SABCL Set of 30 volumes
The Future Poetry Vol. 9 of SABCL 562 pages 1972 Edition
English

Editions

ABOUT

Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.

THEME

The Future Poetry

and
Letters on Poetry, Literature and Art

  On Poetry

Sri Aurobindo symbol
Sri Aurobindo

Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.

Sri Aurobindo Birth Centenary Library (SABCL) The Future Poetry Vol. 9 562 pages 1972 Edition
English
 PDF     On Poetry

Part II

Letters on Poetry, Literature and Art




Poetic Creation and Yoga - Utility of Literature, etc. in Sadhana




Inner Self-Development and the Growth of Poetic Power

Inner Self-Development and the Growth of Poetic Power - I

I do not think you need be anxious about the poetry; the power

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is sure to re-express itself as soon as you are ready for a progress. It has probably stopped working temporarily because the pressure is now for the inner self-creation more than for the outer expression—I am speaking, of course, of your case in particular. The expression in poetry and other forms must be, for the Yogi, a flowing out from a growing self within and not merely a mental creation or an aesthetic pleasure. Like that the inner self grows and the poetic power will grow with it.

Inner Self-Development and the Growth of Poetic Power - II

It is not the question, for this is not a question of personal capacity but of the development of the receptivity and for that the sole thing necessary is an entire or at least a dominant will to receive. What you call your mind and your soul are only a small surface part of you, not your whole being. Personal capacity belongs to the temporary surface personality which you have put forward in this life and which is mutable, is already changing and can change much farther—e.g. the poems you are writing are certainly beyond what was your original capacity—they belong to a range of experience to the Word of which you have opened by a development beyond your old mental self—a farther development beyond not only your old mental self but also your old vital self is needed to get the concrete realisation of that range of experience.

What is standing in the way is something that is still attached to the limitations of the old personality and hesitates to take the plunge because by doing so it may lose these cherished limitations. It stands back in apprehension from the plunge because it is afraid of being taken out of its depths—but unless one is taken out of the very shallow depth of this small part of the self, how can one get into the Infinite at all? Furthermore, there is no real danger in finding oneself in the Infinite, it is a place of greater safety and greater riches, not less; but this something in you does not like the prospect because it has to merge itself into a larger self-existence. You asked the Mother to press on you the lighting of the fire within, and she has been doing so, but

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this is standing back with the feeling, "Oh Lord! what will become of me if this flame gets lit." You must get rid of this clinging to the past self and life; then you can have a fire which will not be feeble. You have not fallen between two stools—you are hesitating between two consciousnesses, the old and the new, the small and the great; that is all.

As for the poetry, well—you have developed up to a point at which your work is of a very rare and unique quality in no way inferior to that of the others of whom you speak,—the difficulty of controlling production is nothing, for all feel that except X and Y who have no misgivings about their creative power. Yours rises probably from the fact that in order to have free command of the highest planes of poetry, you have to rise into them and not only open to the Word from them—it is therefore the same difficulty in another form. Otherwise if you had the old self-satisfaction of which you draw so glowing a picture, you would have found your present poetry marvellous and gone on writing it—only oscillating between the different planes achieved and content to do so. This is not a proof of incapacity but of the will to greater things. Only that will must not be in the mind only but take full hold of the vital also and must be a will that what you write of should be a part not only of thought but of life. Which comes back to what I have written above—get free from the obscure hesitation to open and let the fire do its work.

One must either do that if one wants a rapid change or go quietly and wait for the slower working from behind the veil to reduce and break the obstacle.









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