The Yoga of Sri Aurobindo - Part 10

XIII

The Golden Bridge

The Truth, the Supreme Truth cannot be expressed here below, neither in words, nor in mental ideas: It is inexpressible, indeterminable—anirvacyam, anirdeśyath. For, it exists, it is found only where the creation ceases to exist—prapañcopaśamām.

If it is asked how does then the world itself exist? has it not come out of the Truth? is it not an expression of the Divine? well, an easy answer is: Look at the world and see what kind of expression it is. Is it a divine creation? What truth is there? In truth, it is an expression of falsehood, it is all an error. So it has been declared by the great sages of the past that this is a false creation; it is an illusion, a delusion. Why is it so? How is it so? Go beyond it, into the Truth beyond, you will know. Being in the illusion, how can you perceive that it is an illusion, or why or how is it an illusion? This is one way of looking at the problem, we may say, a very categorical or radical way. But there are other possibilities, other lines of approach.

This creation as an expression of the Divine Truth may not be altogether a falsehood. It is an inadequate expression, as it stands at present, as it has been till now; but it is a growing, a progressive expression. In other words, the instruments of expression, to start with, are not fully

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developed, they have to be developed; they are being developed, through the evolutionary movement of Nature, in the course of advancing time. Indeed evolution in Nature means that and a great deal of that.

Take for example, speech, which is a special organ of expression for man. Now, originally speech, that is to say, the vocabulary on man's tongue consisted of vocables related only to the familiar objects around him, in the ordinary day to day movement of life. The field was narrow and limited, level to the ground. Observe the language also, the written language.The original written language started with images, pictorial diagrams: there was no alphabet but things and movements were presented, that is represented, almost actually. Thus for man a figure of man was drawn, that is to say, straight lines sticking out representing hands and legs and a dot for the head; the sun was a circle and so on. As consciousness grew and as the mind developed and reason became active, the images, the figures and the symbols gradually changed into more and more abstract signs. At first there was the pictogram, then the ideogram, and then, at the end, came the alphabet. Evidently, it appears, language could not develop so quickly as the consciousness or the mind did, for we see even in the earlier epochs of human civilisation and culture, man could and did come in contact with the Truth and Realities beyond his normal sense-bound consciousness. And the experiences the seers had on those levels were of such a kind that whenever they sought to express them, communicate them to others in the outward

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mind and speech, they had to take refuge in symbolism: they had to use the words of everyday life as signs and symbols pointing to other realities, other-worldly and unfamiliar. Thus, horse was to them life-force, cow the radiance of truth, the wind thought-energies, the sun consciousness or Truth, night as ignorance, light as knowledge, wine (soma means both wine and moon) as delight and ecstasy, the sky as infinity or transcendence. And so on.

Indeed, that is the hiatus, the inadequacy that still cripples and stultifies the mind, the physical mind in its attempt to seize other realities beyond. It is the mind which gives the formal structure, the pattern of expression in the material frame. The mind being bound to the life of the ignorant and outgoing senses is constitutionally incapable of receiving or holding or expressing facts of the higher life, the life beyond—what we name as the spiritual or the divine. Not only so, the mind in trying to express the higher or supraterrestrial truths inevitably diminishes, dilutes, devalues, even negates and annuls them. The attempt through parables and allegories is the story of the difficulty—the impossibility of expressing through the mind truths beyond the mind. We land into the weird and confused worlds of myths and mythologies, —myths and mythologies for example about popular Radha and Krishna, and Kali or Shiva. We are compelled to reduce to our human measures, to accentuate our human failings in order to present graphically to us the inexpressible intensities or extensions of the high experiences

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above. The Vaishnava lyrics or the songs of Solomon become to us high spiritual documents.

Man started his life on earth as an animal and is still continuing to be so in a large measure: his mental equipment also was almost wholly conditioned by the necessities of such a situation: his language, his culture even built upon an outward view of things, upon the mode and manner of his physical reactions to impacts of the gross outward world, the brute objects of physical life.

The liberation of the mind, at least the higher mind, as an instrument of expression for the human consciousness was achieved to a remarkable degree in the Upanishads generally, particularly in some, although the beginnings of it might be traced even in some of the earliest of the Vedic Riks. A serious and persistent attempt for this liberation was made later, in the age or rather ages of the Gita, the Mahabharata, the Darshanas. It was the rational spirit that impelled and inspired the Buddhist consciousness and in Europe it had its heyday in the age of Socrates and Plato. Those were intellectual ages and the intellect was trying to find and explore its own domain in its full and free power and sovereignty. And the human language too, as a necessary corollary was remoulded, remodelled, rationalised: it shook itself away as far as possible from the prejudices and prepossessions of the sense-bound mind. That is the inner story of the growth of language from the synthetic inflexional cohesive stage to its modern analytic discursive character.

Still, however, it is not easy to completely ignore or

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efface the influence of a concrete truth, a fact which is at the basis of human birth—the truth and fact of the body, of the external material objects. For example, how to express That which does not belong to this world, has not the measures of this body? The Upanishad has perforce to speak negatively of the Supreme positive Reality. It has to say, "It is not this, it is not this, it is quite other than all this, it has no parallel here below although it is the source and origin of all this." We have found some positive words indeed—sat-cit-ānanda; but the other key-word is a negative in structure— amṛtam, not death. Immortality means not mortality, and ananta too is a negative expression. We remember the famous lines: "Na tatra sūrya bhāti etc.", it is a supreme revelation, it is supremely evocative but it is built up of negatives. The Vedic rishis followed a different line, as I said; they did not evade or reject the materials of a physical life, they boldly grasped them and used them as signs, symbols, embodiments of other truths and realities. They accepted the sun, the moon, the stars, man and woman, even the normal activities of life but they gave these quite a different connotation. They filled them with a new depth and density, a higher specific gravity.

