Savitri
- Preface to the Third Edition
- Preface to the Second Edition
- Preface to the First Edition
- Introduction
- Life-Sketch
- Yoga
- Politics
- Philosophy
- Poetry
- Savitri
- 'The Symbol Dawn'
- 'The Issue'
- 'The Yoga of the King- The Yoga of the Soul's Release'
- 'The Secret Knowledge'
- 'The Yoga of the King- The Yoga of the Spirit's Freedom and Greatness'
- 'The World Stair'
- 'The Kingdom of Subtle Matter'
- 'The Glory and Fall of Life'
- 'The Kingdoms of the Little Life'
- 'The Godheads of the Little Life'
- 'The Kingdoms and Godheads of the Greater Life'
- 'The Descent into Night'
- 'The World of Falsehood, the Mother of Evil, and the Sons of Darkness'
- 'The Paradise of the Life-gods'
- 'The Kingdoms and the Godheads of the Little Mind'
- 'The Kingdoms and Godheads of the Greater Mind'
- 'The Heavens of the Ideal'
- 'In the Self of Mind'
- 'The World-soul'
- 'The Kingdoms of the Greater Knowledge'
- 'The Pursuit of the Unknowable'
- 'The Adoration of the Divine Mother'
- 'The House of the Spirit and the New Creation'
- 'The Vision and the Boon'
- 'The Birth and Childhood of the Flame'
- 'The Growth of the Flame'
- 'The Call to the Quest'
- 'The Quest'
- 'The Destined Meeting Place'
- 'Satyavan'
- 'Satyavan and Savitri'
- 'The Word of Fate'
- 'The Way of Fate and the Problem of Pain'
- 'The Joy of Union - the Ordeal of the Foreknowledge of Death and the Heart's Grief'
- 'The Parable of the Search for the Soul'
- 'The Entry into the Inner Countries'
- 'The Triple Soul- Forces'
- 'The Finding of the Sou'l
- 'Nirvana and the Discovery of the All-negating Absolute'
- 'Rose of God'
- The Two Missing Cantos
- 'Death in the Forest'
- 'Towards the Black Void'
- 'The Journey in Eternal Night and the Voice of the Darkness'
- 'The Dream Twilight of the Ideal'
- 'The Gospel of Death and the Vanity of the Ideal'
- 'The Debate of Love and Death'
- 'The Dream Twilight of the Earthly Real'
- 'The Eternal Day'
- 'The Soul's Choice'
- 'The Supreme Consummation'
- 'Epilogue- The Return to Earth'
- The Legend
- 'The Wonderful Poem'
- The Tale of the Epic- A Comparative Analysis
- New Dimensions
- Legends and Myths
- The Vedic Storehouse of Myth
- 'Symbols'
- 'Savitri' in the Veda
- Allegorical Interpretations of the Legend
- Symbolism in Savitri
- The Symbolism of the 'Sacrifice'
- The Problem
- The Overhead Planes of Conciousness
- Overhead Aesthesis
- Mystic Poetry and the Mantra
- 'Overhead' Poetry
- Overhead Influence in Sri Aurobindo's Yoga
- Savitri Five-Fold Aim Behind Its Composition
- The Basis of Savitri Sri Aurobindo's Yoga
- Planes of Consiousness Stair of Worlds
- Battles of the Soul
- 'Upanishadic and Kalidasian'
- Similes in Savitri
- 'Technique' and 'Inspiration' in Savitri
- 'Dawn' in Savitri
- Savitri Her Power and Personality
- Epics, Ancient and Modern
- Paradise Lost and Savitri
- Song of Myself and Savitri
- The Cantos
- The Odysseus Theme
- Kazantzakis' 'Modern Sequel'
- Sri Aurobindo and Kazantzakis
- 'A Triple Challenge'
- Dante and Sri Aurobindo
- Savitri and the Commedia
- Savitri and Aurobindo's Early Narrative Poems
- Savitri and Faust
- Savitri Its Architectural Design
- Savitri Its Symbolic Action in a Cosmic Background
- Savitri and the 'Sonnets'
- Advocatus Diaboli and Advocatus Dei
- Conclusion Towards a Greater Dawn
- References
- Select Bibliography
- Appendix
- Index

II
'The Adoration of the Divine Mother'
It is a tremendous moment for Aswapati. Terrestrial trappings fall from him, human vestiges vanish; separative identity is ended, the drop has been swallowed up by the ocean! Is this, then, the end? Not to be—the soul lost in the "boundless silence of the Self". For Aswapati himself, such is no doubt a consummation devoutly to be wished. But he is more than the individual, Aswapati. He is also a king, and he is the spearhead of aspiring and evolving humanity; he is the trustee of the earth's and humanity's future. An individual salvation, a personal leap into "a glad divine abyss" cannot redeem the earth nor hew pathways to humanity's advance. The bliss of nirvana is but the bliss of the Everlasting Nay.
But where is the Lover's everlasting Yes,
And immortality in the secret heart,
The voice that chants to the creator Fire,
The symbolled OM, the great assenting Word,
The bridge between the rapture and the calm,
The passion and the beauty of the Bride,
The chamber where the glorious enemies kiss,
The smile that saves, the golden peak of things? 140
But Silence is not death; an absolute power sleeps therein, and when it is awakened, the Nay can turn into the Everlasting Yea. Aswapati cannot lose himself in nirvana; he must 'beyond' it, or penetrate it, till the great Yea is awakened to grant him his and the earth's and humanity's innermost heart's and soul's desire.
As he stands poised on the edge of being, desperately resisting and denying the finality of nirvana, his faith is answered and an auspicious Presence draws close to him and, like a mother, clasps him and Nature and the world to her breast. She is the All-Beautiful Mother of all godheads and all strengths, she is the mediatrix between earth
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and Heaven. Aswapati is lifted out of himself, cleansed of all dross, and finds new doors of perception. He sees for the first time, he hears, he feels, he knows with an utter immediacy and completeness. The knowledge invades and possesses him, strength streams into him, joy thrills him. The Divine Mother is the Arts and Sciences all:
The spirit's alchemist energy is hers;
She is the golden bridge, the wonderful fire...
Above, the boundless hushed beatitudes,
Below, the wonder of the embrace divine.141
Aswapati is overpowered as well as renewed; it is the end that makes the real beginning. He will surrender to the Mother in absolute trust, and she will fill him with her own strength and purpose:
Only he longed to draw her presence and power
Into his heart and mind and breathing frame;
Only he yearned to call for ever down
Her healing touch of love and truth and joy
Into the darkness of the suffering world.142
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