Early essays and other prose writings on literature, education, art and other cultural subjects including 'The Harmony of Virtue', 'The National Value of Art'...
Early essays and other prose writings on literature, education, art and other cultural subjects. The volume includes 'The Harmony of Virtue', Bankim Chandra Chatterji, essays on Kalidasa and the Mahabharata, 'The National Value of Art', 'Conversations of the Dead', the 'Chandernagore Manuscript', book reviews, 'Epistles from Abroad', Bankim – Tilak – Dayananda, and Baroda speeches and reports. Most of these pieces were written between 1890 and 1910, a few between 1910 and 1920. (Much of this material was formerly published under the title 'The Harmony of Virtue'.)
Dear Biren,
I suspect that it is a malady of your intellect to demand figs from thistles and cry fie upon the thistle if it merely produces thorns. After all, would it not be a monotonous world that consisted only of roses and sweetmeats, virtue and success? Thorns have their necessity, grief has its mission, and without a part of sin, suffering and struggle heaven might not be so heavenly to the blest. I am not prepared even to deny a kind of beneficence to evil; I have sufficient faith in God's Love & Wisdom to believe that if evil [were] merely evil, it could not continue to exist.
I will tell you all the evil,—since we must use these inadequate terms,—that I think about Europe and then I will tell you what a great work I see it beating out with difficulty for man's ultimate good. That there should be much that is wrong and perverse, that there should even be an infinite corruption, in Europe and Asia at this moment, was, if you consider it, inevitable. It is the Age of Iron, not even thinly coated with gold, only splashed here and there with a counterfeit of the nobler metal. Kali at the lowest depth of one of his plumb descents, his eyes sealed, his ears deaf, his heart of bronze, his hunger insatiable, but his nerve relaxed and impotent, stumbles on through a self-created darkness with the marsh-light and the corpse-light for his guides, straining out of those blind orbs after an image of Power that he cannot seize. Time was when he dreamed of love and prated of humanity, but though he still mouths the words, he has forgotten the things. He groped too after wisdom; he has grasped only Science. By that Science he has multiplied comforts till comfort itself has grown uncomfortable; he has added machinery to machinery, convenience to convenience, till life is cumbered and hampered with appliances; and to this discomfortable luxury and encumbered efficiency he has given the name of civilisation. At present he hungers only after force and strength, but when he thinks he has laid his hands on them, it is Death instead that puts his sign on the seeker and impotence and sterility mock at
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him under the mask of a material power.
For my part I see failure written large over all the splendid and ostentatious achievements of Europe. Her costliest experiments, her greatest expenditure of intellectual and moral force have led to the swiftest exhaustion of creative activity, the completest bankruptcy of moral elevation and of man's once infinite hope. When one considers how many and swift her bankruptcies have been, the imagination is appalled by the discouraging swiftness of this motor ride to ruin. The bankruptcy of the ideas of the French Revolution, the bankruptcy of Utilitarian Liberalism, the bankruptcy of national altruism, the bankruptcy of humanitarianism, the bankruptcy of religious faith, the bankruptcy of political sincerity, the bankruptcy of true commercial honesty, the bankruptcy of the personal sense of honour, how swiftly they have all followed on each other or raced with each other for precedence and kept at least admirable pace. Only her manysided science with its great critical and analytical power and all the contrivances that come of analysis, is still living and keeps her erect. There remains that last bankruptcy yet to come, and when that is once over, what will be left? Already I see a dry rot begun in this its most sapful and energetic part. The firm materialism which was its life and protection, is beginning also to go bankrupt, and one sees nothing but craze and fantasy ready to take its place.
No, it is not in the stress of an intolerant patriotism that I turn an eye of disparagement upon Europe. The immediate past of these Western peoples I can admire more than I admire the immediate past of our Indian nations. It is their present that shocks my aspirations for humanity. Europe is full of the noise and the apparel of life, of its luxurious trappings, of a myriad-footed material clang and tread, but of that which supports life she is growing more and more empty. When they had less information, her people had wiser and stronger souls. They had a literature, a creative intellectual force, a belief, a religion good or bad, a light that led onwards, a fixed path. Now they have only hungers, imaginations, sentiments & passions. The hungers are made to
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look decent; they even disguise themselves & parade about as ideals and rights. The sentiments are deftly intellectualised,—some even care to moralise them superficially, but that is growing out of fashion. The imaginations are tricked out to look like reason and carefully placarded on the forehead, with the names of rationalism, science and enlightenment, though they are only a whirl of ephemeral theories when all is said and done. The passions are most decorously masked, well-furnished & lodged, sumptuously clothed. But a dress does not change truth and God is not deceived.
