Amara : Amarakosha (‘deathless dictionary’ or ‘dictionary by Amara’) by Amar Singh.
... effect) sings of Mount Abora rather than of Mount Amara is that the dream-state echoes provided the poet with a verbal instrument to achieve a connection of occult sense, a unifying spiritual glimpse. The connection is closer with the help of such an instrument than if it were left to a collocation by geography, both the singer and the sung height Amara being understood to belong to Abyssinia. ...
... resume its movement. First, it has to be absolutely spontaneous. That is almost finished. It is a little obstacle, the suggestion. Most of the amertume is a momentarily effective amnesia of the amara purusha. Momentary only. That is all at all today possible. This denial must suffice both for the present and for all similar ascriptions in the future. T² first—not complete, but perfect in the ...
... see The Indian Historical Quarterly, 1932, 603 ff. Apropos of this equation, Raychaudhuri 3 notes: "Kabandha in the Atharva Veda, X.2.3 means srona and uru (hips and thighs). According to Amara kakudmati has substantially the same meaning." Raychaudhuri 4 goes on: "The reference to Gotama's contemporary as a master of ketubha, i.e., kalpa or ritual, makes it exceedingly probable that ...
... Page 188 And, is it possible to achieve a prose-inevitability—with rhythm and everything as perfectly wonderful as in poetry? Take, for instance (I quote from memory): O mors quam amara est memoria tua homini pacem habenti in substantiis suis. or Fulcite me floribus stipate me malis quia amore langueo or Et his malis omnibus mors furibunda ...
... with the serious, even so, a fact of Anglo-vernacular consciousness was given graphic expression in the well-known lines of the famous Bengali poet and dramatist, D. L. Roy, ending in Amara (we) ... A queer amalgam of Sasadhar,* Huxley and goose. Indeed it has been pointed out that the second great characteristic of modern art is the curious and wondrous amalgam in it ...
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