloom? To give but an instance: 'Tis so moving! Listen. There lived, at a stone's throw from our humble hut, A devotee who, in love's simple faith, Wove garlands for the Image installed in his shrine, And for twelve years had only worshipped Him With this sole ritual he knew on earth. One day, as we were bathing little Gopal In the Yamuna, we saw the priest afar, Leaving his temple weeping in deep sorrow. My Gurudev ran fast and halted him. He said he had lost heart and so decided To drown himself in the Yamuna because The Blessed Lord had not come to him even once When He, our Gopal — who was visible Only to us and who was at the time
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Dancing in midstream — in a moment, lo, Stood before His derelict devotee And asked, in tears: "Friend Srinivas! who will From now on weave my garland if you leave me?"
PUNDARIK (starts and falters out)
He came to ... our old neighbour ... Srinivas? Why,, I never dreamed ... Can it, indeed, be true?
You are sceptical because your mind is prone To judge a clear, deep pool by its dark moss. But the surface is deceptive, the more so when Those we assess we see from day to day. Such neighbours look too common — do they not? But the Lord is the soul's assessor and appraises A devotee not by his mental gifts Or glitters that catch the eye — but only by His psyche's aspiration to answer His call. You looked down on your neighbour because he was To you "old Srinivas" whose weaving garlands From day to day you did perhaps at home Laugh at complacently, and said to yourself "No fool like an old fool." But Lord Krishna saw In the "old fool" what our eyes cannot see:
His deep love, yearning and, above all, his patience Which made him go on weaving garlands in love Day after weary day, year after year. And it is such devout and faithful souls He comes to befriend in the way they wish. That is why He is known as Premadas, The servant of love. Those who are lionized By royalty, sought out by fortune-hunters, Fawned on by sycophants and hymned by knights, Philosophers, ministers and master-builders As world-celebrities are not His darlings, He only courts the destitutes who turn
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To Him and worship Him as their one Friend, Offering their hearts' humble and loyal love.
MIRA (nodding)
And still the savants of the world will doubt Whether He is compassionate and will come To answer our prayers.
(To Pundarik)
But I tell you, my son, He does still come to all who appeal to Him. Only, alas, we seldom ask for the Eye Of Light without which none can glimpse His Presence. But He will stay away as long as we Can well dispense with Him and rest content With the little pleasures of our lesser loves We love far more than His Image in our hearts. But to resume my story.
My Gurudev, Since he came to Brindavan has lived on alms From day to day. When Gopal stayed with us, He brought me what he received which I cooked For all, and Gopal, daily, shared with us What I served Him,
AJIT (incredulous)
Mother, do I understand:
He had his meals with you from day to day?
SANATAN(smiles)
Why not? — Did He not come to play with us As a human-divine Child?
And shall I add He slept as well beside my Gurudev?
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You see. He had made His home with us and so
We had to provide for Him as with a ward,
For that was the game, and when He comes to play
As a child. He does abide by the rules which He
Made for His play to make us all forget
That He is playing a role in a masque or mime.
And He did look his part, my unique Actor
Whom Gurudev fed with his own hands and I
Told Him at night heroic or fairy tales
Or crooned Him to sleep as He snuggled against my breast.
(After a pause, in a moved voice) It was, indeed, a great experience To have to protect One who protects the world! And so rapturous was His every gesture and touch, That we only lived for Him and would have none To pay us a visit nor would we call on others. The dream had come true and life had, withal, Become a dream from which we dreaded daily To wake and find Him there no more.
(Her voice quavers but she controls herself)
But a truce! The blessedness of His evergreen compassion (Every soul's birthright and yet oh, how The soul still quails to claim it when He comes!) Does seem too real to be credible! So to end with one more episode.
