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An account of Huta's sadhana & the grace showered on her by The Mother - especially how Mother prepared her for painting the series: 'Meditations on Savitri'.

My Savitri work with the Mother

  The Mother : Contact   On Savitri

Huta
Huta

This book tells the story of how Huta came to the Ashram and began her work with the Mother. It presents a detailed account of how the Mother prepared and encouraged her to learn painting and helped her to create two series of paintings: the 472 pictures comprising Meditations on Savitri and the 116 pictures that accompanied the Mother's comments titled About Savitri. During their meetings, where the Mother revealed her visions for each painting by drawing sketches and explaining which colours should be used, the unique importance of Savitri and the Mother's own experiences connected to the poem come clearly into view. The book is also a representation of Huta's sadhana, her struggles and her progress, and the solicitude and grace showered on her by the Mother.

My Savitri work with the Mother
English
 The Mother : Contact  On Savitri

15 February 1957

On 15th February 1957 when the Mother saw my painting of the Chinese vase, she exclaimed:

It is excellent, you are getting on quite well with painting. By August, we shall have a good collection. Then there will be an exhibition of your paintings.

I cried: "Oh, but I have just started painting. Is it possible to exhibit my paintings which are hardly satisfactory?"

She consoled me:

I have already planned how to arrange the paintings in the exhibition. It is a happy progress—whatever people may say or think. It is a miraculous progress.


I received from the Mother a card with these words:

Here is a Japanese picture painted on a very thin sheet of bamboo. I am sending you also the pink dahlia for painting.

My love and blessings and the Presence of the Divine Grace are constantly with you.

Since she did not mention the background I painted the flower against a white background. When she saw the painting in the evening her eyes lit up with admiration. She said:

You are progressing steadily. It is good. The Consciousness and Force are there. They need the proper instrument through which they can act.

If the instrument is not receptive and good, then they cannot possibly express themselves.

For example, a great musician has a piano but owing to the bad tuning he cannot play on it in spite of his wonderful talent.

Similarly the Divine Force, the Divine Consciousness and the Divine Grace cannot work if the instruments are not proper










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