The Mother : Contact
THEME/S
I came to the Ashram for the Puja-holidays in 1950. It was the full moon of Lakshmi and Pondicherry was flooded with a soft silver light that evening as I stood on the sea-front all alone. When I used to come from Calcutta for the darshan, the Mother, after Her evening meditation and blessing, would meet a few girls including me, in the small room upstairs. I became part of this group from 1949. This was an incredible experience, to find the Mother in such close intimacy and spend some time with Her all alone, to receive a flower from Her and be blessed in that warm stillness. Only one who has experienced this can understand what I mean. Words fall short of conveying its full impact and significance.
I was slowly walking along the sea-front towards the Ashram as my heart shed tears of grief at the thought of leaving the Mother to go back to Calcutta. Only much later when I had grown up did I understand in Sri Aurobindo's and the Mother's writings that these were tears of the soul.
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There was a small cupboard on Her right on which was placed a tray full of different kinds of flowers. I did not know then that the Mother had given a spiritual significance to each flower. The Mother gave to each one the flower that corresponded to their need and aspiration and which would help in their sadhana and the transformation of their nature. That day too, as She was selecting the flower for me, She told me, "Don't get married. You are very sensitive by nature and you are very sincere in your feelings. If ever you get entangled in this life of marriage, it would be almost impossible for you to come out of it. That's why you should not get married, for then you will be able to walk on the path of sadhana. This is indeed your life, my dear child. This is your life. Don't get married."
The Mother blessed me and I came down. Something had been deeply stirred within me. I was still very young then and studying in Calcutta. I had not thought at all about my future, not even about my coming to settle in the Ashram. And then in just a few instants, this huge churning had begun! The Mother had decided about my future in a flash! Would I be able to embrace this life? I remained seated in the Meditation
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In any case, let me return to my story. After the November darshan, we went back to Calcutta. Just a few days after our return, we came to know on the radio about Sri Aurobindo's
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physical departure from this world. As soon as we heard this news our entire family, except for Baba, returned to Pondicherry for Sri Aurobindo's Mahasamadhi. How we spent those days, before His body was put to rest in the Samadhi, I cannot describe in words. Never had we imagined that Sri Aurobindo would, one day, leave His body, and we would never be able to have His darshan again.
After the Mahasamadhi day on 9th December, we returned to Calcutta on the 10th. Within a few days of our return, I came to know that Baba had fixed up, without our knowledge,my wedding with the son of one of his childhood friends.
Baba told my mother in great detail about the wedding plans and began to prepare for it in earnest. Just around this time of my life, I came face to face with a momentous test. It was the wedding of a very close friend of my elder brother Arun, Khoka-da. All dressed up for the occasion, Baudi (sister-in-law) and I went to attend the wedding celebrations. On entering, I noticed in the large crowd that had gathered there, an aunt of mine, Khuku-masi, talking to a handsome young man near the entrance. On noticing me, she called out. She introduced the young man to Baudi and me. After exchanging some civilities I went inside. Just a few days later, this man turned up at our house, wanting to see Baudi. And then he returned a couple of days later! This time I was called down to come and meet him. Baudi disappeared from the room on the pretext of making tea. I continued to talk to this handsome young man who appeared to me very decent and cultured. And yet, I felt something not quite right in his demean-our. The day after his Visit, my father's friend, whose son I was to marry, arrived home calling out 'Khuku-ma. . .Khuku-ma' from the door. I rushed down. I noticed that same young man near the gate, shutting his car-door and walking towards us. Father's friend introduced this boy to me as his son. As soon as I heard his name, I felt as if someone had laid a massive stone On my chest. I don't remember how I behaved that day standing in front of them. For the next few days, I could neither flat nor sleep. I couldn't tell anyone about my condition, not
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Ma had always been a woman of few words. When Baba started to get the wedding jewelry ready, Ma told him one day, "Have you spoken to Khuku about the wedding? Has she agreed? If she happily agrees to get married then I have nothing to say. But, mind you, if she is not willing, I will never consent to such a wedding." Baba retorted, "You cannot stop this wedding! I am her father. I know what is good for her and I am most certainly going ahead with it!" Saying this, Baba left the house in a huff. And then began a period of recurring arguments and turmoil at home between Ma and Baba. The disharmony rose to a crescendo. This would happen every day as soon as Baba got back home. The atmosphere in the house became progressively so unbearable that it became difficult to live there. I still remember Ma's face whenever any reference was made to this wedding. My mother was a short-statured, fair, beautiful, quiet woman but what strength and inner determination was in her, I came to see in the few months that followed Baba's decision about my wedding. After all this time that has gone by, when I think of the past, I guess it would have been impossible for me to come to Pondicherry, had Ma
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And so a few months went by in this perturbed atmosphere at home. The wedding paraphernalia began to be collected, the jewelry, the saris, the vessels, etc. All this was being done only by Baba. He was in charge of all the preparations. Ma remained throughout very calm and quiet. She did not show any enthusiasm for this wedding, nor did she try to oppose or disrupt it in any way. She did not allow any situation of disharmony to arise. Neither of my two brothers knew the reason for such a state of things at home or for her difficult state of mind. But they felt and understood that there was a great deal of conflict and disagreement between Ma and Baba. When all the members of the household had gone to sleep, Ma and I would lie in our room and deliberate about how to get out of this tangle. The Mother had told me to send Her a telegram in case my father decided to fix my wedding. But how were we supposed to do that.? Then one day in the midst of all these arguments and disquiet, my brother Arun came and handed me an envelope. He said he had received this from our neighbour Satya-da who asked him to give it to me. On opening the envelope, I discovered that it was a note from Nolini-da addressed to me:
Dear Shobha, The Mother has asked you to come at once. The Mother sends you Her blessing.
