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Satyr : Greek creature with horse’s ears & tail, represented by Romans, with goat’s ears, tail, legs, budding horns, bestial in desires, lustful & fond of revelry.

20 result/s found for Satyr

... Songs to Myrtilla Collected Poems On a Satyr and Sleeping Love Me whom the purple mead that Bromius owns And girdles rent of amorous girls did please, Now the inspired and curious hand decrees That waked quick life in these quiescent stones, To yield thee water pure. Thou lest the sleep Yon perilous boy unchain, more softly creep. PLATO ...

Sri Aurobindo   >   Books   >   CWSA   >   Collected Poems
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... beast of the meadows, Come to thy pastures, Ahana, sport in the sunbeams and shadows. Page 501 Naiad swimming through streams and Dryad fleeing through forest Wild from the clutch of the Satyr! Ahana who breakst and restorest! Oread, mountain Echo, cry to the rocks in thy running! Nymph in recess and in haunt the pursuit and the melody shunning! Giantess, cruel and false and grand! Gandharvi ...

Sri Aurobindo   >   Books   >   CWSA   >   Collected Poems
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... but beauty of being. We have ordinarily set up the figure of Apollo or of Aphrodite as representing the Greek ideal of Beauty. But actually this ideal was caught in the pug-nosed, stumpy, pot-bellied satyr of a man that was Socrates! He Page 357 was Beauty incarnate because his very being was saturated with a sense of the supreme Beauty that was Truth. The mere physical looks did not ...

Amal Kiran   >   Books   >   Other-Works   >   Talks on Poetry
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... course: your lumping together an almost initial thing like mental silence with a supreme and ultimate, hitherto-unaccomplished thing like bodily supramentalisation was like comparing "a Hyperion to a satyr", as your favourite store of quotations would say. However, I have no mind particularly to decide who should be chosen to wear the crown of a dunce's cap in the realm of irrelevance. There are more ...

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... Semele" in New Poems 1962 (Cassel-London). Page 180 and to those others who dwelt on the lowly earth and embraced its water and land, its rivers and trees and fields – the nymph, the satyr, and Pan and dryad and naiad. What are the powers and functions of these unearthly beings? They on their part are guarding the gate to heaven, questioning the pilgrim of their divine destination. Well ...

... printed editions: "Glasnevin Cemetery". This is the cemetery in Dublin where Parnell is buried. Lines on Ireland . Dated 1896 in the manuscript and all printed editions. On a Satyr and Sleeping Love . Circa 1890–98. This is a translation of a Greek epigram attributed to Plato. A Rose of Women . Circa 1890–98. This is a translation of a Greek epigram by Meleager ...

Sri Aurobindo   >   Books   >   CWSA   >   Collected Poems
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... pall of black Night 649 Page 737 O Will of God 520 O ye Powers 676 Ocean Oneness 573 Oh, but fair was her face 649 Omnipresence 620 On a Satyr and Sleeping Love 22 On the grey street 653 On the Mountains 261 One 635 One Day 542 The One Self 626 The Other Earths 562 Outspread a Wave burst 652 ...

Sri Aurobindo   >   Books   >   CWSA   >   Collected Poems
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... Poem Please send me some passages from Savitri together with my selections from the blank-verse poetry of Abercrombie that I sent you in order to help me distinguish at a glance "Hyperion from a satyr". Savitri is built on another plan altogether. It is blank verse with out enjambements (except rarely)—each line a thing by itself and arranged in paragraphs of one, two, three, four, five lines ...

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... Olympian gods, of high caste and rank as it were,—like Jupiter and Apollo—and to those others who dwelt on the lowly earth and embraced its water and land, its rivers and trees and fields—the nymph, the satyr, and Pan and dryad and naiad. What are the powers and functions of these unearthly beings? They on their part are guarding the gate to heaven, questioning the pilgrim of their divine destination ...

