Sri Aurobindo's principal work of literary criticism where he outlines the history of English poetry and explores the possibility of a spiritual poetry in the future.
On Poetry
Sri Aurobindo's principal work of literary criticism. In this work, Sri Aurobindo outlines the history of English poetry and explores the possibility of a spiritual poetry in the future. It was first published in a series of essays between 1917 and 1920; parts were later revised for publication as a book.
THEME/S
There is too the psychic source of inspiration which can give a beautiful spiritual poetry. The psychic has two aspects—there is the soul principle itself which contains all soul possibilities and there is the psychic personality which represents whatever soul-power is developed from life to life or put forward for action in our present life-formation. The psychic being usually expresses itself through its instruments, mental, vital and physical; it tries to put as much of its own stamp on them as possible. But it can seldom put on them the full psychic stamp—unless it comes fully out from its rather secluded and overshadowed position and takes into its hands the direct government of the nature. It can then receive and express all spiritual realisations in its own way and manner. For the turn of the psychic is different from that of the overhead planes—it has less of greatness, power, wideness, more of a smaller sweetness, delicate beauty; there is an intense beauty of emotion, a fine subtlety of true perception, an intimate language. The expression "sweetness and light" can very well be applied to the psychic as the kernel of its nature. The spiritual plane, when it takes up these things, gives them a wider utterance, a greater splendour of light, a stronger sweetness, a breath of powerful audacity, strength and space.
1936
To get the psychic being to emerge is not easy, though it is a very necessary thing for sādhanā and when it does it is not certain that it will switch on to the above-head planes at once. But obviously anyone who could psychicise his poetry would get a unique place among the poets.
The direct psychic touch is not frequent in poetry. It breaks in sometimes—more often there is only a tinge here and there.
19.10.1936
Page 364
I don't suppose the emergence of the psychic would interfere at all with the inspiration from above. It would be more likely to help it by making the connection with these planes more direct and conscious.
20.10.1936
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