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over this. Had the Mother already seen this impending obstacle come up in my life and that is why She had repeatedly alerted me not to get married?
But how was I to go? I had no money. How was I to take Baba's permission? And then why would Baba ever consent to such a decision? The disquiet would only increase at home. All these worries racked my being but my mother was unaffected and calm. With exemplary determination, she said, "If the Mother has asked us to come, then we must prepare to leave." When Baba would fall asleep in his room, Ma and I made secretly the necessary preparations to set out for Pondicherry. Ma asked my brothers if one of them could accompany us to Pondicherry for a few days. Neither of the brothers agreed.
On not getting any cooperation from my brothers, Ma called one of my paternal cousins, Nau-da (Sunil Kumar Brahma), and explained to him in detail the whole affair and requested him to accompany the two of us to Pondicherry. When he heard about the Mother's words, he at once agreed to be our escort. It was Nau-da who made all the arrangements, not just the financial but everything else too, and kept the entire matter under wraps from Baba and my brothers. Both Ma and I felt that behind this spontaneous, generous help from Nau-da was the Mother's unmistakable Grace. Else nothing would have moved.
Finally on 13th June 1951, against the express wishes of Baba and everyone in the family, Ma and I left for Pondicherry with two suitcases and a bedding. How can I ever forget that day? Ma and I bid adieu to the house. The transport that was to take us to the station stood outside. Nau-da was carrying our luggage down into the car. My brothers had also come down. Ma and I bowed down to Sri Aurobindo's and the Mother's photographs in our room and came down and stopped for a while near the gate. I saw Baba standing there and visibly crying. Seeing him cry, I too broke down. I went up to him and bowed down at his feet. His crying only increased and he said, "You have trampled on all my hopes and desires and are going away. Know that I am no longer your
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On 15th June, on a Wednesday evening, we arrived in Pondicherry. Yogananda, an old sadhak of the Ashram, had come to fetch us at the train-station. That was his officially assigned duty from the Ashram: to receive new Ashramites or visitors coming for darshan and escort them to their place of accommodation. We went with him to a house called Red House. It was a very large house that the Mother had allocated to the two of us. The whole of the ground-floor was meant for us. Beyond the gate was a verandah. Then there was a room occupied by a Chinese couple, Hu Hsu and his wife, both of them well-known artists. Except for this room, the rest of the ground-floor was kept for us by the Mother. It was a well-furnished house. A lot of the house-owner's furniture was tastefully placed in the different rooms for our use. Out-side, there was a little yard and a garden. The property was enclosed by a red railing. On the eastern side stood a big gate that led to the sea which was visible from the gate itself. One could hear the waves breaking in the distance. There was a large terrace above the house. Standing on this terrace, I could enjoy the infinite beauty of nature: gold-flecked sunrises, tranquil silvery full moon nights, the endlessly murmuring waves Whispering to the shore each time a new rhythm and tone, the serene blue skies ever-changing with fleecing marble-white clouds. How many times was I to stand on this terrace in all the decades lived in the Red House, contemplating silently the vast sea which would inevitably lift me out of the limiting and sorrowful moments of littleness or exaggerated sense of self- importance. The natural scenery around was as beautiful as
We started walking towards the Dining-room. In those days people who ate at the Dining-room did not speak much. In the mornings, there was absolute silence. I was following the line to the service counter where the people serving did their work without any talking. The people being served also respected the meditative atmosphere. I still remember three people from the service counter: Charu-da, Bihari-da and Ila-di (Chitra-di and Amita's mother). Their attitude, the quality of their presence at the counter, the atmosphere that they Created standing at the service counter was such that it was needless to announce that the dining space was also a place of sadhana, and it was also an extension of the Ashram. The food
After finishing breakfast I headed for the washing area with my plate. Two large water tanks were there for the vessels at that time. A sadhak was standing in front of the tanks to take the plates and dip them inside the water for washing. As I handed over my plate to him a kind of musical air wafted into my ears: it was a sweet, masculine voice singing some sort of a classical strain. I turned to my right and there was Bhishma-da, as usual wiping vessels and humming a classical air. This was not a new sight for me as I had seen it before. When I used to come with my brothers, how many times would we go to the old pier after our evening meal and wait there. Bhishma-da would finish his vessel-wiping work at the Dining-room and come to the pier to sit in a specific place on a cotton rug. Within a few seconds, he would close his eyes and start improvising a musical strain. My brothers and I would sit quietly near him in order to listen to him. The roaring sea was quite loud, no doubt, but the strains of Bhishma-da's singing piercing through that constant roar were a most agreeable experience. That day I kept replaying that memory in my mind very happily. I ran to the gate and told Ma and Nau-da to go ahead to the Ashram. Bhishma-da was doing his work sitting next to a door and I went and sat on the steps of the staircase just in front of this door. I had some free time so I sat there and with eyes closed started enjoying his unfolding alaap. Not many people had assembled yet in the Dining-room. That is why, even though he sang very softly, I could still enjoy it. It was a morning raga, Bhairavi. From time to time my tears within me would Well up as I remembered my brothers. Today they were not With me. From today a new life was unfolding before me. I could not sit there for very long and I got up and began Walking towards the Ashram.
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Ma was next in line to offer pranam to the Mother. She gave Ma a pink rose named 'Surrender' and meditated for a long time with Her hand on Ma's head. After doing pranam, Ma, Nau-sda and I came back to Red House.
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