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... a student at Cambridge: "Songs to Myrtilla", ''0 Coil, Coil", "Goethe", "The Lost Deliverer", "Charles Page 404 Stewart Pamell", "Hie Jacet", "Lines on Ireland", "On a Satyr and Sleeping Love" (translation), "A Rose of Women" (translation), "Saraswati with the Lotus", "Night by the Sea", "The Lover's Complaint", "Love in Sorrow","The Island Grave", "Estelle", ...

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... sovereignly. But who was this cruel Hitler, this "Dwarf Napoleon", that would bestride the agitated earth like the Colossus of old? There was all the difference between the sun-god and a satyr: Far other this creature of a nether clay, Void of all grandeur, like a gnome at play, Iron and mud his nature's mingled stuff, A little limited visionary brain Cunning ...

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... Farewell, farewell, dear lady, may Lord Zeus Protect you on this unknown, dreadful road. She stands on the rock, gazing long at the retreating figure. Suddenly a blackish imp, satyr-like, with long ears and a tail, malignant- eyed, leaps out from behind a high rock, frightening her slightly. Imp Wh... ow... oo... Whoo.... Cyane (turns with a start) ...

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... sculptured. It is only when you come to the Laocoon that you find the expression of strong feeling or passion. PURANI: Perhaps Elie Faure makes that remark because of the satyrs. SRI AUROBINDO: That is quite another matter. The satyrs are symbolic. PURANI: He also argues, rather queerly, that the poisoning of Socrates, the banishment of Themistocles and the killing of other great men, were an expression ...

... mad, The work of centuries vanishing in an hour, The blood of the vanquished and the victor's crown Which men to be born must pay for with their pain, The hero's face divine on satyr's limbs, The demon's grandeur mixed with the demigod's, The glory and the beasthood and the shame; Page 219 Why is it all, the labour and the din, The transient ...

... verse-music: a mere picture with some feeling behind it is presented, the picture of a Lake-Goddess to whom an appeal has been made to come to the help of a maiden lost in a wood and exposed to a satyr's lust. By having nothing momentous said, the song yields pure melopoeia: Sabrina fair, Listen where thou art sitting Under the glassy, cool, translucent wave, In twisted braids of ...

Amal Kiran   >   Books   >   Other-Works   >   Talks on Poetry

... coldness. This applies to the period from Phidias to Praxiteles. Only when you come to the Laocoon that you find the expression of strong feeling or passion. Disciple : Perhaps because of the satyrs he says so. Sri Aurobindo : That is quite another matter, they are symbolic. Disciple : He also argues, rather queerly, that the poisoning of Socrates, the banishment of Themistocles ...

... A. Far from that. They had a more balanced view about the sex and about its place in life. They expressed their preception of the truth behind the crude sex impulse, sometimes in the form of satyrs. But they did not believe that the most primitive form of erotic impulse was the most fundamental Reality of Life or was its most beautiful aspect. Some of the ancients expressed their perception in ...

... father Cronos (who was in the habit of swallowing his children as soon as they were born) by presenting him with an enormous stone wrapped up in swaddling clothes which he swallowed instead. Satyrs: Sylvan deities representing the luxuriant forces of' Nature, having partly a human, partly an animal appearance (either that of a horse or a goat). They are lustful and fond of revelry. ...

... or yearned in vain for Marpessa; Glorifying earth with a human-seeming face of the beauty Brought from her heavenly climes Aphrodite mixed with Anchises. Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces, Dryad and Naiad in river and forest, Oreads haunting Glens and the mountain-glades where they played with the manes of our lions Glimmered on death-claimed ...

... austere of the ancients Bordered the lines of the stone and the forms of serpent and Naiad Ran in relief on those walls of pride in the palace of Priam Mingled with Dryads who tempted and fled and Satyrs who followed, Sports of the nymphs in the sea and the woods and their meetings with mortals, Sessions and battles of Trojan demigods, deaths that were famous, Wars and loves of men and the deeds... he pursued or yearned in vain for Marpessa; Glorifying earth with a human-seeming face of the beauty Brought from her heavenly climes Aphrodite mixed with Anchises. Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces, Dryad and Naiad in river and forest, Oreads haunting Page 445 Glens and the mountain-glades where they played with the manes of our lions Glimmered ...

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