The instruments being inadequate, it was necessary to by-pass them and take to an indirect way for expressing realities that are beyond them. Neither the language nor the mental concepts were the vessels that could hold the divine drink. And sometimes the result was not very happy.

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The movement of freeing the consciousness from the hold of sense-perceptions has continued and has attained an unprecedented success. Rational mind, in order to find its autonomy has abstracted itself so much from the data of life-experiences that it has become almost an esoteric domain. Mathematical logic of today has brought forth a language that has almost no kinship with either the popular or the aristocratic tongue. Modern science has so much sublimated the facts of life, the contents of experience, that it has become only a system of geometrical formulae.

The recoil from the brute facts of life, the concrete living realities has affected even the world of artistic creation. We are very much familiar with what has been called abstract art, that is to say, art denuded of all content. The supreme art today is this sketch of bare skeleton —even a skeleton, not in its organised form but merely dismembered bits strewn about. Even poetry, the art that is perhaps most bound to the sense-pattern, as no other, so indissolubly married to sense-life, seems to be giving way to the new impact and inspiration. A poetry devoid of all thought-content, pure of all sentiment and understandable imagery is being worked out in the laboratory, as it were, a new poetry made of a bizarre combination of tones and syllables with a changed form too in regard to arrangement of lines and phrases. It is the pure form that is aimed at—the very essence, it is said, what is quintessential!

In other words, mind, that is to say, the rational mind

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on which stands man's superiority has now been so developed, developed along a single line, has specialised itself so much that it has almost defeated its own purpose. Today it has entered a cul-de-sac, a blind alley where it has bogged itself and does not know where and how to move.

The recoil from the normal, the rich and lush physico-mental expression of human consciousness and experience has been so radical and complete that it has catapulted us into an opposite extreme of bareness and nudity, at the most into a world of pure signs and symbols of notches and blotches, the disjointed mimics and inarticulate groans of a deaf and dumb man. The process of abstraction has gone so far that it has now been reduced to an absurdity. It has its parallel in the movement that led man away from the world of Maya to the Transcendent featureless Brahman. In either case the reason is that the link that joins the two ends could not be found—a living truth that is of the Transcendent, yet denying not, but affirming in a new manner the mayic existence. That is because man till now sought to create from a level of consciousness, by a force of consciousness that is not adequate to the task; for it belongs still to the mental region, to this inferior hemisphere although at present it seems to be the acme and topmost hemisphere in the scale. It is not an extension or intensification of the mind and its capacities that will solve the problem: a radical change in the very nature of the mind, a reversal of the mental consciousness—a turning of it inside out

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as it were, an opening out and up is needed to discover the true source of the Light. Therefore it has been said that man must transcend himself, find a new status in the other hemisphere. In fact there is a domain, a status of being and consciousness, a master-force which when revealed and made active will remould inevitably and spontaneously human creation and expression as a reality embodying the Highest. It is the world of Idea-Force which Sri Aurobindo has named Supermind: it is beyond the mind, even the highest mind: it is the typal concentration of the Supreme Consciousness. It is the fulcrum for the Supreme Consciousness to create and express a new formulation of the Truth in the world of matter. The mind, the highest mind, in its attempt to grasp the Supreme Reality is prone to reject, annul and efface the Cosmic Reality. The Supermind has no need to do that. It links the two ends in a supreme and miraculous synthesis negating neither, giving the full value to each, for the two are united, concentrated in its substance. Thus is found the golden bridge uniting earth and heaven.

The physical mind, with its satellite, the human speech, must indeed be rescued from the thraldom of the animal life, the life of the ordinary senses. They should be put under the regimen of the new consciousness, the status of the Idea-Force. The action of that consciousness will create its own norm and pattern adequate for expressing and embodying supra-sensuous realities. It will not have to depend upon allegories and parables, symbols and signs seized from ordinary life. What exactly this will be is.

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difficult to say at present. Evidently there is likely to be an intermediary creation—a passage leading from the sensuous to the supra-sensuous, the higher not totally rejecting the lower or primitive formula, the lower not altogether englobing and swallowing the higher.

The mantra of Savitri wields a language and expresses a physical mind that already shows how the alchemy will be done or is being done: the transmutation of the ordinary experience into a suprasensuous or the supra-sensuous embodying itself in the sensuous. The process is still in a state of transition, and as a sample of the process in action and a prefigure or fortaste of the achievement, may be recognisable in the famous sonnet of Sri Aurobindo which I quote here in full and conclude.

The Golden Light

Thy golden Light came down into my brain

And the grey rooms of mind sun-touched became

A bright reply to Wisdom's occult plane,

A calm illumination and a flame.

Thy golden Light came down into my throat,

And all my speech is now a tune divine,

A paean-song of thee my single note;

My words are drunk with the Immortal's wine.

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Thy golden Light came down into my heart

Smiting my life with Thy eternity;

Now has it grown a temple where Thou art

And all its passions point towards only Thee.

Thy golden Light came down into my feet

My earth is now thy playfield and thy seat.

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