(After a pause, sedately)
One day, My Gurudev served little Gopal with rice And lentil soup — 'twas all he had received As alms that morning ... Gopal, tasting the soup, Made a wry face and whimpered: "It has no salt!" I felt a pang in my heart. But Gurudev Rejoined: "You are impossible, Gopal! You know I serve you day by day with what I get by begging. And I told you also
13
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We have no salt today. Still you'll insist, You spoilt child, on our serving you with things We lack! You know full well — we are no lords Or zemindars. We're beggars who live on alms. Yet you will daily demand no end of things! One day you'll cry for milk or buttered rice;
On the morrow — sweets and candies; and then — what? Pilau and pie and perhaps princely curries ? Nay 'twill not do, my child, to wrinkle your nose:
You must make do with what we can procure. Be not self-willed nor cry again for the moon."
(She laughs brushing away two tears) And He, the King of the universe, thus rebuked, Smiled through His tears and gladly toed the line.
(Now sudden tears leap to her eyes again and then trickle
down her cheeks)
'Tis so He comes, our Lord, from age to age, To His darling deovtees as a Being of light And bliss and love and beauty to play with them:
Some He will install on a royal throne,
To blaze a trail of glory along their paths,
While others He will visit, with equal Grace,
To wean from all they cherish. On these He'll lay
His yoke of blessed penury and make
Them mendicants in His Name to grant, in Grace,
The Boon of boons — His utter Self of light,
Beatitude and golden harmony,
Unleashing through His every human gesture
A deluge of inviolable Love
That passes understanding and opens to earth
Marvellous vistas of how we, frail mortals,
Can live to manifest His deathless lila
Of human-divine lilt, as His own playmates,
A status envied of the Gods in Heaven,
(She turns, in tears, to the Image and breaks out once
more into an ecstatic song and dance)
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Oh, marvellous were the things I've seen:
Deeps merged in drops and knocked at paupers'
doors my Lord, the Evergreen ! Aye, marvellous were the things I've seen!
The moon dissolved in silver love and bathed
the world in tenderness
Dawn-maiden blushed to golden wistful
night's wan brow with her shy kiss;
Glimmered the morning's lovely smile
the lone star-clusters in between
Aye, marvellous were the things I've seen!
The rifled buds were drained, alas,
of honey by the ruthless bee, But as she crooned again, their hearts
they opened to her in ecstasy! The earth outsprayed her dust in the sky
who blessed her with blue rain serene! Aye, marvellous were the things I've seen!
The Supreme Himself to Brindavan
came down to sport as a sylvan swain;
The Immortal, born as mortal, played
His Flute to charm away our pain;
The King of kings, in the Guru's guise,
Blessed Mira, His slave and made her queen! Aye, marvellous were the things I've seen!
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LETTERS OF SRI AUROBINDO
My aim in writing or in encouraging others to write is not personal glory, but to arrive at the expression of spiritual truth and experience of all kinds in poetry.... You are right when you say that up till now the English people have not favoured Indian poets writing verse in English; but the mind of the future will be more international than it is today. In that case the expression of various temperaments in English poetry will have a chance.
*
(In reply to a highbrow critic friend. A.)... It is not true in all cases that one can't write first-class things in a learned language. Both in French and English people to whom the language was not native have done remarkable work although that is rare. What about Jawaharlal's autobiography? Many English critics think it first-class in its own kind; of course he was educated at an English public school, but I suppose he was not born to the language? Some of Toru Datt's poems, Sarojini's, Harin's have been highly placed by good English critics, and I don't think that we need be more queasy than Englishmen themselves. Of course there were special circumstances; I don't find that you handle the English language like a foreigner. If first-class excludes everything inferior to
Shakespeare and Milton, that is another matter. I think, as time goes on people will become more and more polyglot and these mental barriers will begin to disappear.
My view of your poetry is different from A's. Some of your poems have seemed to me to be of a high order and some, specially recent ones, really fine and distinctive in thought and style and if you go on improving your height and power of expression, as you have recently done, I don't see why you shouldn't write first class things if you have not done that already. In spite of A, I would regard it as a sort of psychic calamity, if you stopped in the good way at anybody's suggestion. If for nothing else they would be worth doing as an expression of bhakti (the Indian kind) which in English poetry has had till now no place.
