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An account of Huta's sadhana & the grace showered on her by The Mother - especially how Mother prepared her for painting the series: 'Meditations on Savitri'.

My Savitri work with the Mother

  The Mother : Contact   On Savitri

Huta
Huta

This book tells the story of how Huta came to the Ashram and began her work with the Mother. It presents a detailed account of how the Mother prepared and encouraged her to learn painting and helped her to create two series of paintings: the 472 pictures comprising Meditations on Savitri and the 116 pictures that accompanied the Mother's comments titled About Savitri. During their meetings, where the Mother revealed her visions for each painting by drawing sketches and explaining which colours should be used, the unique importance of Savitri and the Mother's own experiences connected to the poem come clearly into view. The book is also a representation of Huta's sadhana, her struggles and her progress, and the solicitude and grace showered on her by the Mother.

My Savitri work with the Mother
English
 The Mother : Contact  On Savitri

19 November 1961

On 19th November the Mother made me understand the nineteenth picture of Book One, Canto 1:

Mortality bears ill the eternal's touch.... ||2.11||
Inflicting on the heights the abysm's law,
It sullies with its mire heaven's messengers:
Its thorns of fallen nature are the defence
It turns against the saviour hands of Grace;
It meets the sons of God with death and pain. ||2.12||

She asked me to show in the painting, blood oozing from Savitri's hands and right foot.

I did the painting.

When the Mother saw it, in the afternoon, she commented:

The expression of Savitri is very good indeed.

The next morning the twentieth picture was explained by the Mother.

Thus trapped in the gin of earthly destinies,
Awaiting her ordeal's hour abode,
Outcast from her inborn felicity,
Accepting life's obscure terrestrial robe,
Hiding herself even from those she loved,
The godhead greater by a human fate. ||2.17||

As usual the Mother saw the painting in the afternoon and was satisfied with my progress.

The next picture—number twenty one—was suggested by the Mother:

Against the evil at life's afflicted roots,
Her own calamity its private sign,
Of her pangs she made a mystic poignant sword ||2.25||

In the afternoon I went to the Mother with the painting which she liked and approved.









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