SABCL Set of 30 volumes
The Future Poetry Vol. 9 of SABCL 562 pages 1972 Edition
English

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ABOUT

Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.

THEME

The Future Poetry

and
Letters on Poetry, Literature and Art

  On Poetry

Sri Aurobindo symbol
Sri Aurobindo

Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.

Sri Aurobindo Birth Centenary Library (SABCL) The Future Poetry Vol. 9 562 pages 1972 Edition
English
 PDF     On Poetry

Part II

Letters on Poetry, Literature and Art




Poets - Mystics - Intellectuals




Poetic Genius and Yoga

Poetic Genius and Yoga - I

For poetry one must have a special inspiration or genius. With literary capacity one can write good verse only.

Genius usually means an inborn power which develops of itself. Talent and capacity are not genius, they can be acquired.

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But that is the ordinary rule, by Yoga one can manifest what is concealed in the being.

Poetic Genius and Yoga - II

No poet feels his poetry as a "normal phenomenon"—he feels it as an inspiration—of course anybody could "make" poetry by learning the rules of prosody and a little practice. In fact many people write verse, but the poets are few. Who are the ordinary poets? There is no such thing as an ordinary poet.

Poetic Genius and Yoga - III

A born poet is usually a genius, poetry with any power or beauty in it implies genius.

Richness of image is not the whole of poetry. There are many born poets who avoid too much richness of image. There are certain fields of consciousness which express themselves naturally through image most—there are others that do it more through idea and feeling.

Poetic Genius and Yoga - IV

Poetic genius—without which there cannot be any originality—is born, but it takes time to come out; the first work even of great poets is often not original. That is in ordinary life. In Yoga poetic originality can come by an opening from within, even if it was not there before in such a way as to be available in this life.

Poetic Genius and Yoga - V

You must remember that you are not a "born" poet—you are trying to bring out something from the Unmanifest inside you. You can't demand that that should be an easy job. It may come

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out suddenly and without apparent reason like the Ananda—but you can't demand it.

Poetic Genius and Yoga - VI

What you say about the spontaneous development of the capacity in the metre after a silent and inactive incubation of over two years is quite true. But it is not amazing; it often happens and is perfectly natural to those who know the laws of the being by observation and experience. In the same way one suddenly finds oneself knowing more of a language or a subject after returning to it subsequent to a short interim without study, problems which had been abandoned as unsolvable solving themselves spontaneously and easily after sleep or when they are taken up again; knowledge or ideas coming up from within without reading or learning or hearing from others. Sudden efflorescences of capacity, intuitions, wellings up of all sorts of things point to the same inner power or inner working. It is what we mean when we speak of the word, knowledge or activity coming out of the silence, of a working behind the veil of which the outer mind is unconscious but which one day bears its results, of the inner manifesting itself in the outer. It makes at once true and practical what sounds only a theory to the uninitiated,—the strong distinction made by us between the inner being and the outer consciousness. It is how also unexpected Yogic capacity reveals itself, sometimes no doubt as a result of long and apparently fruitless effort, sometimes as a spontaneous out-flowering of what was concealed there all the time or else as a response to a call which had been made but at the time and for long seemed to be without an answer.









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