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(Author's note: The last two paragraphs Sri Aurobindo wrote to me in a letter dated October i, 1943. Thereafter I have made bold to use two Sanskrit words; lila which means cosmic play and bhakti which means devotion, love, adoration. I have used the word Raasa which Sri Aurobindo explains in a footnote to his famous poem Ahana: "The dance-round of Krishna with the cowherdesses
in the moonlit groves of Brindavan, type of the dance of Divine Deligit with the souls of men liberated in the world of Bliss secret within us-")
Dilip,
I hive just finished hearing the Second Act of your drama on Sri Chaitanya; there is much fine poetry in it and the dramatic interest of the dialogue and of the presentation of character seems to me considerable. We have not had time yet to read the last Act;
we shall do that tomorrow and then I can write about your drama with more finality. As for the historical question, I do not consider/ that any objections which might be raised from that standpoint would have much value. Poetry, drama, fiction also are not bound to be historically accurate; they cannot indeed develop themselves successfully unless they deal freely with any historical material they may choose to include or take for their subject. One can be faithful to history if one likes but even then one has to expand and deal creatively with characters and events, otherwise the work will come to nothing or little. In many of his dramas Shakespeare takes names from history or local tradition, but uses them as he chooses;
he places his characters in known countries and surroundings but their stories are either his own inventions or the idea only is bor- rowed from facts and the rest is his own making: or else he indulges in pure fantasy and cares nothing even for geographical accuracy or historical possibility. It is true that sometimes he follows closely the authorities he had at his disposal, such as Holinshed or another and in plays like Julius Caesar he sticks to the main events and keeps many of the details, but not so as to fetter the play of his imagina- tion. So C don't think you need care at all about either historians or biographers, even if Chaitanya Charitamrita could be regarded as a biography. That is all, I think, for the present. I shall write again after hearing the Third Act of your drama.
2I-I-I950 SRI AUROBINDO
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We have finished reading your Chaitanya. The Third Act which is the most remarkable of the three confirms the impression already made by the other two of a very fine and successful play outstanding in its dramatic interest and its thought substance. The Third Act is original in its design and structure, especially its idea, admirably conceived and worked out, of a whole scene of action with many persons and much movement shown in the vision of a single charac- ter sitting alone in her room; it was difficult to work out but it has fitted in extremely well. It has also at the same time a remarkable combination of the three unities of the Greek drama into which this distant scene, though not too distant, manages to dovetail very well, — the unity of one place, sometimes one spot in the Greek play or a small restricted area, one time, one developing action completed in that one time and spot, an action rigorously developed and unified in its interest. Indeed, the play as a whole has this unity of action in a high degree.
Advocates of the old style drama might object to the great length of the discussions as detrimental to compactness and vividness of dramatic interest and dramatic action and they might object too that the action (though this does not apply to the Jagai-Madhai episode) is more subjective and psychological than the external objective succession
of happenings or interchanges represented on a stage would seem to demand; this was the objection to Shaw's most characteristic
and important plays. But where the dramatic interest is itself of a subjective and psychological character involving more elaboration
of thought and speech than of rapid or intensive happening and activities, this kind of objection is obviously invalid; what matters is how the subjective interest, the play or development of ideas, or if high ideas are involved that call to the soul how their appeal is presented and made effective. Here it is great spiritual ideals and their action on the mind and lives of human beings that are put before us and all that matters is how they are presented and made living in their appeal. Here there is, I think, full success and that entirely justifies the method of the drama.
For the rest, I have only heard once rapidly read the play in three Acts and it is not possible with that short reading to pass judgment on details of a purely literary character, so on that I can only give my personal impression. A drama has to accommodate itself to different levels and intensities of expression proper to the circumstances and
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different characters, moods and events: but here too, I think, the handling is quite successful. I believe the verdict must be, from every point of view, an admirable "Chaitanya."
23-I-I950 SRI AUROBINDO
An Avatar, roughly speaking, is one who is conscious of the
Presence and Power of the Divine bom in him or descended into him and governing from within his will and life and action; he feels identified inwardly with this Divine Power and Presence.
