Bharavi : 7th century classical Sanskrit poet; some consider him, just on the strength of his Kirāta-arjūniya, almost the peer of Kālidāsa.
... worst puerilities of melodious jingle, intricate acrostic and laborious double meaning. Bharavi is less attainted by the decadence, but not immune, and he suffers himself to be betrayed by its influence to much that is neither suitable to his temperament and genius nor in itself beautiful or true. Nevertheless Bharavi has high qualities of grave poetic thinking and epic sublimity of description and Magha... mind, temperament, general materials, poetic method, and much of it has a high genius or an unusual quality and distinction though not the same perfection, beauty and felicity. The literary epics of Bharavi and Magha reveal the beginning of the decline marked by the progressive encroachment of a rhetorical and laborious standard of form, method and manner that heavily burdens and is bound eventually to ...
... loss of the ancient height and amplitude. While this kind of narrative writing goes back to the epics, another seems to derive its first shaping and motive from the classical poems of Kalidasa, Bharavi and Magha. A certain number take for their subject, like that earlier poetry, episodes of the Mahabharata or other ancient or Puranic legends, but the classical and epic manner has disappeared, the ...
... of Spenser's Faerie Queene and the more intellectually romantic vividness and descriptive elaborateness of the Line of Raghu , the tone and manner of Drayton and that of the much greater work of Bharavi. This kinship arises from the likeness of essential motive and psychological basic type and emerges and asserts itself in spite of the enormous cultural division. A poetry of spiritual vision and the ...
... more suitable to an epic than the career of Napoleon? It is surprising—the large number of epic poets in Sanskrit. The very language is epic. Valmiki, Vyasa, even classical poets like Kalidasa, Bharavi and others have all achieved epic heights. NIRODBARAN: Has your own epic Savitri anything to do with the Mahabharata story? SRI AUROBINDO: Not really. Only the clue is taken from Mahabharata ...
... "Paradise Lost", yes. In the other Milton's fire had dimmed. In English Paradise Lost and Keats' Hyperion (unfinished) are the two chief epics. In Sanskrit Mahabharat, Ramayan, Kalidasa's Kumar Sambhav, Bharavi's Kiratarjuniya. In Bengali Meghnadbodh. In Italian Dante's Divine Comedy and Tasso's (I have forgotten the name for the moment 138 ) are in the epic cast. In Greek of course Homer, in Latin Virgil ...
... the languages—it is good to know, at least. In English Paradise Lost and Keats' Hyperion (unfinished) are the two chief epics. In Sanskrit Mahabharata, Ramayana, Kalidasa's Kumarsambhava, Bharavi's Kiratarjuniya. In Bengali Meghnadbodh. In Italian Dante's Divine Comedy and Tasso's (I have forgotten the name for the moment) are in the epic cast. In Greek of course Homer, in Latin Virgil. There ...
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