... the highest planes of being. The turn of the classical age outward to the exterior life and the satisfaction of the senses brought in a new inward turn of which the later ecstatic forms of the Vaishnava religion were the most complete manifestation. Confined to the secular and outward this fathoming of vital Page 375 and sensuous experience might have led only to a relaxation of nerve and... God's love, delight and beauty. In the Tantra the new elements are taken up and assigned their place in a complete psycho-spiritual and psycho-physical science of Yoga. Its popular form in the Vaishnava religion centres round the mystic apologue of the pastoral life of the child Krishna. In the Vishnu Purana the tale of Krishna is a heroic saga of the divine Avatar: in later Puranas we see the aesthetic... note gives the peculiar intensity to the emotion. This is given a still more direct turn by a southern poetess in the image of herself as the bride of Krishna. The peculiar power of this kind of Vaishnava religion and poetry Page 379 is in the turning of all the human emotions Godward, the passion of love being preferred as the intensest and most absorbing of them all, and though the idea recurs ...
... God's love, delight and beauty. In the Tantra the new elements are taken up and assigned their place in a complete psycho-spiritual and psycho-physical science of Yoga. Its popular form in the Vaishnava religion centres round the mystic apologue of the pastoral life of the child Krishna. In the Vishnu Purana the tale of Krishna is a heroic saga of the divine Avatar; in later Puranas we see the aesthetic... note gives the peculiar intensity to the emotion. This is given a still more direct turn by a southern poetess in the image of herself as the bride of Krishna. The peculiar power of this kind of Vaishnava religion and poetry is in the turning of all the human emotions Godward, the passion of love being preferred as the intensest and most absorbing of them all, and though the idea recurs wherever there ...
... the aesthetic and hedonistic being was made not only an aid to religion and spirituality and liberally used for that purpose, but even one of the main gates of man's approach to the Spirit. The Vaishnava religion especially is a religion of love and beauty and of the satisfaction of the whole delight-soul of man in God and even the desires and images of the sensuous life were turned by its vision into ...
... to enrich freely its significance and develop its practice. A living and moving, not a rigid continuity, was the characteristic turn of the inner religious mind of India. The evolution of the Vaishnava religion from very early times, its succession of saints and teachers, the striking developments given to it successively by Ramanuja, Madhwa, Chaitanya, Vallabhacharya and its recent stirrings of survival ...
... yoga has come to India. All along the Indian idea is that yoga is done by abhyāsa – practice – and tapasyā – concentrated will – and not by miracles. Some say that it came from the Vaishnava religion laying stress on consecration and prapatti – complete surrender. Some of the followers of Ramanujacharya think that as he had done the Sadhana his followers have not got to do it ! How ...
... chapters of letterpress, one side of the artistic work of the South,—its bronzes, chiefly representing the gods and devotees of the Shaiva religion,—for the Shaiva religion has been as productive of sublime and suggestive work in the plastic arts as has been the Vaishnava all over India of great, profound and passionate poetry. This book is a sumptuous production and almost as perfect as any work of the... manifests its essential being void of all that is petty, transient, disturbed and restless. In their human figures it is almost always devotion that is manifested; for this in the Shaiva and Vaishnava religions is the pure state of the soul turned towards God. The power of the artist is extraordinary. Not only the face, the eyes, the pose but the whole body and every curve and every detail aid in the... of Dancing Shivas, the characteristic image of the Shaivite art, and contains a great variety of figures; there are among them some beautiful images of famous Shaivite bhaktas. A few examples of Vaishnava art are also given. In a collection so ample and so representative it is obvious that there must be a good deal of work which falls considerably below the best, but the general impression is that ...
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