A Vibhuti is supposed to embody some power of the Divine and is enabled by it to act with great force in the world, but that is all that is necessary to make him a Vibhuti: the power may be very great but the consciousness is not that of an inborn or indwelling Divinity. This is the distinction we can gather from the Gita which is the main authority on this subject. If we follow this distinction, we can confidently say from what is related of them that Rama and Krishna can be accepted as Avatars; Buddha figures as such al- though with a more impersonal consciousness of the Power within him. Ramakrishna voiced the same consciousness when he spoke of Him who was Rama and who was Krishna, being within him. But Chaitanya's case is peculiar; for according to the accounts he ordinarily felt and declared himself a bhakta of Krishna and nothing more, but in great moments he manifested Krishna, grew luminous in mind and body and was Krishna himself and spoke and acted as the Lord. His contemporaries saw in him an Avatar of Krishna, a manifestation of the Divine Love.
Shankara and Vivekananda were certainly Vibhutis; they cannot
be reckoned as more, though as Vibhutis they were very great.
SRI AUROBINDO
It was not my intention to question in any degree Chaitanya's position as an Avatar of Krishna and the Divine Love. That character
of the manifestation appears very clearly from all the accounts about him and even, if what is related about the appearance of Krishna in him from time to time is accepted, these outbursts of the splendour of the Divine Being are among the most remarkable
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in the story of the Avatar. As for Ramakrishna, the manifestation
in him was not so intense but more many-sided and fortunately there can be no doubt about the authenticity of details of his talk and actions since they have been recorded from day to day by so competent an observer as M. I would not care to enter into any comparison as between these two great spiritual personalities;
both exercised an extraordinary influence and did some- thing supreme in their own sphere.
2-2-1950 SRI AUROBINDO
"But also the higher divine consciousness of the Purushottama may itself descend into the humanity and that of the Jiva disappear into it. This is said by his contemporaries to have happened in the occasional transfigurations of Chaitanya when he who in his normal consciousness was only the lover and devotee of the Lord and rejected
all deification, became in these abnormal moments the Lord himself and so spoke and acted, with all the out flooding light and love and power of the divine Presence."
(Essays on the Gita, Vol. I, "THE PROCESS OF AVATARHOOD")
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NOTES BY THE AUTHOR
Page 9. I have been forced to introduce the Indian word, lila, (here as well as later, again and again) meaning the cosmic play of the Divine. The great Irish Poet A.E. had to introduce in his Yogic poems a number of such words because — to quote from a letter he wrote to me years ago:
"English is a great language but it has very few words relating to spiritual ideas. For example, the word karma in Sanskrit em- bodies a philosophy. There is no word in English embodying the same idea. There are many words in Sanskrit charged with meanings which have no counterpart in English (dhyani, sushupti, turiya etc.) and I am sure the language the Hindus speak today must be richer in words fitting for spiritual expression than English, in which there are few luminous words that can be used when there is a spiritual emotion to be expressed. I found this difficulty myself of finding a vocabulary though English is the language I heard about my cradle."
Fortunately for us, English is a remarkably hospitable language and has already accepted Sanskrit words like karma, maya, dharma, amrita, Brahma, mantra if not lila, bhakti, pranam, japa, mukti, bhava, ananda, samskara which, as A.E. rightly says, have no counterparts in English. But as — to quote Sri Aurobindo, the Poet- Seer — "the mind of the future will be more international than it is now" when "the expression of various temperaments will have a chance" — I feel that we have a right to use new words and thus help enlarge the English vocabulary, as Sri Aurobindo, Sarojini Naidu and many others have done. (Sri Aurobindo has used words like ras, apsara, etc.; Sarojini — tilak, koel etc. Koel has since passed into English usage though words like tilak, ras, lila etc. have not. But they will, when, in the near future, Indian poets will have received their due recognition as real creative poets in English.)
