Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.
On Poetry
Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.
THEME/S
If you send your poems to five different poets, you are likely to get five absolutely disparate and discordant estimates of them. A poet likes only the poetry that appeals to his own temperament or taste, the rest he condemns or ignores. (My own case is different, because I am not primarily a poet and have made in criticism a practice of appreciating everything that can be appreciated, as a catholic critic would.) Contemporary poetry, besides, seldom gets its right judgment from contemporary critics.
Nothing can be more futile than for a poet to write in expectation of contemporary fame or praise, however agreeable that may be, if it comes; but it is not of any definitive value, for very poor poets have enjoyed a great contemporary fame and very great poets have been neglected in their time, their merit known only to a few and gathering very slowly a greater volume of appreciation around it. A poet has to go on his way, trying to gather hints from what people say for or against when their criticisms are things he can profit by, but not otherwise moved (if he can manage it)—seeking mainly to sharpen his own sense of self-criticism by the help of others. Difference of estimate need not surprise him at all.
2.2.1932
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