They criticise everything subtly rather than well, but can create nothing—except machines. They have organised society with astonishing success and found the very best way to spread comfort and kill their souls. Their system of government is a perpetual flux. Its past looks back to a yet corrupter aristocracy, its future sinks to anarchic dissolution, or at best rests in a tyrannical materialistic socialism which seeks to level all that is yet high to the grade of the artisan instead of making the artisan himself worthy of a throne. A thousand newspapers vulgarise knowledge, debase aesthetical appreciation, democratise success and make impossible all that was once unusual & noble. The man of letters has become a panderer to the intellectual appetites of a mob or stands aloof in the narrowness of a coterie. There is plenty of brilliance everywhere, but one searches in vain for a firm foundation, the power or the solidity of knowledge.1 The select seek paradox in order to distinguish themselves from the herd; a perpetual reiteration of some startling novelty can alone please the crowd. Each favourite is like an actor from whom the audience expect from day to day the usual passion or the usual
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farce. Paradox & novelty therefore thrive; but the select have an easily jaded appetite, the multitude are fickle and novelties have their hour. Therefore even the favourite palls. But these people have a great tamasic persistence of habit and a certain loyalty to established names; much that they read is from habit rather than enjoyment. Otherwise there would be no stability in this chaos of striking worthlessness and this meteor-dance of ephemeral brilliance. The very churches & chapels are now only the theatres of a habitual stage performance of portentous & unnecessary dullness. With the exception of a small minority full of a grotesque, superficial but genuine passion, nobody believes, nobody feels; opinion, convention, preference and habit are alive and call themselves religion, but the heart that loves God is not to be found. Only a few of the undeveloped are really religious, the cast-backs and atavists of this European evolution.
For more than half a century the whole of Europe has not been able to produce a single poet of even secondary magnificence. One no longer looks for Shakespeare or Dante to return, but even Wordsworth or Racine have also become impossible. Hugo's flawed opulence, Whitman's formless plenty, Tennyson's sugared emptiness seem to have been the last poetic speech of modern Europe. If poetical genius appears, it is at once taken prisoner by the applauding coterie or the expectant multitude and, where it began, there it ends, enslaved in ignoble fetters, pirouetting perpetually for their pleasure round a single accomplishment. Of all literary forms the novel only has still some genius and even that is perishing of the modern curse of overproduction.
Learning and scholarship are unendingly active over the dead corpse of creative power as in Alexandria and with the
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later Romans before the great darkness. Eccentricity and the hunting after novelty & paradox play in it over an ostentatious precision and accuracy. Yesterday's opinion is today exploded & discarded, new fireworks of theory, generalisation and speculation take the place of the old, and to this pyrotechnic rushing in a circle they give the name of progress. The possibility of a calm insight & wisdom seems to have departed from this brilliant mob of pushing, overactive intellects. Force there is, but force doomed to a rapid dissolution, of which the signs are already not wanting.
The moral nerve is equally relaxed. Immorality which does not know how to enjoy, impotence and dullness of the capacity for enjoyment masquerading as virtue, decorum & prudery covering a cesspool, the coarseness, appetite and rapid satiety of the imperial Romans combining in various proportions or associating on various terms with the euprepeia & looseness of the Greeks. But the Pagan virility whether united to Roman coarseness or Greek brilliance is only to be seen in a few extraordinary individuals. Society is cast in the biune mould of monogamy & prostitution. You will find such a Parisian who keeps his wife and mistress & frequents his State-licensed harlots as well, shocked & pained at the idea of polygamous Indians enjoying the same rights as the virtuous sons of Europe. Some are even afraid that the resurgence of Asia may end in the lowering of Western morals. There can then be a descent from as well as to Avernus! In a word, the whole of Europe is now a magnified Alexandria, brilliant forms with a perishing soul, feverish activity in imitation of the forms of health with no capital but the energy of the sickbed. One has to concede however that it is not altogether sterile, for all Europe & America pullulate with ever multiplying machinery.
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