Page 19. The opening hymn is translated from an ancient Sanskrit couplet, a hymn to the Sungod:
Javakusumasamkasham kashyapeyam mahadyutim
Dhwantarim sarvapapaghnam pranato'smi divakaram
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Page 21. Murari's hymn is translated (freely) from Chandi (Sans- krit):
Yadatra pathe jagadambike maya
visarga-bindvaksharahinamiritam
Tadastu sampurnatamam prasadatah
Samkalpasiddhishcha sadaiva jayatam
Page 21. "He who is ... disdains": translated from the Sanskrit ofKalidasa, the couplet refers to the greatness of Lord Shiva (Ku- marasambhavam):
Atmeshvaranam na hi jatu bighnah samadhibheda-prabhavo bhavanti
Page 22. Panini, who is referred to again and again, is acknow- ledged by all as the greatest grammarian of Sanskrit. Keshav's making a fetish of him is characteristic of many a Bengali pundit as was humourously brought out by the great dramatist Dwijendralal Roy of Bengal in his famous drama, Chandragupta, in the cha- racter of the pundit, Katyayana.
Page 25. Apsara: a dancing girl of Paradise endowed with sur- passing beauty and unfading youth.
Page 26. "OGoddess ... again": translated from Chandi's Sans- krit couplet:
Ya devi sarvabhuteshu kshantirupena samsthita
Namastasyai namastasyai namastasyai namo namah
Page 30. "A fool shines... speech": from a Sanskrit proverb:
Tavachcha shobhate murkho yavat kinchinna bhashate
Page 34. "O Blaze of Fire... imagination": translated, some- what freely, from the eleventh chapter of the Gita in the following order: Couplets 19, i6, 23, 24, 28, 29, 30, 31.
Page 34. "Thou belongs!... to Me": translated from the Maha- bharata:
Mamaiva tvam tavaivahamye madiyastavaiva te
Yastvam dveshti sa mam dveshti yastvam anu sa mom anu
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Page 35. "Renown nor wealth... love": translated from Sri
Chaitanya's own couplet:
Na dhanam na janam na sundarim
Kavitam va Jagadisha kamaye
Mama janmanishvare
Bhavatad bhaktirahaituki tvayi.
Page 37. "Pearls never... them": from Kalidasa's Kumarasam- bhavam:
Na ratnamanvishyati mrigyate hi tat Saraswati — the Goddess of learning, art, music, etc.
Page 42. "Even death ... dharma": from the Gita:
Svadharme nidhanam shreyah paradharmo bhayabahah
Page 44. "It trudges... scent": from a famous Sanskrit proverb:
Ushtro yatha chandanabharavahi bharasya vetta na tu chandanasya
Page 49. "All... Brahman": from Chhandogya Upanishad:
Sarvam khalvidam Brahma
"What is here ... traced": from Katha Upanishad:
Yadeveha tadamutra yadamutra tadanviha
Page 49. "Krishna is ... peaks": from a famous Sanskrit pronun- ciamento:
Jale Krishnah sthale Krishnah Krishnah parvata-mastake
Page 50. "You may discuss... attained": from a couplet in Shankaracharya's Viveka-chudamani:
Na gachchhati vina panam vyadhiroushadha-shabdatah
Vina parokshanubhavam Brahma shabdairna muchyate
Page 53. The opening song is translated from a famous, ancient Sanskrit hymn :
Tvameva mata cha pita tvameva
Tvameva bandhushcha sakha tvameva
Tvameva vidya dravinam tvameva
Tvameva sarvam mama devadeva
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Page 73. "A pauper am I... Friend": from the Bhagavat:
Nishkinchana vayam shashvata nishkinchanjanapriyah
Page 79. "Whether He ... shall be": amplified from Sri Chai- tanya's own famous quatrain in Sanskrit:
Ashlishya va padaratam pinashtu mam
Adarshanan marmahatam karotu va
Yatha tatha va vidadhatu lampato
Matprananathastu sa eva naparah
Page 80. Vaikuntha: The Abode of Lord Vishnu.
Page 197
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