SABCL Set of 30 volumes
The Future Poetry Vol. 9 of SABCL 562 pages 1972 Edition
English

Editions

ABOUT

Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.

THEME

The Future Poetry

and
Letters on Poetry, Literature and Art

  On Poetry

Sri Aurobindo symbol
Sri Aurobindo

Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.

Sri Aurobindo Birth Centenary Library (SABCL) The Future Poetry Vol. 9 562 pages 1972 Edition
English
 PDF     On Poetry

Part II

Letters on Poetry, Literature and Art




Sources of Poetic Inspiration and Vision - Mystic and Spiritual Poetry




Mystic Symbols

Mystic Symbols - I

If you expect matter of fact verisimilitude from X or a scientific

Page 359

ornithologically accurate swan, you are knocking at the wrong door. But I don't see exactly the point of your objection. The lake in this poem is not a lake but a symbol; the swan is not a swan but a symbol. You can't expect the lake merely to ripple and do nothing else. It is as much a symbol as the Bird of Fire or the Bird of the Vedic poet who faced the guardians of the Soma and brought the Soma to Indra (or was it to a Rishi? I have forgotten)—perhaps carrying a pot or several pots in his claws and beak!! for I don't know how else he could have done it. How is he to use the symbol if you don't make allowances for a miraculous Swan? If the Swan does nothing but what an ordinary swan does, it ceases to be a symbol and becomes only a metaphor. The animals of these symbols belong not to earth but to Wonderland.

Mystic Symbols - II

The objection that stars do not get nata [bent] stands only if the poem describes objective phenomena or aims at using purely objective images. But if the vision behind the poem is subjective, the objection holds no longer. The mystic subjective vision admits a consciousness in physical things and gives them a subtle physical life which is not that of the material existence. If a consciousness is felt in the stars and if that consciousness expresses itself in subtle physical images to the vision of the poet, there can be no improbability of a star being nata—such expressions attribute a mystical life to the stars and can appropriately express this in mystic images. I agree with you about the fineness of the line.









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