Parasara : Vedic Rishi, father of Vyāsa, author of Parāsara Dharma-Saṁhitā & eight treatises on various branches of knowledge.
... and said: “There is not much art here.” Mr. Parasara grew gloomier than ever. Chamanlalji then took Mr. Parasara to Sunil-da the composer. Sunil-da, typically, said: “I am not a composer — I am just a receiver.” Mr. Parasara got to hear some of Sunil-da’s music. Then the two had a long talk (musician and sculptor). By the end of their talk, Mr. Parasara was overjoyed. He said: “At last my faith is... prayed, but got up weeping silently. He looked around and spied Chamanlalji. He was a stranger to Chamanlalji, but somehow felt free enough to approach and introduce himself as a sculptor — by name Parasara (of some repute in the artistic circles). His tears were (it transpired) of a feeling of frustration and depression. He had heard and believed that Sri Aurobindo was an Avatar. Furthermore, he believed... is restored. This (Sunil-da) is a great man, he is unique. He has saved my life.” Mr. Parasara was floored by Sunil-da’s music and also by his humility. What did Sunil-da most cherish, strive for? A plausible and intelligent guess could be “Music.” A revisal of our thinking may not go amiss after the following. Once, some of his instruments went out of order, repairs were delayed and the date for ...
... times nor any reason why they should last into the future. It has other arrangements and habits for which textual authority can be quoted, but it is oftener the text of the modern Smritikaras than of Parasara and Manu. Our authority for them goes back to the last five hundred years. I do not understand the logic which argues that because a thing has lasted for five hundred years it must be perpetuated ...
... (you do not get this tone in the English poetry of Great Britain and America except perhaps in the Psalms and the Prelude) and the in-depth references to Indian names like Sakuntala and Parasara as well as concepts like Yoga and Maya, Sethna does take us back repeatedly to English and French poetry. Possessed of enviable scholarship in these areas, it is but natural to come across poems ...
... N Naiad 32 Neapolitans 50 Nikumbha 17 Nobel Prize 47 Norway 25 O Olympian 4, 32 Ormuz 16 P Pan 32 Paradise Lost 9 Parasara 8 Polacks 25 Pondicherry 92 Prabhat Mukberji 97 Proteus 17 Purushottama 14 Q Queen Eleanor 49 R Rakshasas 5 Ramayana 103 Ramprasad 78 ...
... are familiar to you. Vedic rishis are perhaps not so. Today I will speak of one of the Vedic rishis. Some names of great Vedic rishis must have reached your ears-Vashishtha, Vishwamitra, Atri, Parasara, Kanwa (I do not know if it is the same Kanwa of whom Kalidasa speaks in his Shakuntala), Madhuchchanda. All of them are seers of mantra, hearers of mantra, creators of mantra; all of them occupy ...
... व्याप्तैः । यद्वा अयोवद्दृढतरैः । ूर्भिः पालनैः—पृ पालनपूरणयोः । (9) वरूथं. अनिष्टनिवारकं गृहं भव. शर्म. सुखं यथा भवति तथा भव धियावसुः. कर्मणा बुध्द्या वा प्राप्तधनः [4] [RV I.65 – 66] Hymns of Parasara Shaktya I.65 (1) तायुः thief with the cow in mountain cave .. (query, one who forms, creates पश्वा by the cow of vision) गुहा चतंतं . See parallel passages. S. अब्रुपायां गुहायां or अ ...
... Mussolini, 274 NACHIKETAS, 19-20, 32-3, 35, 105 Naidu, Sarojini, 62n Nazism, 262 Newton, 300 Nietzsche, 126, 243, 297 North Pole, 27 Norway, 175 PAKISTAN, 267 Panis, 13 Parasara, 162 Pascal, Blaise, 107-13 -Le Pari, 110 -Les Provinciales, 112 Pasternak, Boris; 185-90 -Dr. Zhivago, 185 -"Earth", 190n -"Encounter", 189n -"Fairy Tales" ...
... familiar to you. Vedic rishis are perhaps not so. Today I will speak of one of the Vedic rishis. Some names of great Vedic rishis must have reached your ears —Vashishtha, Vishwamitra, Atri, Parasara, Kanwa (I do not know if it is the same Kanwa of whom Kalidasa speaks in his Shakuntala), Madhuchchanda. All of them are seers of mantra, hearers of mantra, creators of mantra; all of them ...
... Mystics", an essay which had first appeared in the Arya, September 1915, as the introduction to "The Hymns of the Atris". Hymns of Gritsamada, II. 1-10; Hymns of Bharadwaja, VI. 1-16; Hymns of Parasara, I. 65-73: a revised version of "Parasara's Hymns to the Lord of Flame" Page 387 first published in the Arya, February, June arid July, 1920; Hymn of Paruchchhepa, I ...
... The Secret Splendour Rishi Parasara's Invocation Lord of the Flame! Flame that has stiffened into stone— Flame that has melted into dew- Flame that has leapt up into breath— Wearing the robe of Time, The tumult of life's protean hue, The awful splendour of blind death— Filling night's vacant clime With the dim frenzy ...
... in the illimitable blue spaces. Page 260 Maintaining the Aurobindonian tradition of employing gold as a paradigm, Sethna voices the urge of a realised soul in the poem "Rishi Parasara's Invocation": O merge my dazzled mind Into thy Truth's transcendent gold, Lord of the Flame! (p. 14) The cumulative effect of 'dazzled, gold and Flame' nearly leaves us dazed ...
... Snake 375 Refuge of Lions 581 Reintegrator 529 Renunciation 506 Revelation 402 Rishi 113 Page 762 Rishi Parasara's Invocation 13 Road Down—Road Up 629 Rosa Mystica—A Colloquy 715 Rose-Red 364 Runner 554 Sages 409 Sakuntala's Farewell ...
... Love' is the Avatar, it does not arise from the abject clay but descends into it and manifests in it. In any case 'in' gives a more poetic suggestion." (25.1.32) Page 669 Rishi Parasara's; Invocation "It is very good indeed. In this there is the true inspiration, felicity and power of phrase, and rhythms that are not common or obvious and are subtly effective." (8.5.32) ...
... l hesitation,—the Scylla & Charybdis of prophetic thought,—are not yet eliminated; they recur whenever the trikaldrishti has to be done, though absent when the trikaldrishti is merely happening. Parasara's Suktas are being interpreted by the vijnana, but not yet perfectly, as the modern associations of the words still interfere. Historical trikaldrishti of the past is active. 9 Both the trikaldrishti ...
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