An account of Huta's sadhana & the grace showered on her by The Mother - especially how Mother prepared her for painting the series: 'Meditations on Savitri'.
The Mother : Contact On Savitri
This book tells the story of how Huta came to the Ashram and began her work with the Mother. It presents a detailed account of how the Mother prepared and encouraged her to learn painting and helped her to create two series of paintings: the 472 pictures comprising Meditations on Savitri and the 116 pictures that accompanied the Mother's comments titled About Savitri. During their meetings, where the Mother revealed her visions for each painting by drawing sketches and explaining which colours should be used, the unique importance of Savitri and the Mother's own experiences connected to the poem come clearly into view. The book is also a representation of Huta's sadhana, her struggles and her progress, and the solicitude and grace showered on her by the Mother.
THEME/S
On 24th I saw the Mother in the Meditation Hall upstairs. She greeted me with three exquisite white roses and a sweet smile.
She read the passage which I typed:
As in a mystic and dynamic dance A priestess of immaculate ecstasies Inspired and ruled from Truth's revealing vault Moves in some prophet cavern of the gods, A heart of silence in the hands of joy Inhabited with rich creative beats A body like a parable of dawn That seemed a niche for veiled divinity Or golden temple door to things beyond. ||3.33||
Instead of explaining to me through her sketch, the Mother gave me a pose—right foot slightly lifted—right hand came down—left hand went up—in order to show me how the priestess should dance.
This reminds me that in one of her births she was a Priestess in Egypt.
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