CWSA Set of 37 volumes
Letters on Poetry and Art Vol. 27 of CWSA 769 pages 2004 Edition
English
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Letters on poetry and other forms of literature, on painting and the other arts, on beauty and aesthetics, and on their relation to the practice of yoga.

Letters on Poetry and Art

  On Poetry   Sri Aurobindo : corresp.

Sri Aurobindo symbol
Sri Aurobindo

Letters on poetry and other forms of literature, on painting and the other arts, on beauty and aesthetics, and on their relation to the practice of yoga. Most of these letters were written by Sri Aurobindo in the 1930 and 1940s to members of his ashram. Around one sixth of them were published during his lifetime; the rest were transcribed from his manuscripts after his passing. Many are being published for the first time in this volume.

The Complete Works of Sri Aurobindo (CWSA) Letters on Poetry and Art Vol. 27 769 pages 2004 Edition
English
 PDF     On Poetry  Sri Aurobindo : corresp.

Appreciation of Music

On Music

Written words are pale and lifeless things when one has to express the feelings raised by superb music and seem hardly to mean anything—not being able to convey what is beyond word and mere mental form—that is, at least, what I have felt and why I always find it a little difficult to write anything about music.

Musical Excellence and General Culture

I have not seen the remarks in question. I don't suppose all-round general culture has much to do with excelling in music. Music is a gift independent of any such thing and it can hardly be said that, given a musical gift in two people, the one with an all-round culture would go farther than the other in musical excellence. That would not be true in any of the arts. But something else was meant, perhaps,—that there is a certain turn or element in the excellence which an all-round culture makes possible? It is only in that sense that it could be true. Shakespeare's poetry for instance is that of a man with a vivid and many-sided response to life; it gives the impression of a multifarious knowledge of things but it was a knowledge picked up from life as he went; Milton's gets a certain colour from his studies and learning; in neither case is the genius or the excellence of the poetry due to culture, but there is a certain turn or colouring in Milton which would have not been there otherwise and is not there in Shakespeare. It does not give any superiority in poetic excellence to one over the other.

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