Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.
On Poetry
Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.
THEME/S
The pre-war and the post-war Dickinson are indeed a contrast. This appreciation of human life is not without the force of a half-truth, but it is just the other half that he misses when he sweeps idealism out of the field. Man's utopias may be the projection of his hopes and desires, but he has to go on building them on pain of death, decline or collapse. As for the gospel of pleasure, it has been tried before and always failed—Life and Nature after a time weary of it and reject it, as if after a surfeit of cheap sweets. Man has to rush from his pursuit of pleasure, with all its accompaniment of petrifying shallowness, cynicism, hardness, frayed nerves, ennui, dissatisfaction and fatigue, to a new idealism or else sink towards a dull or catastrophic decadence. Even if the Absolute Good were a high spiritual or ideal chimera, the pursuit of it is rooted in the very make of humanity and it is one of the
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main sources of the perennial life of the race. And that it is so would seem to indicate that it is not a chimera—something still beyond man, no doubt, but into which or towards which he is called by Nature to grow.
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