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Sri Aurobindo [1]
The Renaissance in India [1]
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... easy when the whole is thus seen and known; otherwise, it is impossible. This method of interpretation applies, however different the construction and the nature of the rendering, to all Dravidian architecture, not only to the mighty temples of far-spread fame, but to unknown roadside shrines in small towns, which are only a slighter execution of the same theme, a satisfied suggestion here, but the... immense incidence of that vastness of infinity and tranquil silence, and that can only be given by its opposite, by an abundance of form and detail and life. As for the objection in regard to Dravidian architecture to its massiveness and its Titanic construction, the precise spiritual effect intended could not be given otherwise; for the infinite, the cosmic seen as a whole in its vast manifestation is... without being overpowered because it carries everywhere the stamp of a large confidence in the strength and the omnipresence of the Self or the Divine. I have dwelt on Hindu and especially on Dravidian architecture because the latter is the most fiercely attacked as the most uncompromisingly foreign to European taste. But a word too may be said about Indo-Moslem architecture. I am not concerned to defend ...

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