A collection of short prose pieces on the Mother and her four great Aspects - Maheshwari, Mahakali, Mahalakshmi, Mahasaraswati, along with 'Letters on the Mother'.
Integral Yoga
This volume consists of two separate but related works: 'The Mother', a collection of short prose pieces on the Mother, and 'Letters on the Mother', a selection of letters by Sri Aurobindo in which he referred to the Mother in her transcendent, universal and individual aspects. In addition, the volume contains Sri Aurobindo's translations of selections from the Mother's 'Prières et Méditations' as well as his translation of 'Radha's Prayer'.
THEME/S
Sometimes the Mother looks at us smilingly, as if she were pleased; at other times she looks in quite a different way, as if seriously.
Why not? The Mother cannot be serious, absorbed, drawn into herself? Or do you think it is only displeasure against the sadhaks that can make her so?
18 June 1934
During some dark periods such as now, I am awfully afraid to go to Pranam, lest I should have the misfortune to see the Mother's grave face, with no smile at all.
All this about the Mother's smile and her gravity is simply a trick of the vital. Very often I notice people talk of the Mother's being grave, stern, displeased, angry at Pranam when there has been nothing of the kind—they have attributed to her something created by their own vital imagination. Apart from that, the Mother's smiling or not smiling has nothing to do with the sadhak's merits or demerits, fitness or unfitness—it is not deliberately done as a reward or a punishment. The Mother smiles on all without regard to these things. When she does not smile, it is because she is either in trance, or absorbed, or concentrated
Page 541
on something within the sadhak that needs her attention—something that has to be done for him or brought down or looked at. It does not mean that there is anything bad or wrong in him. I have told this a hundred times to any number of sadhaks—but in many the vital does not want to accept that because it would lose its main source of grievance, revolt, abhiman, desire to go away or give up the Yoga, things which are very precious to it. The very fact that it has these results and leads to nothing but these darknesses ought to be enough to show you that this imagination about Mother's not smiling as a sign of absence of her grace or love is a device and suggestion of the Adversary. You have to drive away these things and give some chance for the psychic with its deeper and truer love and surrender to come forward and take up the Adhar as its kingdom.
28 July 1934
So many sadhaks are not able to understand the Mother's seriousness at Pranam. They find it difficult not to feel that they have displeased her in some way or other. Could you not clarify the cause of the seriousness?
The whole foundation of the difficulty is erroneous. It is the wrong idea that if Mother is serious it must be because of some personal displeasure against "me"—each sadhak who complains of being the "me". I have repeated a hundred times to complaints that it is not so, but nobody will give up this idea—it is too precious to the ego. The Mother's seriousness is due to some absorption in some work she is doing or, very often, to some strong attack of hostile forces in the atmosphere.
19 April 1935
About Mother's seriousness at Pranam, you wrote: "The Mother's seriousness is due to some absorption in some work she is doing or, very often, to some strong attack of hostile forces in the atmosphere." But I never felt any hostile attack before going to Pranam; rather the attack comes afterwards when my vital fails to endure her seriousness.
Page 542
It does not matter whether you feel any attack or not—the attack is there. In fact for the last several months the atmosphere is full of the most violent attacks threatening the very existence of the Yoga and the Asram and the sadhaks personally or the body of the Mother. If you are not touched that is a matter for which you ought to be grateful to the Mother instead of your vital getting upset because she is doing her work.
20 April 1935
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